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777 - Loviet
Debut, Features, Music, Reviews, Track-by-TrackNovember 23, 2021<November 24, 2021

“Nostalgic, Cathartic, & Honest”: Toronto’s Loviet Comes to Life in Dazzling Debut Album, ‘777’

by Mitch Mosk
Cody Fry © Samuel Cowden / IV Studio
Features, Interviews, Music, PremieresNovember 23, 2021<December 15, 2021

Interview: Cody Fry’s Accidental TikTok Fame & The Symphony Sessions’ “I Hear a Symphony”

by Lilly Eason
Mattiel © Brandon McClain
Columns, Music, Today's SongNovember 23, 2021<November 23, 2021

Today’s Song: Mattiel Crush Hard on Dreamy (New Single) “Jeff Goldblum”

by Mitch Mosk
Smokey Brights © Jake Hanson
Features, Interviews, MusicNovember 23, 2021<June 20, 2024

Interview: Smokey Brights Glitter on Stage

by Kelly Liu
Look Closely - Hush Forte 9.1
Debut, Features, Music, Our Take, Reviews, Track-by-TrackNovember 22, 2021<March 11, 2023

Feature: South Florida’s Hush Forte Dives Inside His Intimate Coming-of-Age Project ‘Look Closely’

by Mitch Mosk
Sunflower Thieves © Sophie Jouvenaar
Columns, Music, Today's SongNovember 22, 2021<June 6, 2022

Today’s Song: Sunflower Thieves’ Cozy “Sirens” & the Warm Glow of Friendship

by Mitch Mosk
Nicotine Dolls © 2021
Columns, Music, Today's SongNovember 20, 2021<February 7, 2022

Today’s Song: NYC’s Nicotine Dolls Bang It Out on Cinematic Anthem “Upset the Neighbors”

by Mitch Mosk
Sea Lemon © Raphael Gaultier
Columns, Debut, Music, Today's SongNovember 19, 2021<November 19, 2021

Today’s Song: Seattle’s Sea Lemon Debuts with Anxious & Dreamy “Sunday”

by Mitch Mosk
Soot Sprite © 2021
Features, Music, Reviews, Track-by-TrackNovember 19, 2021<November 19, 2021

“Vulnerable but Resilient”: Exeter’s Soot Sprite Dive into Their Honest & Urgent ‘Poltergeists’ EP

by Mitch Mosk
Makaya McCraven © Nolis Anderson
Features, Interviews, MusicNovember 19, 2021<December 10, 2021

Deciphering the Message: Makaya McCraven on Blue Note and the Art of Remixing

by Mariel Fechik
doomsday - Lizzy McAlpine
Artist to Watch, Columns, Music, ReviewsNovember 19, 2021<November 19, 2021

Artist to Watch: Lizzy McAlpine Celebrates Death with “doomsday”

by Nasim Elyasi
Atwood Magazine's Weekly Roundup | November 19, 2021
Columns, Features, Music, Weekly RoundupNovember 19, 2021<June 23, 2022

Atwood Magazine’s Weekly Roundup: November 19, 2021

by Atwood Magazine Staff
Aquilo © 2021
Features, Music, Reviews, Track-by-TrackNovember 18, 2021<February 7, 2022

“Free, Warm, Home”: Aquilo Find ‘A Safe Place to Be’ in Radiant & Wondrous 3rd Album

by Mitch Mosk
Courtney Barnett © Mia Mala McDonald
Music, ReviewsNovember 18, 2021<November 18, 2021

Review: Courtney Barnett’s ‘Things Take Time, Take Time’ Is a Stunning Display of Lyricism to a Questionable Soundtrack

by Lilly Eason
Glossies © 2021
Music, Music Videos, PremieresNovember 18, 2021<November 18, 2021

Premiere: Glossies’ Erich Tomkinson Summons a Fantasy Romance in “Kinda Wish You’d Call”

by Guest Writer
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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