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Yola © Joseph Ross Smith
Columns, Music, Today's SongMay 3, 2021<May 3, 2021

Yola’s Anthemic “Diamond Studded Shoes” Is an Energizing & Charged Call to Action

by Mitch Mosk
Greta Van Fleet © Matthew Daniel Siskin (L-R: Danny Wagner, Jake Kiszka, Josh Kiszka, Sam Kiszka)
Features, Interviews, MusicMay 3, 2021<October 5, 2021

Interview: Josh Kiszka on Greta Van Fleet, ‘The Battle at Garden’s Gate’, and the Infosonicosm

by Lilly Eason
Rosie Tucker © May Daniels
Features, Interviews, MusicMay 3, 2021<May 3, 2021

Interview: Rosie Tucker Welcomes Us into Coming-of-Age Album ‘Sucker Supreme’

by Dimitra Gurduiala
girl in red © Jonathan Kise
Debut, Features, Interviews, MusicApril 30, 2021<October 5, 2021

Guard’s Down, Heart’s Out: A Conversation with girl in red

by Nicole Almeida
Surprise, Surprise - Savannah Conley
Features, Interviews, Music, Reviews, Track-by-TrackApril 30, 2021<June 13, 2023

“Surprise, Surprise”: Savannah Conley Shines with Stirring Strength & Stunning Depth on New EP

by Mitch Mosk
Blake Layman © Alex Gore
Music, Music Videos, PremieresApril 30, 2021<April 30, 2021

Premiere: Charlottesville’s Blake Layman Stuns with Quietly Charming “Unhistoric Acts”

by Mitch Mosk
Jesse Beaman © Kate Meyer
Features, Interviews, MusicApril 30, 2021<April 30, 2021

Jesse Beaman’s New Album ‘Mira’ Is a Sonic Monument to Being Patient & Trusting the Process

by Diego Morales
Parallel World - Cadence Weapon
Features, Interviews, MusicApril 30, 2021<October 5, 2021

Interview: Exploring Toronto Rapper Cadence Weapon’s ‘Parallel World’

by Oliver Crook
Del Water Gap © Angela Riccardi
Columns, Music, Today's SongApril 30, 2021<April 29, 2021

Today’s Song: Del Water Gap Turns the Unspoken into Art on “Sorry I Am”

by Jason Brillon
Atwood Magazine's Weekly Roundup April 30, 2021
Columns, Features, Music, Weekly RoundupApril 30, 2021<April 30, 2021

Atwood Magazine’s Weekly Roundup: April 30, 2021

by Atwood Magazine Staff
Total Brutal
Music, ReviewsApril 29, 2021<April 29, 2021

Review: Total Brutal’s Sun-Soaked “Had a Feeling” Is a Dazzling, Emotional Daydream

by Mitch Mosk
heka
Music, ReviewsApril 29, 2021<April 29, 2021

Review: London’s heka Weaves Intimate Indie Folk Wonders in “(a) dab”

by Mitch Mosk
Artist to Watch, Features, Music, ReviewsApril 29, 2021<February 24, 2025

“I Have Something to Live For”: A Conversation With Glüme

by Adrian Vargas
Sandro Manzon
Music, Reviews, Track-by-TrackApril 29, 2021<April 29, 2021

Solitude, Silence, & Connection: Sandro Manzon Weaves Little Wonders in ‘Mr. Nothing’ EP

by Mitch Mosk
aviv
Columns, Music, Today's SongApril 29, 2021<April 29, 2021

AVIV’s “Black Coffee” Is a Call to Reconcile with the Ones You Don’t Want to Lose

by Dimitra Gurduiala
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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