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Love Truls © Linus Bertholdsson
Columns, Music, Today's SongJune 4, 2021<June 4, 2021

Today’s Song: Sweden’s Love Truls Displays Tender Feelings of Affection on “Tell Her”

by Josh Weiner
Wyldest © 2021
Features, Music, Reviews, Track-by-TrackJune 4, 2021<January 27, 2023

Feature: Wyldest’s Empowering ‘Monthly Friend’ Embraces & Explores the Depths of Womanhood

by Mitch Mosk
Lucy Francesca Dron © Finn Mullen
Debut, Features, Music, Reviews, Track-by-TrackJune 4, 2021<June 4, 2021

“Emotional, Eclectic, & Honest”: Lucy Francesca Dron’s Dynamic Coming-of-Age EP ‘Leftovers’

by Mitch Mosk
BETWEEN FRIENDS © Elizabeth Miranda
Features, Interviews, MusicJune 4, 2021<June 4, 2021

BETWEEN FRIENDS Prioritize Thinking Less & Enjoying More, Generating Their Most Authentic Music to Date

by Kelsey Fitzgerald
Atwood Magazine's Weekly Roundup | June 4, 2021
Columns, Features, Music, Weekly RoundupJune 4, 2021<June 4, 2021

Atwood Magazine’s Weekly Roundup: June 4, 2021

by Atwood Magazine Staff
Interviews, MusicJune 4, 2021<June 4, 2021

Interview: ELUNIA Speaks of Conformity vs. Individuality & Upcoming EP ‘DEEP END’

by Joe Beer
SOUR - Olivia Rodrigo
Features, Music, Reviews, RoundtableJune 4, 2021<June 29, 2024

Roundtable Discussion: A Review of Olivia Rodrigo’s ‘SOUR’

by Atwood Magazine Staff
B-Drop
Features, Music, PremieresJune 4, 2021<June 14, 2021

Premiere: B-Drop Worldwide Showcases Slothrust, The Islas, Velvet Starlings, Opus Kink, Modern Eyes, & The Roves

by Mitch Mosk
Hayden Everett © Raymond Alva
Music, Reviews, Track-by-TrackJune 3, 2021<June 3, 2021

Presence, Awe, & Wonder: Hayden Everett Soars on Sophomore EP ‘Kennecott’

by Mitch Mosk
Wayne Snow © Kiroubel Beaujour
Columns, Music, Today's SongJune 3, 2021<June 4, 2021

Today’s Song: Wayne Snow’s Smoldering “Seventy” Is an Irresistible, Sultry Seduction

by Mitch Mosk
Jesse Markin © Tero Ahonen
Music, PremieresJune 3, 2021<June 3, 2021

Premiere: Jesse Markin Explores Identity & Masculinity in Empowering “Hemostasis” ft. Terrell Hines

by Mitch Mosk
Zosia © courtesy of the artist
Debut, Interviews, MusicJune 3, 2021<June 3, 2021

Interview: LA’s Zosia Opens Up About Her ‘Symptoms of Nature’ EP & Musical Metamorphosis

by Chloe Robinson
Easy Honey © 2021
Features, Interviews, MusicJune 3, 2021<August 19, 2021

Interview: Easy Honey’s Journey From Tennessee Frat House to Charleston Pour House

by Lilly Eason
"Bound for Glory" film still - The Magic Lantern
Music, Music Videos, PremieresJune 3, 2021<June 3, 2021

Premiere: The Magic Lantern’s Heart-Wrenching “Bound for Glory” Is an Existential, Moving Cinematic Wonder

by Mitch Mosk
No Tomorrow EP - Louien
Music, Premieres, Reviews, Track-by-TrackJune 3, 2021<June 3, 2021

“Unpredictable, Deep-Diving, & Honest”: Louien Captivates with Beautiful ‘No Tomorrow’ EP

by Mitch Mosk
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Brand New

  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return

:: discover something new ::

Recent Posts

  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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