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Scott Helman © 2021
Music, ReviewsJune 15, 2021<June 15, 2021

Review: Scott Helman’s Anthemic “Old Friends” Explodes with Passion & Reckless Abandon

by Mitch Mosk
AUGUST 08 © 2021
Features, Interviews, MusicJune 15, 2021<June 15, 2021

“I’m forever open”: AUGUST 08 Dives into the Stunning Depths of His Intimate & Vulnerable ‘EMOTIONAL CUH’

by Mitch Mosk
Wilby © Bennett Littlejohn
Artist to Watch, Debut, Music, PremieresJune 15, 2021<June 15, 2021

Artist to Watch: Wilby’s Debut EP ‘Translucent Beauty’ Embraces Vulnerability & Catchy, Intimate Indie Pop

by Mitch Mosk
Columns, Music, Today's SongJune 15, 2021<June 15, 2021

Today’s Song: How Jessie Paege Encourages Healing with “History Will Not Repeat”

by Dimitra Gurduiala
Alfa Mist © Johny Pitts
Music, ReviewsJune 15, 2021<August 16, 2024

Review: Alfa Mist Finds Feet & Faces Fears of Failure on Fourth LP ‘Bring Backs’

by Adam Davidson
Grace Weber © Kelianne
Debut, Features, Music, Reviews, Track-by-TrackJune 15, 2021<June 15, 2021

“Hopeful, Magical, Space”: Grace Weber Goes Track-by-Track Through Debut Album ‘A Beautiful Space’

by Mitch Mosk
Jen Rim © Robbie Jeffers
Debut, Music, PremieresJune 14, 2021<June 14, 2021

Premiere: Jen Rim Rises on Intimate & Unfiltered Debut Single “Hanging On”

by Mitch Mosk
Michael Cormier © Abi Reimold
Music, PremieresJune 14, 2021<June 14, 2021

Premiere: Michael Cormier’s “Yellow Sadness” Is Full of Astonishment

by Kelly Liu
The Wonder Years
Features, Music, ReviewsJune 14, 2021<June 14, 2021

I’ve Given You All: A Decade of The Wonder Years’ ‘Suburbia I’ve Given You All and Now I’m Nothing’

by James Crowley
Onsen © Julian Buchan
Essays, MusicJune 14, 2021<June 14, 2021

Did You Know That Being Gay Is a Superpower? An Essay by Onsen

by Guest Writer
Solar Power - Lorde
Music, Reviews, This Just InJune 14, 2021<June 14, 2021

This Just In: Unabashedly Blissful, Lorde Returns with Sun-Kissed “Solar Power”

by Kelly Liu
Tai Verdes © Angelo Kritikos
Columns, Music, Today's SongJune 14, 2021<June 14, 2021

Today’s Song: Tai Verdes Soars on Carefree Summer Singalong “A-O-K” Off Debut Album ‘TV’

by Christine Costello
John Splithoff © Lauren Jones
Debut, Interviews, MusicJune 11, 2021<June 11, 2021

Interview: John Splithoff Is ‘All In’ for His Next Career Phase As an LP-Maker

by Josh Weiner
E L E Y © Eddy Chen
Columns, Music, Today's SongJune 11, 2021<June 11, 2021

Today’s Song: LA’s E L E Y Lights a Burning “Fire” with Passionate, Radiant Debut Single

by Mitch Mosk
Butterfly Ali © Roi Allen Henson
Debut, Features, Music, Reviews, Track-by-TrackJune 11, 2021<June 11, 2021

“Honest, Expressive, & Funky”: Butterfly Ali Soars in ‘Preacher’s Kid,’ His Energizing Debut EP

by Mitch Mosk
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Brand New

  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return

:: discover something new ::

Recent Posts

  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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