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Atwood Magazine's Weekly Roundup | July 16, 2021
Columns, Features, Music, Weekly RoundupJuly 16, 2021<July 16, 2021

Atwood Magazine’s Weekly Roundup: July 16, 2021

by Atwood Magazine Staff
Shungudzo © Yazz Alali
Debut, Features, Interviews, MusicJuly 16, 2021<February 7, 2022

“A Portrait of a Human Experience”: Shungudzo Talks Debut Album, Activism, Motherhood, & Love

by Mitch Mosk
VEPS © Jenny F. Lunde
Debut, Features, Music, Reviews, Track-by-TrackJuly 15, 2021<July 15, 2021

“Raw, Young, & Energetic”: Oslo’s VEPS ‘Open the Door’ with Radiant Indie Rock Debut EP

by Mitch Mosk
Play​.​Make​.​Believe. - Ace Hashimoto
Debut, Features, Music, Reviews, Track-by-TrackJuly 15, 2021<July 15, 2021

“A Pharrell Homage”: Ace Hashimoto Dives into His Fresh & Fun Debut Album ‘Play.Make.Believe.’

by Mitch Mosk
Hovvdy © Pooneh Ghana
Columns, Music, Today's SongJuly 15, 2021<July 15, 2021

Today’s Song: Hovvdy Find Comfort, Catharsis, & Connection in “True Love”

by Mitch Mosk
I Think I Know - Georgia Parker
Features, Music, Reviews, Track-by-TrackJuly 14, 2021<July 16, 2021

“Sincere, Hopeful, Warm”: Georgia Parker Premieres Her Stirring, Spellbinding ‘I Think I Know’ EP

by Mitch Mosk
Favorite What If - Ashley Kutcher
Interviews, MusicJuly 14, 2021<July 14, 2021

Interview: Singer/Songwriter Ashley Kutcher Sings a Poignant Goodbye to Love in “Favorite What If”

by Mitch Mosk
Sofia Monroy © Hugo Aldén
Columns, Music, Today's SongJuly 14, 2021<July 14, 2021

Today’s Song: Sofia Monroy’s Empowering, Liberating Self-Love Anthem “Sweet Temptation”

by Mitch Mosk
Gone Gone Beyond © LP Hastings
Features, Music, Reviews, Track-by-TrackJuly 14, 2021<July 14, 2021

“Beautiful, Expansive, & Honest”: Gone Gone Beyond Radiate Existential Love on Sophomore LP ‘2030’

by Mitch Mosk
Dizzy © cowboydrugs
Features, Interviews, MusicJuly 13, 2021<July 13, 2021

Turning Songs Inside Out: A Conversation with Dizzy

by Nicole Almeida
Blonde Holly © Jacob Cummings
Debut, Music, ReviewsJuly 13, 2021<July 13, 2021

Flagstaff’s Blonde Holly Debuts with Soothing, Dreamy Single “Making Moves”

by Mitch Mosk
Hedda Mae © Alvin Santos
Columns, Music, Today's SongJuly 13, 2021<July 13, 2021

Today’s Song: Hedda Mae’s Irresistibly Seductive “Mr. Big Mouth” Tributes Britney & ’00s Pop

by Mitch Mosk
OKORO "Nsibidi" song picture
Debut, Features, Music, ReviewsJuly 13, 2021<July 13, 2021

“Fearless & Honest”: OKORO Radiates Passion and Purpose in ‘To Be Poetic’ EP

by Mitch Mosk
EVVAN © Chris Basford
Editorials, Music, PremieresJuly 13, 2021<June 20, 2024

“Taking the Mask Off”: EVVAN Shares Essay Coming Out as Non-Binary & New Song “Falling into You”

by Guest Writer
Bilk © 2021
Columns, Music, Today's SongJuly 12, 2021<July 12, 2021

Today’s Song: Essex Pop Punks Bilk Ride High in “Bad News”

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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