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Interviews, MusicOctober 28, 2021<October 28, 2021

Interview: Banny Grove and the Gift of Play

by Sophie Prettyman-Beauchamp
The Drives © Jeff Lorch
Debut, Features, Music, Reviews, Track-by-TrackOctober 27, 2021<October 27, 2021

“Frustrated, Loud, & Manic”: LA’s The Drives Rev Their Engines with Debut EP ‘This Might Take a While’

by Mitch Mosk
If Orange Was a Place - Tems
Artist to Watch, Music, ReviewsOctober 27, 2021<October 27, 2021

EP Review: Tems’ ‘If Orange Was a Place’ Is a Hyper-Focused Snapshot of an Artist’s Burgeoning Voice

by Kosiso Ugwueze
Columns, Music, Today's SongOctober 27, 2021<October 27, 2021

Today’s Song: FEELS Seek Friends for The Apocalypse (And Bid Farewell) on “Night Walker”

by Sophie Prettyman-Beauchamp
"Delirium Passes" - Anand Wilder © Charles Vidal
Columns, Debut, Music, Today's SongOctober 26, 2021<October 26, 2021

Today’s Song: Anand Wilder’s Dazzling “Delirium Passes” Explores Escape & Perseverance, Family & Freedom

by Mitch Mosk
Outside Lands © Betsy Newman
Festival, Music, PreviewsOctober 26, 2021<November 16, 2021

Festival Preview: The Best Can’t-Miss Acts to See This Weekend at Outside Lands 2021

by Beau Hayhoe
Wilderado © Grant Spanier
Debut, Features, Music, Reviews, Track-by-TrackOctober 26, 2021<October 26, 2021

Track-by-Track: Inside Wilderado’s Hopeful, Charged & Charming Self-Titled Debut

by Mitch Mosk
Shannon Lay © Kai MacKnight
Features, Interviews, MusicOctober 26, 2021<October 26, 2021

Interview: Shannon Lay Finds Her Superpower on ‘Geist’

by Ben Niesen
Always - Alaska Reid
Columns, Music, Today's SongOctober 25, 2021<October 25, 2021

Today’s Song: Anxiety & Overdrive Come to Life in Alaska Reid’s Softly Searing “Always”

by Mitch Mosk
Tony Romera © 2021
Interviews, MusicOctober 22, 2021<October 22, 2021

Interview with Tony Romera: A French EDM Artist Brimming with Character & ‘Introspection’

by Josh Weiner
Charlotte OC © Jamie Noise
Features, Music, Reviews, Track-by-TrackOctober 22, 2021<October 22, 2021

“Me, Myself, & I”: Charlotte OC Delves into Her Darkest Depths on Sophomore LP ‘Here Comes Trouble’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | October 22, 2021
Columns, Features, Music, Weekly RoundupOctober 22, 2021<October 22, 2021

Atwood Magazine’s Weekly Roundup: October 22, 2021

by Atwood Magazine Staff
Holly Humberstone © Phoebe Fox
Artist to Watch, Columns, Music, Today's SongOctober 21, 2021<October 21, 2021

Today’s Song: The Radiant Passion & Raw Love of Holly Humberstone’s Captivating “Scarlett”

by Mitch Mosk
Gregory Alan Isakov © Andreas Aluia
Concerts, Music, ReviewsOctober 21, 2021<October 21, 2021

An Evening Beyond the Earth: Gregory Alan Isakov and Patty Griffin on Tour

by Coco Rich
Fort Gorgeous © 2021
Music, PremieresOctober 21, 2021<October 21, 2021

“I feel like I aged a century emotionally”: Brooklyn’s Fort Gorgeous Premieres His Stirring EP ‘Retirement: Part One’

by Mitch Mosk
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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