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Jauz & HALIENE
MusicApril 22, 2021<August 3, 2021

With “Oceans & Galaxies,” Jauz & HALIENE Are Celebrating Earth Day in High EDM Style

by Josh Weiner
W.L. - The Snuts
Debut, Features, Interviews, Music, Reviews, Track-by-TrackApril 22, 2021<April 21, 2021

Interview: The Snuts Are Giving the Indie Scene an Overhaul with Their No. 1 Record, ‘W.L.’

by Bethan Harper
No Hard Feelings EP - Pure Intruders
Debut, Features, Music, Reviews, Track-by-TrackApril 21, 2021<April 21, 2021

“Inviting, Confronting, & Rewarding”: Pure Intruders Weave a Warm & Tender Tapestry in Debut EP ‘No Hard Feelings’

by Mitch Mosk
Remember Sports © Sonia Kiran
Features, Interviews, MusicApril 21, 2021<April 21, 2021

Interview: Remember Sports Face “Super Daunting” Life Choices on ‘Like a Stone’

by James Crowley
Written & Directed
Features, Interviews, MusicApril 21, 2021<April 21, 2021

Interview: Black Honey Empower with Cinematic Sophomore Album ‘Written & Directed’

by Dimitra Gurduiala
Coma Culture © Kelly Victoria
Music, PremieresApril 21, 2021<April 21, 2021

Premiere: Coma Culture Soar with Buoyant Bliss on Sophomore Single “In Love”

by Mitch Mosk
Charm of Finches © Laura May Grogan
Music, PremieresApril 21, 2021<April 22, 2021

Premiere: Charm of Finches’ Wistful & Wondrous “Treading Water” Captures the Haunting Weight of Goodbye

by Mitch Mosk
lowloh © 2021
Music, PremieresApril 21, 2021<April 22, 2021

Premiere: lewloh Shines on His Heart-on-Sleeve Confessional “summer boy”

by Mitch Mosk
Columns, Music, Today's SongApril 21, 2021<April 21, 2021

Today’s Song: Yuki Dreams Again Chases Girls & Delivers the Cross-Genre Goods on Third Single “Cold World”

by Josh Weiner
Saint Raymond
Interviews, MusicApril 20, 2021<April 20, 2021

Interview: ‘We Forgot We Were Dreaming’ Is the Record That Taught Saint Raymond How to Trust Himself

by Bethan Harper
yey © 2021
Columns, Music, Today's SongApril 20, 2021<April 20, 2021

Today’s Song: yey Hypnotizes ‘Til the Break of “Dawn” on Her Expressive Third Single

by Dimitra Gurduiala
CANNXN © Julie Lopez-Acosta
Debut, Music, PremieresApril 20, 2021<April 20, 2021

Premiere: CANNXN Lights a Burning Fire in Debut EP ‘Will I Always Feel This Way?’

by Mitch Mosk
Slow Down - Gilligan Moss
Music, ReviewsApril 20, 2021<April 20, 2021

Brooklyn’s Gilligan Moss Shine with Feel-Good Grooves on Summery “Slow Down” & Self-Titled Debut

by Mitch Mosk
Cheer Captain - Charli Adams
Features, Interviews, MusicApril 19, 2021<October 5, 2021

“I’m a people pleaser, but I don’t want to be her”: Charli Adams Dives into Her Liberating Anthem “Cheer Captain”

by Mitch Mosk
Lucy Dacus © Marin Leong
Columns, Music, Today's SongApril 19, 2021<April 19, 2021

Today’s Song: “Thumbs” Is Lucy Dacus’ Ultimate Statement as a Storyteller

by Nicole Almeida
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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