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Allison Ponthier © Lissyelle Laricchia
Artist to Watch, Interviews, MusicJune 7, 2021<October 5, 2021

Interview: Singer/Songwriter Allison Ponthier Is an Intimate, Heartfelt, & Captivating Artist-to-Watch

by Mitch Mosk
Trip Carter © 2021
Music, Reviews, Track-by-TrackJune 7, 2021<June 7, 2021

“West Coast Summer”: Trip Carter Dives into His Sun-Soaked ‘Slim Tripper’ EP

by Mitch Mosk
Mia Pixley © David Pettijohn
Music, PremieresJune 7, 2021<June 7, 2021

Premiere: The Sun Shines Through Mia Pixley’s Radiant “In the Daylight”

by Mitch Mosk
Columns, Music, Today's SongJune 7, 2021<June 7, 2021

Today’s Song: Punk Meets Spirituality in Willow’s “Transparent Soul”

by Kelly Liu
Yoke Lore © Emma Mead
Features, Interviews, MusicJune 7, 2021<August 5, 2021

Letting Other People Do the Talking: A Conversation with Yoke Lore

by Nicole Almeida
Superbloom © Maya Lee 10
Debut, Features, Music, Reviews, Track-by-TrackJune 4, 2021<October 1, 2021

“Hypnotic, Exhaustive, Bliss”: Brooklyn Grunge Band Superbloom Ignite on Stunning Debut ‘Pollen’

by Mitch Mosk
Love Truls © Linus Bertholdsson
Columns, Music, Today's SongJune 4, 2021<June 4, 2021

Today’s Song: Sweden’s Love Truls Displays Tender Feelings of Affection on “Tell Her”

by Josh Weiner
Wyldest © 2021
Features, Music, Reviews, Track-by-TrackJune 4, 2021<January 27, 2023

Feature: Wyldest’s Empowering ‘Monthly Friend’ Embraces & Explores the Depths of Womanhood

by Mitch Mosk
Lucy Francesca Dron © Finn Mullen
Debut, Features, Music, Reviews, Track-by-TrackJune 4, 2021<June 4, 2021

“Emotional, Eclectic, & Honest”: Lucy Francesca Dron’s Dynamic Coming-of-Age EP ‘Leftovers’

by Mitch Mosk
BETWEEN FRIENDS © Elizabeth Miranda
Features, Interviews, MusicJune 4, 2021<June 4, 2021

BETWEEN FRIENDS Prioritize Thinking Less & Enjoying More, Generating Their Most Authentic Music to Date

by Kelsey Fitzgerald
Atwood Magazine's Weekly Roundup | June 4, 2021
Columns, Features, Music, Weekly RoundupJune 4, 2021<June 4, 2021

Atwood Magazine’s Weekly Roundup: June 4, 2021

by Atwood Magazine Staff
Interviews, MusicJune 4, 2021<June 4, 2021

Interview: ELUNIA Speaks of Conformity vs. Individuality & Upcoming EP ‘DEEP END’

by Joe Beer
SOUR - Olivia Rodrigo
Features, Music, Reviews, RoundtableJune 4, 2021<June 29, 2024

Roundtable Discussion: A Review of Olivia Rodrigo’s ‘SOUR’

by Atwood Magazine Staff
B-Drop
Features, Music, PremieresJune 4, 2021<June 14, 2021

Premiere: B-Drop Worldwide Showcases Slothrust, The Islas, Velvet Starlings, Opus Kink, Modern Eyes, & The Roves

by Mitch Mosk
Hayden Everett © Raymond Alva
Music, Reviews, Track-by-TrackJune 3, 2021<June 3, 2021

Presence, Awe, & Wonder: Hayden Everett Soars on Sophomore EP ‘Kennecott’

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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