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Orla Gartland © Karina Barberis
Debut, Features, Interviews, MusicJune 9, 2021<June 9, 2021

Coming of Age As a “Woman on the Internet”: In Conversation with Orla Gartland

by Nina Schaarschmidt
The Bitter Truth - Evanescence 8.3
Music, Our Take, ReviewsJune 8, 2021<June 8, 2021

Our Take: Evanescence Dazzle Like the Seasoned Rock Veterans They Are on ‘The Bitter Truth’

by Josh Weiner
Interviews, MusicJune 8, 2021<June 8, 2021

The Pains & Triumphs of Sincerity: A Conversation with Babehoven

by Adrian Vargas
Charles Copley © Mimi Raver
Music, ReviewsJune 8, 2021<June 8, 2021

Review: Searching for Meaning in Charles Copley’s Haunting & Hopeful Song, “Cedars 6S66”

by Mitch Mosk
Julien Baker © Alysse Gafkjen
Features, Interviews, MusicJune 8, 2021<February 26, 2022

‘Little Oblivions’ & Emotional Chemistry: Julien Baker Discusses Art, Empathy, Honesty, and Self-Love

by Mitch Mosk
Rachel Sermanni © Gaelle Beri
Features, Music, Reviews, Track-by-TrackJune 8, 2021<June 8, 2021

“Glowing, Flowing, Woven”: Rachel Sermanni Dwells in an Intimate Surrender on ‘Swallow Me’ EP

by Mitch Mosk
Music, ReviewsJune 8, 2021<June 8, 2021

Review: Reigning UK Emo Champs Los Campesinos! Really Do It Again with ‘Whole Damn Body’

by Nick Matthopoulos
Flaws & Phases - Badmind
Music, ReviewsJune 8, 2021<June 8, 2021

Review: The Intimate Radiance of Badmind’s Soul-Pop Song “Flaws & Phases”

by Mitch Mosk
Columns, Music, Today's SongJune 8, 2021<January 30, 2024

Today’s Song: Bold and Bright, Lake Street Dive Kindle a Fire with “Hypotheticals”

by Nasim Elyasi
Allison Ponthier © Lissyelle Laricchia
Artist to Watch, Interviews, MusicJune 7, 2021<October 5, 2021

Interview: Singer/Songwriter Allison Ponthier Is an Intimate, Heartfelt, & Captivating Artist-to-Watch

by Mitch Mosk
Trip Carter © 2021
Music, Reviews, Track-by-TrackJune 7, 2021<June 7, 2021

“West Coast Summer”: Trip Carter Dives into His Sun-Soaked ‘Slim Tripper’ EP

by Mitch Mosk
Mia Pixley © David Pettijohn
Music, PremieresJune 7, 2021<June 7, 2021

Premiere: The Sun Shines Through Mia Pixley’s Radiant “In the Daylight”

by Mitch Mosk
Columns, Music, Today's SongJune 7, 2021<June 7, 2021

Today’s Song: Punk Meets Spirituality in Willow’s “Transparent Soul”

by Kelly Liu
Yoke Lore © Emma Mead
Features, Interviews, MusicJune 7, 2021<August 5, 2021

Letting Other People Do the Talking: A Conversation with Yoke Lore

by Nicole Almeida
Superbloom © Maya Lee 10
Debut, Features, Music, Reviews, Track-by-TrackJune 4, 2021<October 1, 2021

“Hypnotic, Exhaustive, Bliss”: Brooklyn Grunge Band Superbloom Ignite on Stunning Debut ‘Pollen’

by Mitch Mosk
Posts pagination
1 … 319 320 321 322 323 … 737

Brand New

  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return

:: discover something new ::

Recent Posts

  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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