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No Tomorrow EP - Louien
Music, Premieres, Reviews, Track-by-TrackJune 3, 2021<June 3, 2021

“Unpredictable, Deep-Diving, & Honest”: Louien Captivates with Beautiful ‘No Tomorrow’ EP

by Mitch Mosk
Rory D'Lasnow © David Ross Lawn
Columns, Music, Today's SongJune 2, 2021<June 2, 2021

Today’s Song: NJ Singer/Songwriter Rory D’Lasnow Rises on Impassioned Reckoning “Power of My Love”

by Mitch Mosk
Boyish © Eli Edwards
Music, Reviews, Track-by-TrackJune 2, 2021<June 2, 2021

“Queer Love and Self-Sabotage”: Boyish Dive into Spellbinding Coming-of-Age EP ‘We’re all gonna die, but here’s my contribution’

by Mitch Mosk
Love Letter - The Witherbees
Features, Music, Premieres, ReviewsJune 2, 2021<June 2, 2021

“Living Room Intimacy”: Jazz-Folk Band The Witherbees Premiere Their Beautiful Sophomore LP, ‘Love Letter’

by Mitch Mosk
burr oak © Ash Dye
MusicJune 2, 2021<June 2, 2021

Premiere: Chicago’s burr oak Soars with Dramatic Fury in “FOMO”

by Mitch Mosk
Life by Misadventure - Rag'n'Bone Man
Features, Interviews, MusicJune 2, 2021<June 2, 2021

Interview: Rag’n’Bone Man on Living ‘Life by Misadventure’

by Bethan Harper
JNGL - IAMTHELIVING • Teon Gibbs
Music, Premieres, Reviews, Track-by-TrackJune 1, 2021<June 2, 2021

“Eclectic Summer Vibes”: Vancouver’s IAMTHELIVING & Teon Gibbs Come to Life in ‘JNGL’ EP

by Mitch Mosk
Drew Beskin © Kyler Vollmar
Music, PremieresJune 1, 2021<March 2, 2025

Premiere: Athens’ Drew Beskin Basks in a Rock Reverie on “Personal Shopper”

by Mitch Mosk
Bianca Rose & Jake Isaac © 2021
Columns, Music, Today's SongMay 29, 2021<January 30, 2024

Today’s Song: Bianca Rose Stands Soft and Strong with “Skin”

by Nasim Elyasi
Columns, Features, Music, Weekly RoundupMay 28, 2021<May 28, 2021

Atwood Magazine’s Weekly Roundup: May 28, 2021

by Atwood Magazine Staff
Music, Our Take, ReviewsMay 28, 2021<May 28, 2021

Review: Blood Cultures Embark on Their Most Personal Journey With ‘LUNO’

by Adrian Vargas
Tonje Thilesen
Interviews, MusicMay 28, 2021<May 30, 2021

The Healing Power of Queer Friendship: A Conversation with Bachelor

by Sophie Prettyman-Beauchamp
McKinley Dixon © David Muessig
Debut, Features, Interviews, MusicMay 28, 2021<June 4, 2021

Making a Poet Black: A Dialogue with McKinley Dixon

by Ben Niesen
Columns, Music, Today's SongMay 28, 2021<May 28, 2021

Today’s Song: If March 8th Was a Song, It’d Be Manizha’s “Russian Woman”

by Dimitra Gurduiala
Features, Interviews, MusicMay 27, 2021<May 28, 2021

Good Omen: Sarah Jarosz on Texas, Great Blue Herons, and New Album ‘Blue Heron Suite’

by Mariel Fechik
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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