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Sour Widows © Ginger Fierstein
Features, Music, Reviews, Track-by-TrackMay 5, 2021<May 5, 2021

“Loss, Reflection, & Relationship”: Sour Widows Explore the Depths of Space in ‘Crossing Over’ EP

by Mitch Mosk
Alex Porat © Pat Ryder
Interviews, MusicMay 5, 2021<May 5, 2021

Interview: Alex Porat Talks Entering a New Pop “dimension” in Her Latest Single

by Guest Writer
The Marías © Ashley Seryn
Columns, Music, Today's SongMay 5, 2021<May 5, 2021

The Marías’ Spellbinding “Hush” Proves a Thrilling First Look at Debut ‘Cinema’

by Mitch Mosk
MARG "Maybe"
Music, PremieresMay 5, 2021<May 5, 2021

Premiere: MARG Brings Heartache to Life in Stripped Piano Song “Maybe”

by Mitch Mosk
SIX60
Music, ReviewsMay 4, 2021<May 4, 2021

New Zealand’s SIX60 Float on in “All She Wrote,” a Refreshing Song of Life & Perseverance

by Mitch Mosk
Sofia Camille
Music, ReviewsMay 4, 2021<May 4, 2021

Sofia Camille & hü Hit Rock Bottom with Stunning Flare on Dazzling Indie Pop Upheaval “talk to you”

by Mitch Mosk
Royal Blood © Mads Perch
Features, Interviews, MusicMay 4, 2021<October 5, 2021

Feature: Royal Blood Dance the Pain Away on ‘Typhoons’

by Anthony Kozlowski
Interviews, MusicMay 4, 2021<May 4, 2021

The Balance of Solitude & Loneliness: A Conversation with Luwten

by Adrian Vargas
Junaco © Nicole Mason
Asian American and Pacific Islander Heritage Month, EssaysMay 4, 2021<May 4, 2021

“Imaginary Lines”: An Essay by Junaco’s Shahana Jaffer

by Guest Writer
Echo Bloom © Lissyelle Laricchia
Music, PremieresMay 4, 2021<May 4, 2021

Brooklyn’s Echo Bloom Reckon with the American Dream in “Don’t You Want to Be Loved”

by Mitch Mosk
Debut, Music, ReviewsMay 4, 2021<January 30, 2024

Review: Baby Boys Kick Down the Doors with Debut Album ‘Threesome’

by Nasim Elyasi
Columns, Music, Today's SongMay 4, 2021<May 4, 2021

Today’s Song: Los Angeles’ SLUGS Are Colorful and Wild in New Single “I Could Do Better”

by Joe Beer
White Water - Alex Lleo © Marc MacNab-Jack
Artist to Watch, Music, PremieresMay 4, 2021<May 4, 2021

Alex Lleo’s Breathtaking Song “White Water” Flows with Stormy, Stirring Serenity

by Mitch Mosk
Bellman © Line Loholt
Music, ReviewsMay 3, 2021<May 3, 2021

Bellman Shines a Light on the Darker Side of Life in “Let Somebody In (369)”

by Mitch Mosk
Rosegold - Ashley Monroe
Features, Interviews, MusicMay 3, 2021<May 15, 2021

Interview: What Happens When Freedom & Joy Collide? Ashley Monroe on Her Genreless Album ‘Rosegold’ and Embracing Her Sensual Side

by Emily Frances Algar
Posts pagination
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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