• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Music, Our Take, ReviewsMay 28, 2021<May 28, 2021

Review: Blood Cultures Embark on Their Most Personal Journey With ‘LUNO’

by Adrian Vargas
Tonje Thilesen
Interviews, MusicMay 28, 2021<May 30, 2021

The Healing Power of Queer Friendship: A Conversation with Bachelor

by Sophie Prettyman-Beauchamp
McKinley Dixon © David Muessig
Debut, Features, Interviews, MusicMay 28, 2021<June 4, 2021

Making a Poet Black: A Dialogue with McKinley Dixon

by Ben Niesen
Columns, Music, Today's SongMay 28, 2021<May 28, 2021

Today’s Song: If March 8th Was a Song, It’d Be Manizha’s “Russian Woman”

by Dimitra Gurduiala
Features, Interviews, MusicMay 27, 2021<May 28, 2021

Good Omen: Sarah Jarosz on Texas, Great Blue Herons, and New Album ‘Blue Heron Suite’

by Mariel Fechik
One With Shade
Interviews, MusicMay 27, 2021<January 24, 2023

Interview: One With Shade Gets Personal Talking Mental Health & Dealing with Those Difficult Emotions

by Chloe Robinson
Sharon Cho
Asian American and Pacific Islander Heritage Month, InterviewsMay 27, 2021<May 28, 2021

Interview: Duran Duran Co-Manager Sharon Cho Shares Her Story & Korean Culture for AAPI Heritage Month

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicMay 27, 2021<May 27, 2021

Breaking the Record with Roan Yellowthorn, Part 61: The End is Here

by Guest Writer
Dreamer Boy © Adam Alonzo
Features, Interviews, MusicMay 27, 2021<May 27, 2021

Interview with Dreamer Boy: Loved-Up and Under the Sun

by Kelly Liu
Tyler Shaw © Young Astronauts
Columns, Interviews, Music, Today's SongMay 27, 2021<May 26, 2021

Interview: With “Be Like You,” Tyler Shaw Takes on Love from a Fresh, Raw Perspective

by Mitch Mosk
TOLEDO © James Lynch
Features, Music, Reviews, Track-by-TrackMay 26, 2021<May 27, 2021

“Quick and Dirty”: TOLEDO’s Stirring ‘Jockeys of Love’ EP Is a Wondrous Indie Folk Daydream

by Mitch Mosk
JJ JJ Wilde © Sandra Lee © Sandra Lee
Features, Music, Reviews, Track-by-TrackMay 26, 2021<May 26, 2021

“Honest, Expressive, & Personal”: JJ Wilde Ignites on Radiant & Feverish ‘Wilde’ EP

by Mitch Mosk
Wink - CHAI
Music, ReviewsMay 26, 2021<May 27, 2021

Review: CHAI Embark on Adventures Close to Home on ‘WINK’

by Sophie Prettyman-Beauchamp
Columns, Music, Today's SongMay 26, 2021<May 26, 2021

Today’s Song: Incomparable Grooves & Hypnotic Melodies on Luna Luna’s “Golden”

by Adrian Vargas
Royal Canoe © 2021
Music, PremieresMay 26, 2021<May 26, 2021

Premiere: Royal Canoe & NNAMDÏ Come Alive in Captivating Jazz-Tinged “Scratching Static”

by Mitch Mosk
Posts pagination
1 … 296 297 298 299 300 … 712

Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services