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Future Teens © Adam Parshall
Features, Interviews, MusicMarch 12, 2021<March 12, 2021

Interview: Future Teens’ Latest EP ‘Deliberately Alive’ Is Full of “Mental Health Bangers”

by Lowndes Commander
Ezinma © Natalia Aguilera
Features, Interviews, MusicMarch 12, 2021<March 12, 2021

Interview: Ezinma Pushes Classical Forward Recalling Its Fiery Origins

by Coco Rich
Evering Road - Tom Grennan
Music, ReviewsMarch 12, 2021<March 12, 2021

Soul-Searching, Soul Sounds, & Refreshing Admissions of Struggle: Tom Grennan’s ‘Evering Road’

by Bethan Harper
Estère © Bayly & Moore
Features, Interviews, Music, Reviews, Track-by-TrackMarch 11, 2021<March 11, 2021

“Mesmerising, Diverse, Animated”: Estère Dives into Her Folkloric & Deeply Human 3rd LP, ‘Archetypes’

by Mitch Mosk
maybe i will see you at the end of the world - Sydney Sprague
Debut, Features, Music, Reviews, Track-by-TrackMarch 11, 2021<July 13, 2022

“Sentimental, Existential, & Vulnerable”: Sydney Sprague Dives into Debut Album ‘maybe i will see you at the end of the world’

by Mitch Mosk
Atwood Magazine Celebrates Women's History Month
Features, Music, Women's History MonthMarch 11, 2021<September 21, 2023

Atwood Magazine Celebrates Women’s History Month 2021, Pt. II

by Atwood Magazine Staff
Grouplove © James Marcus Haney
Features, Interviews, MusicMarch 11, 2021<April 8, 2021

“The record healed us, and maybe it can heal you”: Grouplove’s ‘Healer’, One Year Later

by Mitch Mosk
Johnny Ashby © Jovanna Reyes
Columns, Music, Today's SongMarch 11, 2021<March 10, 2021

Today’s Song: Johnny Ashby is Just “Getting Started” in His Absorbing New Single

by Joe Beer
Breaking The Record 2020
Breaking the Record, Columns, MusicMarch 11, 2021<March 11, 2021

Breaking the Record with Roan Yellowthorn, Part 53: “Vampire” Video

by Guest Writer
WULF
Interviews, Music, PremieresMarch 11, 2021<March 10, 2021

Interview: London Indie Rock Trio WULF Talk “Never Giving Up,” New Music, COVID, & More

by Mitch Mosk
YINYANG
Music, Music Videos, PremieresMarch 11, 2021<November 4, 2023

Premiere: Northern Ireland’s YINYANG Talks Self-Care in Second Single “BLOODHOUND / EARTHBOUND”

by Dimitra Gurduiala
Atwood Magazine Editor's Picks 47
Columns, Editor's Picks, Features, MusicMarch 10, 2021<April 8, 2021

Editor’s Picks 47: Loviet, Baby Queen, Ysabel Bain, girlhouse, Fousheé, & Babygirl

by Mitch Mosk
Katy Kirby © Jackie Lee Young
Artist to Watch, Debut, Features, Music, Reviews, Track-by-TrackMarch 10, 2021<March 10, 2021

“Sedimentary, Nervous, & Open”: Artist-to-Watch Katy Kirby Stuns with Debut Album ‘Cool Dry Place’

by Mitch Mosk
Novi © 2021
MusicMarch 10, 2021<March 11, 2021

Novi Crafts a Refreshing Synth-Pop Antidote to Lockdown Woes with ‘For the Wild Ones’ EP

by Josh Weiner
Ryanhood © Taylor Noel Mercado
Music, PremieresMarch 10, 2021<March 10, 2021

Premiere: Ryanhood’s Breathtaking & Wondrous “Wide Awake in a Dream” Ushers in a New Season

by Mitch Mosk
Posts pagination
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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