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Row Me Away - Leo Sawikin
Debut, Features, Music, Reviews, Track-by-TrackDecember 8, 2021<December 8, 2021

“Bittersweet, Pre-Dystopian, Longing”: Inside Leo Sawikin’s Dramatic Solo Debut, ‘Row Me Away’

by Mitch Mosk
LAIKIPIA © 2021
Features, Music, Reviews, Track-by-TrackDecember 8, 2021<December 8, 2021

A Place Like No Other: A Track-by-Track Review of LAIKIPIA’s ‘All Hail Hyperion’

by Joe Beer
Emily Blue © Kirsten Barnett
Artist to Watch, Columns, Music, Today's SongDecember 8, 2021<December 8, 2021

Artist to Watch: Emily Blue’s “The Afterlove” Is a Radiant Kiss of Intimate Brooding & Pop Magic

by Mitch Mosk
Features, Interviews, MusicDecember 7, 2021<October 18, 2023

Interview: Laura Dreyfuss Talks Vulnerability, Life Lessons & Development of Sound

by Chloe Robinson
Dom Dolla & Mansionair © Jesse Lirola
Columns, Music, Today's SongDecember 6, 2021<December 6, 2021

Today’s Song: Dom Dolla and Mansionair Showcase the Finest of Australian EDM on “Strangers.”

by Josh Weiner
talker © Sean Berger
Columns, Music, Today's SongDecember 3, 2021<December 1, 2021

Today’s Song: talker Haunt with Sunshine on “Summerlin”

by James Crowley
La Luz © Pooneh Ghana
Features, Interviews, MusicDecember 3, 2021<December 9, 2022

“Super True Surf-Guitar-Doo-Wop Sound”: A Conversation with La Luz’s Shana Cleveland

by Ben Niesen
Kelefa Sanneh © Jason Nocito
Books, Columns, MusicDecember 2, 2021<December 2, 2021

Book Review: Kelefa Sanneh Spans Seven Genres, Fifty Years, & Countless Gems in ‘Major Labels’

by Oliver Crook
Zach Kleisinger © Stephanie Lynch
Music, ReviewsDecember 2, 2021<December 2, 2021

The Intimate Beauty of Singer/Songwriter Zach Kleisinger’s “Dance for a While” & Debut Album ‘Their Symposium’

by Mitch Mosk
DEVORA © Evan Webb
Columns, Music, Today's SongDecember 2, 2021<December 2, 2021

DEVORA Refreshes Summer Single “Elvis” with an Acoustic, Steel Guitar-Filled Reboot & Western Visualizer

by Beau Hayhoe
The Libertines Cristina Massei
Concerts, Music, ReviewsDecember 2, 2021<December 1, 2021

Live Review: The Libertines and The Dead Freights Resurrect Rock in Bournemouth

by Bethan Harper
Cold Weather Company © Jeremy Berkowitz
Features, Music, Reviews, Track-by-TrackDecember 1, 2021<December 7, 2021

“Parts Becoming Whole”: Inside Cold Weather Company’s Cinematic & Wondrous 4th Album ‘Coalescence’

by Mitch Mosk
Taloula © Alexadra Waespi
Columns, Music, Today's SongDecember 1, 2021<December 1, 2021

Today’s Song: Taloula’s Tender “Find My Way” Is an Achingly Intimate Eruption

by Mitch Mosk
30 - Adele
Features, Music, Reviews, RoundtableDecember 1, 2021<June 29, 2024

Roundtable Discussion: A Review of Adele’s ’30’

by Atwood Magazine Staff
Maxwell Planes © 2021
Music, PremieresDecember 1, 2021<December 1, 2021

Premiere: Chicago’s Maxwell Planes Smolders on “Gave My Everything” ft. Melanie Faye & Ric Wilson

by Mitch Mosk
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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