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Columns, Music, Today's SongOctober 1, 2021<October 1, 2021

Today’s Song: Exploring the Ugly Truth of Fame on Number One Popstar’s “TV”

by Adrian Vargas
Atwood Magazine's Weekly Roundup | Hispanic Heritage Month 2021
Columns, Features, Music, Weekly RoundupOctober 1, 2021<October 1, 2021

Atwood Magazine’s Weekly Roundup: Hispanic Heritage Month 2021

by Atwood Magazine Staff
Wallows © Anthony Pham
Interviews, MusicOctober 1, 2021<September 30, 2021

Interview: Wallows Approach “I Don’t Want to Talk” Music Video with a Fresh Perspective

by Guest Writer
School of X © Jonas Bang
Features, Interviews, Music, ReviewsSeptember 30, 2021<September 30, 2021

“Free Your Spirit”: School of X’s Sophomore LP ‘Dancing Through the Void’ Is an Intimate, Heartfelt Reckoning

by Mitch Mosk
Annie Hamilton © Rosie Fitzgerald
Columns, Music, Today's SongSeptember 30, 2021<September 30, 2021

Today’s Song: Annie Hamilton’s Intimate & Empathic Indie Rock Anthem “Exist”

by Mitch Mosk
clide
Music, PremieresSeptember 30, 2021<September 30, 2021

Premiere: clide’s Intimate & Honest “come over” Is a Chilling Call for Connection

by Mitch Mosk
Features, Interviews, MusicSeptember 30, 2021<October 1, 2021

Interview: Nashville Artist Boon on Negative Relationships, His Striking Style, and His Father’s Influence

by Chloe Robinson
The State of Gold - matt pond PA
Features, Music, Reviews, Track-by-TrackSeptember 29, 2021<September 29, 2021

“Effervescence, Sunlight, Death”: Matt Pond PA Go Track-by-Track Through New Album ‘The State of Gold’

by Mitch Mosk
Slimdan © Zachary Blumner
Columns, Debut, Music, Today's SongSeptember 29, 2021<September 29, 2021

Today’s Song: Slimdan Comes Out Swinging on Debut Single “MVP”

by Mitch Mosk
Naomi Westwater © blahnik x westwater
Music, Reviews, Track-by-TrackSeptember 29, 2021<October 2, 2021

“Music You Should Feel in Your Bones”: Naomi Westwater Dives into Powerful New EP ‘Feelings’

by Dimitra Gurduiala
Harrison Storm & Enna Blake © Holly Kate
Music, PremieresSeptember 29, 2021<September 29, 2021

Premiere: Harrison Storm & Enna Blake’s “Under Dusk” Is an Indie Folk Anthem of Support & Connection

by Mitch Mosk
WHEN WE'RE FAR APART I FALL APART - Abby Holliday 9.4
Debut, Features, Music, Our Take, Reviews, Track-by-TrackSeptember 28, 2021<February 7, 2022

“Emotional, Raw, & Vulnerable”: Abby Holliday’s Breathtakingly Beautiful Debut Album ‘WHEN WE’RE FAR APART I FALL APART’

by Mitch Mosk
Future Islands © Beau Hayhoe
Concerts, Music, ReviewsSeptember 28, 2021<March 2, 2025

Future Islands Deliver Impassioned Synth Pop Amidst a Joyous Return to Live Music at Governors Ball 2021

by Beau Hayhoe
Marcus Atom
Debut, Features, Music, Reviews, Track-by-TrackSeptember 28, 2021<October 27, 2021

“Familiar, Smooth, & Chill”: Get Lost in Marcus Atom’s Intimate & Smoldering Debut Album, ‘Love vs. War’

by Mitch Mosk
The Franklin Electric © Levi Zortman
Features, Music, Reviews, Track-by-TrackSeptember 28, 2021<September 28, 2021

“Honest Raw Healing”: Inside The Franklin Electric’s Beautifully Vulnerable ‘This Time I See It’

by Mitch Mosk
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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