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Vagabon & Courtney Barnett © Pooneh Ghana
Columns, Music, Today's SongJanuary 30, 2021<January 29, 2021

Today’s Song: Vagabon & Courtney Barnett Cover ‘Reason to Believe,” and It’s Enchanting

by Aaron Scobie
When You Found Me - Lucero
Features, Interviews, Music, Reviews, Track-by-TrackJanuary 29, 2021<March 14, 2021

“You’re Your Family”: Lucero Dive into the Depths of Sweeping Tenth Album ‘When You Found Me’

by Mitch Mosk
Isaac Stuart © Grace Bistro
Music, PremieresJanuary 29, 2021<January 29, 2021

Finding Peace After Discomfort in Isaac Stuart’s “Place for You in My Heart”

by Nina Schaarschmidt
Shrug - Rat Tally
Columns, Music, Today's SongJanuary 29, 2021<January 29, 2021

Today’s Song: Rat Tally’s Raw “Shrug” Is a Tender, Fragile, & Intimate Upheaval

by Mitch Mosk
Calica & Daniel Loumpouridis © Maxine Bowen
Columns, Interviews, MusicJanuary 29, 2021<January 29, 2021

Interview: Calica & Daniel Loumpouridis Discuss Catchy Single “Don’t,” New EP ‘Lens,’ TikTok, and Their Road to Success

by Chloe Robinson
Verzache © 2021
Features, Interviews, MusicJanuary 29, 2021<January 29, 2021

Interview: Toronto’s Verzache Dwells in the Wavey, Hazey Depths of “All I Need” Off Forthcoming Debut ‘My Head Is a Moshpit’

by Mitch Mosk
Atwood Magazine Weekly Roundup 2021-01-29
Columns, Features, Weekly RoundupJanuary 29, 2021<January 29, 2021

Atwood Magazine’s Weekly Roundup: January 29, 2021

by Atwood Magazine Staff
Baio © Pooneh Ghana
Features, Interviews, MusicJanuary 29, 2021<February 5, 2021

Developing a Voice & Spreading Joy Amidst an Apocalypse: A Conversation with Baio

by Frankie Rose
Adam Melchor © 2020
Artist to Watch, Music, ReviewsJanuary 28, 2021<January 28, 2021

Artist to Watch: Adam Melchor Stuns with Breathtakingly Beautiful Songs “Life on Earth?” & “The Last Song on Earth”

by Mitch Mosk
Phantom Wave © 2021
Columns, Music, Today's SongJanuary 28, 2021<January 28, 2021

Today’s Song: Brooklyn’s Phantom Wave Dwell in Ethereal Shoegaze Depths on Overdriven Upheaval “Billows”

by Mitch Mosk
Doohickey Cubicle © Jordyn Taylor-Robins
Music, PremieresJanuary 28, 2021<January 28, 2021

Premiere: Doohickey Cubicle’s Hazey Song “Sign Here” Is a Cheeky & Intoxicating Celebration of Consumerism

by Mitch Mosk
JOYNER © Morgan Demeter
Music, ReviewsJanuary 28, 2021<January 28, 2021

California Duo JOYNER’s 2018 Debut “White Lights” Continues to Burn Bright

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicJanuary 28, 2021<January 28, 2021

Breaking the Record with Roan Yellowthorn, Part 48: Making Progress

by Guest Writer
Roller Derby © Anja Gurres
Music, Music Videos, PremieresJanuary 28, 2021<January 27, 2021

Premiere: Hamburg’s Roller Derby Weave a World of Dream Pop Wonder in Soaring “Can’t See You”

by Mitch Mosk
Sincere Engineer © Hovland
Music, Music Videos, PremieresJanuary 28, 2021<January 27, 2021

Premiere: Sincere Engineer Infuse the Mundanity of Winter with Blood-Hot Drama on “Tourniquet”

by Ethan James
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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