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Breaking The Record 2020
Breaking the Record, Columns, MusicApril 29, 2021<April 28, 2021

Breaking the Record with Roan Yellowthorn, Part 59: “Stranger”

by Guest Writer
Charlotte OC © Maximillian Hetherington
Music, ReviewsApril 28, 2021<April 28, 2021

Charlotte OC’s Bold Songs “Bad Bitch” & “Forest” Offer Stunning Preview of LP 2

by Mitch Mosk
Damen © Anna Mattsson
Music, PremieresApril 28, 2021<April 28, 2021

Premiere: Gothenburg’s Damen Light an Anthemic Fire in “Brightside” off New EP ‘Unemployment, Broken Bones, Death, Baby’

by Mitch Mosk
Gordi © Jess Gleeson
Features, Interviews, MusicApril 28, 2021<October 5, 2021

Reckoning, Identity, & Rediscovery: Gordi Plunges into Personal Depths on Breathtaking ‘Our Two Skins’

by Mitch Mosk
Briston Maroney © Angelina Castillo
Debut, Features, Interviews, MusicApril 28, 2021<April 27, 2021

“Undeniably Beautiful”: Briston Maroney Soars on Debut Album ‘Sunflower’

by Lowndes Commander
Ski Team © Savanna Ruedy
Music, PremieresApril 28, 2021<April 28, 2021

Premiere: Ski Team’s “Photos” Rework Enhances the Rawness Through a Powerful, Delicate Arrangement

by Alicia Bugallo
Regi Angelou
Columns, Music, Today's SongApril 28, 2021<April 27, 2021

Regi Angelou Illuminates Black Power & Eliminates Complacency on “We, the People”

by Ryan Feyre
The Art of Waiting - James Parm
Features, Music, Reviews, Track-by-TrackApril 27, 2021<April 27, 2021

“Death, Time, Illusion”: James Parm’s Beautiful Sophomore Album ‘The Art of Waiting’

by Mitch Mosk
Rexx Life Raj © Yazid Johnson
Features, Interviews, MusicApril 27, 2021<April 28, 2021

Interview: Rexx Life Raj Balances the Good and the Bad on “Built for Everything”

by Oliver Crook
Subway Sick - j solomon
Music, PremieresApril 27, 2021<April 27, 2021

Premiere: NYC’s j solomon Finds His Footing on Indie Rock Jam “Subway Sick”

by Mitch Mosk
Catch Prichard © Rochelle Arucan
MusicApril 27, 2021<April 27, 2021

“Be patient, please”: Catch Prichard’s Raw, Expansive & Slow-Burning Debut ‘I Still Miss Theresa Benoit’

by Mitch Mosk
Columns, Music, Today's SongApril 27, 2021<April 27, 2021

Today’s Song: “Roaches Don’t Fly” is The Alchemist in a Bottle

by Leo Culp
Jack Conman's "The Second I Choke" for Samsara Sessions
Music, Music Videos, PremieresApril 27, 2021<April 27, 2021

Premiere: The Lively Communal Spirit of Jack Conman’s “The Second I Choke” (Samsara Sessions)

by Mitch Mosk
Peter Rowan © Amanda Rowan
Features, Interviews, MusicApril 26, 2021<December 1, 2021

Feature: The Musical Adventures of Peter Rowan

by Guest Writer
Reid Jenkins © Shervin Lainez
Music, Reviews, Track-by-TrackApril 26, 2021<April 26, 2021

“Playful, Intricate, & Cerebral”: Morningsiders’ Reid Jenkins Makes ‘A Beautiful Start’ on Buoyant Solo Debut

by Mitch Mosk
Posts pagination
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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