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Trouble Will Find Me - The National
Columns, Music, Today's SongApril 14, 2021<April 13, 2021

Today’s Song: The National Are an Open Book in “Don’t Swallow the Cap”

by Kosiso Ugwueze
Valerie June © Renata Raksha
Features, Interviews, MusicApril 14, 2021<April 14, 2021

“It’s a Twang Thang”: Valerie June on Her Magical Album ‘The Moon and Stars: Prescriptions for Dreamers’

by Ilana Kalish
Holly Humberstone © Jordan Curtis Hughes
Features, Interviews, MusicApril 14, 2021<April 14, 2021

Interview: Holly Humberstone on Her Intimate & Vulnerable “Haunted House”

by Mitch Mosk
Amy Milner © 2021
Music, PremieresApril 14, 2021<April 14, 2021

“Hopeful, Honest, & Undiluted”: Amy Milner Premieres Her Debut Album ‘spell_hope’

by Mitch Mosk
Giulia © Victoria Munoz
Music, PremieresApril 13, 2021<April 13, 2021

Premiere: Giulia.’s Sweet “Lucky Ones” Is an Ode to Finding Beauty in Darkness

by Mitch Mosk
Markéta Irglová
Columns, Music, Today's SongApril 13, 2021<April 9, 2021

Today’s Song: Markéta Irglová Holds Death in Her Embrace with “Among the Living”

by Nasim Elyasi
Flyte © Jan Philipzen
Features, Interviews, MusicApril 13, 2021<August 25, 2023

“Written in a Dark Cave, Recorded in the Sunshine”: Flyte Sink & Soar on ‘This Is Really Going to Hurt’

by Mitch Mosk
Caoilfhionn Rose © Emily Dennison
Features, Music, Reviews, Track-by-TrackApril 12, 2021<April 14, 2021

“Hopeful, Vibrant, & Vivid”: Caoilfhionn Rose Blossoms on Tender & Smoldering Sophomore LP ‘Truly’

by Mitch Mosk
Cattle in the Sky - Hounds 9.6
Features, Music, Our Take, Reviews, Track-by-TrackApril 12, 2021<April 13, 2021

Feature: St. Louis’ Hounds Seize the Day on Sophomore LP ‘Cattle in the Sky’

by Mitch Mosk
The Lighthouse and the Whaler
Features, Interviews, MusicApril 12, 2021<April 9, 2021

Interview: The Lighthouse and the Whaler Are Back with Cheerful, Nostalgic Single “When We Meet”

by Dimitra Gurduiala
Satomimagae © Mana Hirak
Columns, Music, Today's SongApril 12, 2021<April 9, 2021

Today’s Song: Satomimagae Combines Dark Folk & Ambient Atmospheres in “Houkou”

by Diego Morales
The Dirty Nil © Sam Tomlinson
Music, Reviews, Today's SongApril 10, 2021<April 9, 2021

Today’s Song: The Dirty Nil End the Night with “One More and the Bill”

by James Crowley
NYIKO © Niles Gregory 8
Debut, Music, Our Take, ReviewsApril 9, 2021<April 9, 2021

Our Take: Love Is Creation on NYIKO’s Debut Album ‘Honesty’

by Anthony Kozlowski
Sociopath - Olivia O'Brien
Interviews, MusicApril 9, 2021<May 7, 2021

“Sociopath”: Olivia O’Brien Goes Behind the Scenes of Her Thrilling New Song & Horror Film

by Mitch Mosk
Atwood Magazine's Weekly Roundup April 9, 2021
Features, Music, Weekly RoundupApril 9, 2021<April 9, 2021

Atwood Magazine’s Weekly Roundup: April 9, 2021

by Atwood Magazine Staff
Posts pagination
1 … 335 336 337 338 339 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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