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WULF
Interviews, Music, PremieresMarch 11, 2021<March 10, 2021

Interview: London Indie Rock Trio WULF Talk “Never Giving Up,” New Music, COVID, & More

by Mitch Mosk
YINYANG
Music, Music Videos, PremieresMarch 11, 2021<November 4, 2023

Premiere: Northern Ireland’s YINYANG Talks Self-Care in Second Single “BLOODHOUND / EARTHBOUND”

by Dimitra Gurduiala
Atwood Magazine Editor's Picks 47
Columns, Editor's Picks, Features, MusicMarch 10, 2021<April 8, 2021

Editor’s Picks 47: Loviet, Baby Queen, Ysabel Bain, girlhouse, Fousheé, & Babygirl

by Mitch Mosk
Katy Kirby © Jackie Lee Young
Artist to Watch, Debut, Features, Music, Reviews, Track-by-TrackMarch 10, 2021<March 10, 2021

“Sedimentary, Nervous, & Open”: Artist-to-Watch Katy Kirby Stuns with Debut Album ‘Cool Dry Place’

by Mitch Mosk
Novi © 2021
MusicMarch 10, 2021<March 11, 2021

Novi Crafts a Refreshing Synth-Pop Antidote to Lockdown Woes with ‘For the Wild Ones’ EP

by Josh Weiner
Ryanhood © Taylor Noel Mercado
Music, PremieresMarch 10, 2021<March 10, 2021

Premiere: Ryanhood’s Breathtaking & Wondrous “Wide Awake in a Dream” Ushers in a New Season

by Mitch Mosk
LVRA © 2020
Music, Reviews, This Just InMarch 10, 2021<March 10, 2021

This Just In: Alt-Pop Empress LVRA Shines on New Single “Dead”

by Dimitra Gurduiala
Claire Reneé © Angelo Kangleon
Features, Interviews, MusicMarch 10, 2021<March 9, 2021

Interview: Claire Reneé on Saying Goodbye to Unnecessary Friends & Her Lessons Learned

by Chloe Robinson
DijahSB © Marius Jadion
Columns, Music, Today's SongMarch 10, 2021<March 9, 2021

Today’s Song: DijahSB Separates Themselves From the Rest on “By Myself”

by Oliver Crook
Cape God - Allie X
Music, ReviewsMarch 10, 2021<March 10, 2021

Review: How Allie X Started Showing Her True Colors in ‘Cape God’

by Dimitra Gurduiala
George Glew © Daniel Harris
Music, Reviews, Track-by-TrackMarch 9, 2021<March 9, 2021

An Emotional Connection: George Glew Finds His Footing & Soars on Stirring ‘Gravity’ EP

by Mitch Mosk
Town Meeting © Angela Ryan
Music, PremieresMarch 9, 2021<March 9, 2021

Premiere: Town Meeting Crack American Duality with Empathy on “The Imitator”

by Ethan James
Lucy Spraggan © Nik Bryant
Features, Music, Reviews, Track-by-TrackMarch 9, 2021<March 9, 2021

“Emotional, Wild, & Honest”: Lucy Spraggan Dives into Her Soaring 6th LP ‘Choices’

by Mitch Mosk
Mulay © Ali Kanaan
Debut, Music, Reviews, Track-by-TrackMarch 9, 2021<March 9, 2021

“A Celebration of the Darkness Within”: Mulay Dives into Her Alluring Debut EP ‘ANTRACYTE’

by Mitch Mosk
Columns, Music, Reviews, Today's SongMarch 9, 2021<March 9, 2021

Review: Japanese Breakfast Is Back to Take on the World with “Be Sweet”

by Dalia
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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