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Yebba © Ricky Alvarez
Music, Our Take, ReviewsOctober 13, 2021<January 30, 2024

Album Review: Yebba Graces Us with Debut Album Dawn

by Nasim Elyasi
BSÍ Press Image
Concerts, Events, Music, ReviewsOctober 12, 2021<October 12, 2021

Live Review: BSÍ Breakdown Barriers at The Old Fire Station 

by Bethan Harper
Essays, Music, ReviewsOctober 12, 2021<October 13, 2021

A Casual Ramble: Press Releases, Cinematic Music, and Kit Sebastian’s Melodi

by Ben Niesen
Interviews, Music, ReviewsOctober 11, 2021<October 11, 2021

Interview: Hands Down Shines on Debut Album ‘Paintroller’

by Adrian Vargas
MIKE © Akhira Montague
Columns, Music, ReviewsOctober 11, 2021<October 5, 2021

Album review: A Dark Niche of Bitesize Philosophies, Mike’s Disco! Asks For Nothing But Gives So Much

by Adam Davidson
Features, Interviews, MusicOctober 11, 2021<January 16, 2022

Interview: Lala Lala Becomes One with the Current on New Album ‘I Want The Door to Open’

by Sophie Prettyman-Beauchamp
Features, Interviews, MusicOctober 8, 2021<October 8, 2021

These Dreams: Anna B Savage On New EP, Emotional Extremeties, & More Birds

by Mariel Fechik
Festival, Interviews, MusicOctober 8, 2021<October 8, 2021

Interview: The Sonic Symbiosis of Anjimile

by Sophie Prettyman-Beauchamp
Young Robin © Mastu Photography
Columns, Music, Today's SongOctober 8, 2021<October 4, 2021

Today’s Song: Perth’s Young Robin Explore Struggle in Growth on “Violent”

by Kelly McCafferty Dorogy
Columns, Music, Today's SongOctober 7, 2021<October 11, 2021

Today’s Song: iamnotshane’s Returns Happier Than Ever With “Don’t Say That.”

by Josh Weiner
DoomFolk StarterKit © Savannah Kee
Music, ReviewsOctober 7, 2021<October 4, 2021

DoomFolk StarterKit’s ‘SunFaded’ EP Is a Glistening Memorial to the Sun

by Lowndes Commander
Ásgeir © Jonatan Gretarsson
Features, Interviews, MusicOctober 7, 2021<October 4, 2021

Interview: Ásgeir’s ‘The Sky Is Painted Gray Today’ EP Brings the Past into the Future

by Ilana Kalish
TORRES © Shervin Lainez
Features, Interviews, MusicOctober 7, 2021<October 4, 2021

Interview: TORRES Wants You to Feel Her Love

by Kelly Liu
CHVRCHES © Sebastian Mlynarski & Kevin J Thomson
Music, ReviewsOctober 7, 2021<October 4, 2021

The Remarkable Inner Experience of Chvrches: A Review of ‘Screen Violence’

by Guest Writer
Sincere Engineer © Hovland 7.3
Music, Our Take, ReviewsOctober 6, 2021<October 4, 2021

Our Take: ‘Bless My Psyche’ Is Sincere Engineer’s Second Grand Introduction

by Nick Baron
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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