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Kay Slice © Elisabetta Agyeiwaa
Columns, Music, Today's SongNovember 18, 2021<November 18, 2021

Today’s Song: Kay Slice Soars in Radiant Afrofusion Anthem “Slice M Go,” a Soundtrack to Boldness

by Mitch Mosk
Shannon Lauren Callihan © Annie Noelker
Features, Music, Reviews, Track-by-TrackNovember 18, 2021<November 18, 2021

“Raw, Authentic, & Tasteful”: Shannon Lauren Callihan Opens Up About Debut ‘One Sided’ EP

by Mitch Mosk
Cloudbelly © Georgia Teensma
Artist to Watch, Columns, Debut, Music, ReviewsNovember 17, 2021<November 17, 2021

Artist to Watch: Isolation & Fragility Soar in Cloudbelly’s Softly Stirring Debut “Up in Smoke”

by Mitch Mosk
CARR © CJ Harvey
Artist to Watch, Features, Music, Reviews, Track-by-TrackNovember 17, 2021<January 12, 2022

“Real, Funny, & Chaotic”: Inside CARR’s Unapologetic & Exhilarating Sophomore EP ‘I’m Just Bored’

by Mitch Mosk
Taylor Swift © Beth Garrabrant
Features, Music, ReviewsNovember 17, 2021<February 7, 2022

Review: Taylor Swift Breaks the Bounds of Brilliance with “All Too Well (10 Minute Version)”

by Kelly McCafferty Dorogy
Arms Akimbo © 2021
Essays, MusicNovember 17, 2021<November 17, 2021

Essay: Arms Akimbo, the Only Band Stupid Enough to Make a TV Show

by Guest Writer
Acid Tongue © Jake Hanson
Features, Interviews, MusicNovember 17, 2021<November 17, 2021

“We’re Not Businessmen, We’re Musicians”: A Conversation with Acid Tongue

by Ben Niesen
Ben Strawn © Kaley Strawn
Music, PremieresNovember 17, 2021<November 17, 2021

Premiere: The Warmth & Wonder of Ben Strawn’s Intimately Irresistible “So Long”

by Mitch Mosk
Lightleak © Emily Dupree 9
Music, ReviewsNovember 17, 2021<November 16, 2021

Review: Lightleak’s ‘Tender Fits’ Blends Touches of Wit, Nostalgia, & Haunting Memories with Rich Sonic Texture

by Beau Hayhoe
Typhoon © 2021
Columns, Music, Today's SongNovember 17, 2021<November 17, 2021

Today’s Song: Typhoon Takes Us Along on for the Ride with “Empire Builder”

by Nasim Elyasi
GRAE © 2021
Columns, Music, Today's SongNovember 16, 2021<November 16, 2021

Today’s Song: GRAE Dreams in Color on Love-Soaked “Outta This World”

by Mitch Mosk
Geographer © Monica Reyes
Features, Music, Reviews, Track-by-TrackNovember 16, 2021<November 16, 2021

“Particles, Separation, & Fulfillment”: Geographer Dives into His Epic Album ‘Down and Out in the Garden of Earthly Delights’

by Mitch Mosk
Music, ReviewsNovember 16, 2021<November 16, 2021

Review: Mabe Fratti & Concepción Huerta Reimagine the Composer on EP ‘Estática’

by Adrian Vargas
Mountains Like Wax © Jake White
Music, PremieresNovember 16, 2021<November 16, 2021

Premiere: On “Yes, I Grew Tired,” Nashville’s Mountains Like Wax Rise Through a Radiant Haze

by Mitch Mosk
Andy Shauf © Colin Medley
Features, Interviews, MusicNovember 16, 2021<November 16, 2021

“That feeling of your relationships falling apart”: Andy Shauf on His Seventh Album ‘Wilds’

by Kelly Liu
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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