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Blackout Problems
Features, Interviews, Music, Reviews, Track-by-TrackMarch 17, 2021<March 19, 2021

“Emotional, Energetic, Expressive”: Germany’s Blackout Problems Dive into Unrelenting 3rd LP ‘DARK’

by Mitch Mosk
8.2
Debut, Music, Our Take, Reviews, Track-by-TrackMarch 17, 2021<March 17, 2021

Track-By-Track: Black Country, New Road Are a Visage of Tension and Unsettled Nerves on ‘For the first time’

by Nick Matthopoulos
TANGERINE © Miro Justad
Artist to Watch, Music, PremieresMarch 17, 2021<March 17, 2021

Premiere: TANGERINE Bask in Cosmic Indie Folk Dreams on “The Coldest Winter”

by Mitch Mosk
The Bones of J.R. Jones © Christian Harder
Interviews, Music, PremieresMarch 17, 2021<March 17, 2021

“Understated, Honest, & Dark”: The Bones of J.R. Jones Lights a Fire in ‘A Celebration’ EP

by Mitch Mosk
Hands Down © Fredrik Stål
Columns, Debut, Today's SongMarch 17, 2021<March 17, 2021

Today’s Song: Hands Down Delivers a Deceptively Sweet Debut with “Too Late”

by Adrian Vargas
Huitième Art - Sinik 8
Music, Our Take, ReviewsMarch 17, 2021<March 16, 2021

Our Take: Sinik Maintains His Streak of Dominance in the French Rap Game with ‘Huitième art’

by Josh Weiner
Celebrating Irish Music: St. Patrick's Day 2021
Features, Music, PlaylistsMarch 17, 2021<April 11, 2021

Celebrating Irish Music: St. Patrick’s Day Artist Showcase, 2021

by Atwood Magazine Staff
Millennium Parade
Music, ReviewsMarch 16, 2021<March 16, 2021

Review: The Fascinating & Magical Atmosphere of Millennium Parade’s Debut Album

by Dimitra Gurduiala
Spring Summer © Roman Coppola
Debut, Music, PremieresMarch 16, 2021<March 16, 2021

Premiere: Jennifer Furches’ Solo Project Spring Summer Debuts with Dazzling First Single “Bow Your Head”

by Mitch Mosk
Maritza Merk
Debut, Features, Music, Reviews, Track-by-TrackMarch 16, 2021<March 16, 2021

“Smooth, Relatable, & Confident”: Maritza Merk Dives into Her Transformative Debut Album ‘X’

by Mitch Mosk
8.3
Music, Our Take, ReviewsMarch 16, 2021<March 16, 2021

Our Take: King Gizzard’s Brilliant, Ostentatious Double Album ‘K.G.L.W.’

by Ben Niesen
Unsaid - Psychic Shakes
Music, Reviews, Track-by-TrackMarch 16, 2021<March 16, 2021

“Informal, Conversational, Confessional”: Psychic Shakes Dives into His Mesmerizing ‘Unsaid’ EP

by Mitch Mosk
Internet Raised © 2021
Music, PremieresMarch 16, 2021<March 16, 2021

Premiere: Internet Raised’s Intimate “Burning Sheets” Is a Seductive Indie Pop Dalliance

by Mitch Mosk
Babygirl © Kate Dockeray
Columns, Music, Today's SongMarch 16, 2021<March 15, 2021

Young Love & Loss: Ontario’s Babygirl Dazzle on Slick, Sweet Single “You Were in My Dream Last Night”

by Mitch Mosk
Atwood Magazine Celebrates Women's History Month Pt. III
Features, Music, Women's History MonthMarch 15, 2021<March 18, 2021

Atwood Magazine Celebrates Women’s History Month 2021, Pt. III

by Atwood Magazine Staff
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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