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Celebrating Irish Music: St. Patrick's Day 2021
Features, Music, PlaylistsMarch 17, 2021<April 11, 2021

Celebrating Irish Music: St. Patrick’s Day Artist Showcase, 2021

by Atwood Magazine Staff
Millennium Parade
Music, ReviewsMarch 16, 2021<March 16, 2021

Review: The Fascinating & Magical Atmosphere of Millennium Parade’s Debut Album

by Dimitra Gurduiala
Spring Summer © Roman Coppola
Debut, Music, PremieresMarch 16, 2021<March 16, 2021

Premiere: Jennifer Furches’ Solo Project Spring Summer Debuts with Dazzling First Single “Bow Your Head”

by Mitch Mosk
Maritza Merk
Debut, Features, Music, Reviews, Track-by-TrackMarch 16, 2021<March 16, 2021

“Smooth, Relatable, & Confident”: Maritza Merk Dives into Her Transformative Debut Album ‘X’

by Mitch Mosk
8.3
Music, Our Take, ReviewsMarch 16, 2021<March 16, 2021

Our Take: King Gizzard’s Brilliant, Ostentatious Double Album ‘K.G.L.W.’

by Ben Niesen
Unsaid - Psychic Shakes
Music, Reviews, Track-by-TrackMarch 16, 2021<March 16, 2021

“Informal, Conversational, Confessional”: Psychic Shakes Dives into His Mesmerizing ‘Unsaid’ EP

by Mitch Mosk
Internet Raised © 2021
Music, PremieresMarch 16, 2021<March 16, 2021

Premiere: Internet Raised’s Intimate “Burning Sheets” Is a Seductive Indie Pop Dalliance

by Mitch Mosk
Babygirl © Kate Dockeray
Columns, Music, Today's SongMarch 16, 2021<March 15, 2021

Young Love & Loss: Ontario’s Babygirl Dazzle on Slick, Sweet Single “You Were in My Dream Last Night”

by Mitch Mosk
Atwood Magazine Celebrates Women's History Month Pt. III
Features, Music, Women's History MonthMarch 15, 2021<March 18, 2021

Atwood Magazine Celebrates Women’s History Month 2021, Pt. III

by Atwood Magazine Staff
Rita Ray © 2021
Music, Music Videos, PremieresMarch 15, 2021<January 10, 2023

Video Premiere: Rita Ray’s “Love Ain’t the Same” Is a Modern Soul Classic

by Kelly Liu
Priya Ragu © Shaun James Grant
Columns, Interviews, Music, Today's SongMarch 15, 2021<March 14, 2021

Today’s Song: Priya Ragu’s Colorful, Tamil-Infused R&B Single “Chicken Lemon Rice”

by Mariel Fechik
Yasmin Williams © Kim Atkins 8.9
Columns, Music, Our TakeMarch 12, 2021<March 12, 2021

Our Take: Reflection & Luminescence on Yasmin Williams’ Spellbinding ‘Urban Driftwood’

by Dalia
XIXA © Puspa Loh Meyer
Music, ReviewsMarch 12, 2021<March 12, 2021

Review: XIXA Embark on an Unsettling Tour of the Sonoran Desert on Sophomore Record ‘Genesis’

by Josh Weiner
Timothy EP - Tim Chadwick
Features, Music, Reviews, Track-by-TrackMarch 12, 2021<March 12, 2021

“Heartbreaking, Honest, Healing”: Tim Chadwick Goes Track-by-Track Through ‘Timothy’ EP

by Mitch Mosk
Núria Graham © Marc Cusco
Artist to Watch, Music, PremieresMarch 12, 2021<March 12, 2021

Artist-to-Watch: Núria Graham Captivates on Cinematic & Dreamy “At Last”

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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