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Wy © Lamia Karic
Music, PremieresMarch 8, 2021<March 1, 2022

Premiere: Wy Reckon with Social Media & Selfies in Unfiltered “That Picture of Me”

by Mitch Mosk
Jeremiah Fraites © Roberto Graziano Moro
Features, Interviews, MusicMarch 5, 2021<March 7, 2021

Interview: The Lumineers’ Jeremiah Fraites Presents His Solo Album ‘Piano Piano,’ Made from the Chicanes of Life

by Ilana Kalish
International Women's Day 2021
Columns, Features, Music, Weekly RoundupMarch 5, 2021<March 10, 2021

Atwood Magazine’s Weekly Roundup: International Women’s Day 2021

by Atwood Magazine Staff
The Covasettes © 2021
Music, Reviews, Today's SongMarch 5, 2021<March 5, 2021

The Covasettes’ “Modern Rapunzel” Is an Ode to the Fading of a Modern Romance 

by Bethan Harper
Debut, Music, This Just InMarch 5, 2021<March 5, 2021

This Just in: Eden Rain’s “Wake Up, You’re Stuck” Is a Soulful Debut Like No Other

by Adrian Vargas
CHARLOTTE - Charlotte Lawrence
Features, Interviews, MusicMarch 5, 2021<April 8, 2021

Interview: Charlotte Lawrence Bares All in Her Intimate & Breathtaking ‘Charlotte’ EP

by Mitch Mosk
Interviews, MusicMarch 5, 2021<March 2, 2025

Interview: IAN SWEET’s Jilian Medford Finds Herself Again on ‘Show Me How You Disappear’

by Sophie Prettyman-Beauchamp
Atwood Editor's Picks 46
Editor's Picks, Features, MusicMarch 4, 2021<March 14, 2021

Editor’s Picks 46: Samm Henshaw, TEE, Hannah Jadagu, Jacob Banks, Kenneth Whalum, & McKinley Dixon

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicMarch 4, 2021<March 4, 2021

Breaking the Record with Roan Yellowthorn, Part 52: “Vampire”

by Guest Writer
Old Sea Brigade © Laura E. Partain
Interviews, Music, PremieresMarch 4, 2021<March 4, 2021

Interview: Old Sea Brigade Captures Love’s Tender Weight in “Nothing Clever” Off New Album ‘Motivational Speaking’

by Mitch Mosk
Grey Reverend
Features, MusicMarch 4, 2021<March 3, 2021

Grey Reverend: The Fate of a Man Who Turned Jazz into Folk

by Diego Morales
Andreww © Manuel Nagel
Columns, Music, Today's SongMarch 4, 2021<March 3, 2021

Slick N’ Stylish Andreww Explores Toxic Relationships in Genre-Bending, Eclectic “Medusa”

by Hermione Kellow
Dear Tomorrow - Jeauneil 10
Debut, Interviews, Music, Reviews, Track-by-TrackMarch 3, 2021<March 3, 2021

“Real, Relatable, & Refreshing”: Jeauneil Dives into His Smoldering Debut EP ‘Dear Tomorrow’

by Mitch Mosk
Jesse Gold © Arman Saturday
Music, ReviewsMarch 3, 2021<March 3, 2021

Jesse Gold Honors His Trademark Sounds & Longtime Creative Allies on “We Good”

by Josh Weiner
Moon Taxi © Don VanCleave
Features, Interviews, MusicMarch 3, 2021<March 3, 2021

Interview: Moon Taxi Are Ready to Remember on Their Sixth Album, ‘Silver Dream’

by Madison Vettorino
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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