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Tantalus - Mantaraybryn
Columns, Music, Today's SongMay 7, 2021<May 10, 2021

Mantaraybryn Weaves His Own Epic in Cinematic Single “Tantalus”

by Mitch Mosk
BK BABY - Cezur III
Debut, Music, Reviews, Track-by-TrackMay 7, 2021<May 7, 2021

“Vulnerable. Raw. Brooklyn.”: Cezur III Rises Triumphant in Dynamic Debut ‘BK BABY’

by Mitch Mosk
Just Before You Disappear - Cj Pandit
Music, Reviews, Track-by-TrackMay 7, 2021<May 7, 2021

“All of Me”: Cj Pandit Dives into His Soaring Debut EP ‘Just Before You Disappear’

by Mitch Mosk
Features, Interviews, MusicMay 7, 2021<May 11, 2021

Interview: chloe moriondo’s ‘Blood Bunny’ Is an Album That Just Gets Us

by Dimitra Gurduiala
Mighty Oaks © Studio Marco Fischer
Features, Music, Reviews, Track-by-TrackMay 7, 2021<May 7, 2021

“Warm, Natural, & Raw”: Mighty Oaks Go Track-by-Track Through New Album ‘Mexico’

by Mitch Mosk
Atwood Magazine's Weekly Roundup May 7, 2021
Columns, Features, Music, Weekly RoundupMay 7, 2021<May 7, 2021

Atwood Magazine’s Weekly Roundup: May 7, 2021

by Atwood Magazine Staff
Joshua Bassett © 2021
Interviews, MusicMay 7, 2021<October 5, 2021

Interview: Joshua Bassett Is the Multitalented Musician Helping Us “Feel Something” on His New Carefree Single

by Bethan Harper
Sarah Kinsley © Julia Khoroshilov
Columns, Music, Today's SongMay 6, 2021<May 6, 2021

Today’s Song: Sarah Kinsley Finds Rebirth & Renewal in Stirring Single “Over + Under”

by Mitch Mosk
corner club © 2021
Features, Interviews, MusicMay 6, 2021<May 6, 2021

“We’re Corner People”: A Conversation with corner club

by Kelly Liu
Adam Melchor & Lennon Stella © Muriel Margaret
Music, ReviewsMay 6, 2021<May 6, 2021

Adam Melchor Soothes & Stirs in Wondrous New Song “Light Year” with Lennon Stella

by Mitch Mosk
Marine Life - Will Graefe 9.4
Music, Our Take, Reviews, Track-by-TrackMay 6, 2021<May 6, 2021

“Intimate & Three-Dimensional”: Grief Comes to Life in Will Graefe’s Beautiful ‘Marine Life’ LP

by Mitch Mosk
Course © Chloe Hamilton
Artist to Watch, Music, PremieresMay 6, 2021<May 6, 2021

Premiere: Course’s Stunning Song “Nick of Time” Rises Out of Pain to Liberation & Self-Worth

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicMay 6, 2021<May 5, 2021

Breaking the Record with Roan Yellowthorn, Part 60: “The End Is Near”

by Guest Writer
Misty Coast © Francisco Munoz
Music, Music Videos, PremieresMay 6, 2021<May 5, 2021

Premiere: Misty Coast’s “When I Fall From the Sky” Is a Psych-Pop Daydream

by Mitch Mosk
Blue Fish Diamond © Ruth Medjber
Music, ReviewsMay 5, 2021<May 5, 2021

Review: Dublin’s Blue Fish Diamond Shine in “Free,” a Folk Rock Beacon of Hope & Light

by Mitch Mosk
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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