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NGAIIRE © Dan Segal
Features, Music, Reviews, Track-by-TrackOctober 5, 2021<October 5, 2021

“Never Ending Story”: Inside NGAIIRE’s Intimate, Wondrous & Soulful Album, ‘3’

by Mitch Mosk
Scalawag © Teo Saefkow
Music, PremieresOctober 5, 2021<October 4, 2021

Premiere: Scalawag’s Hauntingly Peaceful “Nobody Leaves”

by Kelly McCafferty Dorogy
Boslen © Cameron Corrado
Debut, Features, Music, Reviews, Track-by-TrackOctober 4, 2021<October 5, 2021

“Introspective, Cinematic, & Dark”: Boslen Dives into the Vulnerable Depths of Debut Album ‘DUSK to DAWN’

by Mitch Mosk
Maisyn © Rly Blonde
Debut, Features, Music, Reviews, Track-by-TrackOctober 4, 2021<October 4, 2021

“Earnest, Nostalgic, & Colorful”: Inside Maisyn’s Intimate & Catchy Coming-of-Age Debut EP ‘Cool Grl’

by Mitch Mosk
Columns, Music, Today's SongOctober 4, 2021<October 4, 2021

Today’s Song: Tommy Newport Goes Sweet as Hell With “Bubblegum”

by Joe Beer
Miles Marshall Lewis © Barron Claiborne
Books, Music, ReviewsOctober 4, 2021<October 4, 2021

Book Review: Miles Marshall Lewis Adjusts Kendrick Lamar’s Crown in ‘Promise That You Will Sing About Me’

by Oliver Crook
Shad © Justin Broadbent
Features, Interviews, MusicOctober 1, 2021<October 1, 2021

Interview: Shad Reimagines Human Connection on ‘Tao’

by Oliver Crook
B-Drop
Features, Music, PremieresOctober 1, 2021<October 1, 2021

Premiere: B-Drop Worldwide Showcases Cuffed Up, sorebae, Cheer Up Club, Jango Flash, & The Rare Occasions

by Mitch Mosk
Already, Always - Bess Atwell © Sequoia Ziff
Features, Music, Reviews, Track-by-TrackOctober 1, 2021<October 1, 2021

“Unapologetic, Evocative, & English”: Inside Bess Atwell’s Stirring Sophomore LP ‘Already, Always’

by Mitch Mosk
Peter Sandberg © Simeon Frohm
Music, Music Videos, PremieresOctober 1, 2021<October 2, 2021

Peter Sandberg’s Captivating “Wasted on You” ft. Aquilo Captures the Warmth & Wonder of the Midnight Sun

by Mitch Mosk
Columns, Music, Today's SongOctober 1, 2021<October 1, 2021

Today’s Song: Exploring the Ugly Truth of Fame on Number One Popstar’s “TV”

by Adrian Vargas
Atwood Magazine's Weekly Roundup | Hispanic Heritage Month 2021
Columns, Features, Music, Weekly RoundupOctober 1, 2021<October 1, 2021

Atwood Magazine’s Weekly Roundup: Hispanic Heritage Month 2021

by Atwood Magazine Staff
Wallows © Anthony Pham
Interviews, MusicOctober 1, 2021<September 30, 2021

Interview: Wallows Approach “I Don’t Want to Talk” Music Video with a Fresh Perspective

by Guest Writer
School of X © Jonas Bang
Features, Interviews, Music, ReviewsSeptember 30, 2021<September 30, 2021

“Free Your Spirit”: School of X’s Sophomore LP ‘Dancing Through the Void’ Is an Intimate, Heartfelt Reckoning

by Mitch Mosk
Annie Hamilton © Rosie Fitzgerald
Columns, Music, Today's SongSeptember 30, 2021<September 30, 2021

Today’s Song: Annie Hamilton’s Intimate & Empathic Indie Rock Anthem “Exist”

by Mitch Mosk
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Brand New

  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through

:: discover something new ::

Recent Posts

  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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