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Jon Batiste © Justin French
Features, Interviews, MusicMarch 19, 2021<October 5, 2021

“We Are the Golden Ones”: Jon Batiste Dives into His Inspiring, Genreless New Album

by Mitch Mosk
Sundressed © Orlando Pelagio
Music, Music Videos, ReviewsMarch 18, 2021<March 18, 2021

Review: Sundressed’s “Cash Out” Is an Anthem of Perseverance, Inner Strength & Staying Power

by Mitch Mosk
girlhouse © Alex Justice
Artist to Watch, Columns, Music, Today's SongMarch 18, 2021<March 18, 2021

Artist to Watch: girlhouse Reckons with Inherited Trauma & Finds Renewal on “loaded gun”

by Mitch Mosk
Riley Pearce © Al Parkinson
Music, Premieres, Track-by-TrackMarch 18, 2021<March 18, 2021

EP Premiere: Riley Pearce Captures the Beauty & Magic of Connection with ‘Love and All That Stuff’

by Mitch Mosk
LA Parties' Andy Gorel
Debut, Music, PremieresMarch 18, 2021<March 18, 2021

Premiere: LA Parties Debuts with Invigorating & Visceral Disillusionment on Self-Titled Single, “LA Parties”

by Mitch Mosk
alexdgoldberg
Debut, Interviews, MusicMarch 18, 2021<March 18, 2021

Interview with Alexdgoldberg: Brooklyn’s Finest Bounces Back From Bad Health & Releases Compelling Debut LP ‘Loste’

by Josh Weiner
Atwood Magazine Celebrates Women's History Month
Features, Music, Women's History MonthMarch 18, 2021<April 7, 2021

Atwood Magazine Celebrates Women’s History Month 2021, Pt. IV

by Atwood Magazine Staff
Breaking The Record 2020
Breaking the Record, Columns, MusicMarch 18, 2021<March 18, 2021

Breaking the Record with Roan Yellowthorn, Part 54: Pre-Order

by Guest Writer
Michael Baker
Features, Interviews, Music, Reviews, Track-by-TrackMarch 17, 2021<March 17, 2021

“Bionic Chemistry Chimney”: Michael Baker Dives into His Stirring & Hopeful 3rd LP ‘How Come You Sleep’

by Mitch Mosk
Blackout Problems
Features, Interviews, Music, Reviews, Track-by-TrackMarch 17, 2021<March 19, 2021

“Emotional, Energetic, Expressive”: Germany’s Blackout Problems Dive into Unrelenting 3rd LP ‘DARK’

by Mitch Mosk
8.2
Debut, Music, Our Take, Reviews, Track-by-TrackMarch 17, 2021<March 17, 2021

Track-By-Track: Black Country, New Road Are a Visage of Tension and Unsettled Nerves on ‘For the first time’

by Nick Matthopoulos
TANGERINE © Miro Justad
Artist to Watch, Music, PremieresMarch 17, 2021<March 17, 2021

Premiere: TANGERINE Bask in Cosmic Indie Folk Dreams on “The Coldest Winter”

by Mitch Mosk
The Bones of J.R. Jones © Christian Harder
Interviews, Music, PremieresMarch 17, 2021<March 17, 2021

“Understated, Honest, & Dark”: The Bones of J.R. Jones Lights a Fire in ‘A Celebration’ EP

by Mitch Mosk
Hands Down © Fredrik Stål
Columns, Debut, Today's SongMarch 17, 2021<March 17, 2021

Today’s Song: Hands Down Delivers a Deceptively Sweet Debut with “Too Late”

by Adrian Vargas
Huitième Art - Sinik 8
Music, Our Take, ReviewsMarch 17, 2021<March 16, 2021

Our Take: Sinik Maintains His Streak of Dominance in the French Rap Game with ‘Huitième art’

by Josh Weiner
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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