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M.A.G.S.
Features, Music, Reviews, Track-by-TrackAugust 13, 2021<August 13, 2021

“A F*cking Classic”: M.A.G.S. Dives into His Fearless & Unapologetic Sophomore Album ‘Say Things That Matter’

by Mitch Mosk
Bean on Toast
Books, Music, ReviewsAugust 13, 2021<August 17, 2021

Book Review: Beans on Toast Brings Trademark Humility and Humour to the Page on Foolhardy Folk Tales

by Oliver Crook
Luke Hemmings © Davis Bates
Debut, Features, Interviews, MusicAugust 13, 2021<October 5, 2021

“Quite a drama”: 5SOS’s Luke Hemmings Shines on Intimate & Breathtaking Solo Album ‘When Facing the Things We Turn Away From’

by Mitch Mosk
KEANA
Columns, Music, Today's SongAugust 13, 2021<August 13, 2021

Today’s Song: KEANA Finds Comfort in Her Vision of a World of Relaxation with “Lilac”

by Chloe Robinson
Arlie © 2021
Music, ReviewsAugust 12, 2021<August 12, 2021

Review: Arlie’s “poppin” New Single Is a Buoyant & Poignant Embrace of Vulnerability

by Mitch Mosk
The Crystal Casino Band © 2021
Features, Music, Reviews, Track-by-TrackAugust 12, 2021<March 2, 2025

“Catchy, Relatable, & Polished”: The Crystal Casino Band (form. The Colonies) Light Up with Radiant LP, ‘Not About You’

by Mitch Mosk
Hippo Campus © Brit O'Brien
Features, Interviews, Music, Track-by-TrackAugust 12, 2021<October 5, 2021

Interview with Hippo Campus: “It’s Okay to Laugh with Your Demons”

by Kelly Liu
The Bots
Columns, Music, Today's SongAugust 12, 2021<August 12, 2021

Today’s Song: The Bots’ “Girl Problems” Is a Bright, Buoyant Burst of Indie Rock

by Mitch Mosk
Saint Sister © Ellius Grace
Features, Interviews, MusicAugust 12, 2021<August 12, 2021

Interview: Ireland’s Saint Sister on Their Radiant, Reflective Sophomore Album ‘Where I Should End’

by Mitch Mosk
girlhouse © 2021
Music, ReviewsAugust 11, 2021<August 11, 2021

Review: girlhouse Channels Dark, Intimate & Intense Emotions into New Single “happy now”

by Mitch Mosk
Anthonie Tonnon
Features, Music, Reviews, Track-by-TrackAugust 11, 2021<August 11, 2021

“Subtropical Post-Industrial Urbanism”: Anthonie Tonnon Dives into Vast, New LP, ‘Leave Love Out of This’

by Mitch Mosk
Cots © JG and Shi
Debut, Features, Music, Premieres, Reviews, Track-by-TrackAugust 11, 2021<August 11, 2021

“Nocturnal, Pensive, & Melancholic”: Inside Cots’ Dreamy Debut Album ‘Disturbing Body’

by Mitch Mosk
Ric Wilson and Bone Slim
Music, PremieresAugust 11, 2021<August 13, 2021

Premiere: Bone Slim, Ric Wilson Channel Late Nights & UK Garage in Hypnotic “Let Me Ride” ft. Lcytn

by Mitch Mosk
Jenn Champion © Jimmy Bazan
Columns, Music, Today's SongAugust 11, 2021<March 16, 2023

Today’s Song: Jenn Champion Has Got You All Off-Center, Darling.

by Ben Niesen
Wyse © Beth Anderton-Allen
Music, ReviewsAugust 10, 2021<August 10, 2021

Wyse’s “Not That Sorry” Is a Beautifully Unapologetic Upheaval

by Mitch Mosk
Posts pagination
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Brand New

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem

:: discover something new ::

Recent Posts

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
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