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Fime © Eleanor Petry
Columns, Music, Today's SongSeptember 27, 2021<September 27, 2021

Today’s Song: LA’s Fime Weave a World of Lush, Sweet Indie Rock Wonder in “Born 2 Love”

by Mitch Mosk
Glass Heart String Choir © Ryan J. Salva
Music, PremieresSeptember 27, 2021<September 27, 2021

Premiere: Glass Heart String Choir’s Bittersweet & Achingly Vulnerable “Wounds”

by Mitch Mosk
Isle of Wight Festival © Callum Baker
Festival, MusicSeptember 27, 2021<September 27, 2021

Isle of Wight Festival 2021: More Than Just the Headliners

by Bethan Harper
The Muslims © Chris Charles
Music, ReviewsSeptember 24, 2021<September 24, 2021

Album Review: The Muslims Scorch Earth and Revive Punk on ‘Fuck These Fuckin Fascists’

by Oliver Crook
Atwood Magazine's Weekly Roundup | September 24, 2021
Columns, Features, Music, Weekly RoundupSeptember 24, 2021<September 24, 2021

Atwood Magazine’s Weekly Roundup: September 24, 2021

by Atwood Magazine Staff
Wayne Snow © Kiroubel Beaujour
Features, Interviews, MusicSeptember 24, 2021<September 27, 2021

Interview: WAYNE SNOW on Identity, Facades, and His Smoldering Sophomore LP ‘Figurine’

by Mitch Mosk
Columns, Music, Today's SongSeptember 24, 2021<September 24, 2021

Today’s Song: A Breezy & Soulful Look Into Taylor Kelly’s Mind With “Maybe”

by Adrian Vargas
Frames © 2021
Debut, Features, Music, Reviews, Track-by-TrackSeptember 24, 2021<September 24, 2021

Track-by-Track: Frames’ Heartfelt & Hard-Hitting Debut Album ‘Every Room’

by Mitch Mosk
Everything's Waiting for You - Tom Speight
Features, Music, Reviews, Track-by-TrackSeptember 24, 2021<September 24, 2021

Feature: Tom Speight Captures Life’s Beauty & Wonder in Sophomore LP ‘Everything’s Waiting for You’

by Mitch Mosk
Merpire © Nick Mckk
Debut, Features, Music, Reviews, Track-by-TrackSeptember 23, 2021<September 23, 2021

A Diary and a Daydream: Inside Merpire’s Stunning Debut Album ‘Simulation Ride’

by Mitch Mosk
Robert Ellis Orrall © Ricardo Fernandez
Features, Interviews, MusicSeptember 23, 2021<September 27, 2021

Interview: Robert Ellis Orrall’s ‘467 Surf and Gun Club’, a Portrait of a Musician’s Heaven

by Mitch Mosk
MarthaGunn © 2021 9.1
Debut, Features, Music, Reviews, Track-by-TrackSeptember 23, 2021<November 4, 2021

Feature: MarthaGunn Shine on Vulnerable, Confident, & Reflective Debut Album ‘Something Good Will Happen’

by Mitch Mosk
Sli’merre - Young Nudy, Pi'erre Bourne
Columns, Music, The Collab ColumnSeptember 23, 2021<September 22, 2021

The Collab Column: Young Nudy and Pi’erre Bourne’s ‘Sli’merre’

by Leo Culp
Vacances © Todd Schmiedlin
Music, PremieresSeptember 23, 2021<September 29, 2021

Premiere: Vacances’ Buoyant New Single “Love Collapse” Is a Resilient Revelry

by Mitch Mosk
James Blake © Miles Johnston
Columns, Music, Today's SongSeptember 23, 2021<January 30, 2024

Today’s Song: James Blake Explores a Different Kind of Loss with “Life Is Not the Same”

by Nasim Elyasi
Posts pagination
1 … 287 288 289 290 291 … 727

Brand New

  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through

:: discover something new ::

Recent Posts

  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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