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glimmers © Sophie Harris
Features, Interviews, MusicApril 19, 2021<April 27, 2021

Interview: Glimmers Make Cinematic Magic on Concept EP ‘Worlds Apart’

by Lowndes Commander
Features, Music, Weekly RoundupApril 16, 2021<March 25, 2022

Atwood Magazine’s Weekly Roundup: April 16, 2021

by Atwood Magazine Staff
Music, Reviews, Track-by-TrackApril 16, 2021<April 16, 2021

The Journey’s End: A Track-By-Track Review of Son Lux’s ‘Tomorrows III’

by Adrian Vargas
Interviews, MusicApril 16, 2021<April 16, 2021

Interview: Nisa’s Debut EP ‘Guilt Trip’ Finds Beauty in the Process of Self-Acceptance

by Lowndes Commander
Californian Soil - London Grammar
Features, Music, ReviewsApril 16, 2021<April 16, 2021

Visionary Emotion & Transformation: A Review of London Grammar’s ‘Californian Soil’

by Guest Writer
SYML
Features, Music, Reviews, Track-by-TrackApril 16, 2021<April 26, 2021

Loss Sparks Life: SYML Channels Grief & Trauma on His Stirring ‘DIM’ EP

by Mitch Mosk
Features, Interviews, MusicApril 15, 2021<April 22, 2021

The Unpredictable Creations of Improvisation: A Conversation with Son Lux

by Adrian Vargas
NewDad
Debut, Features, Interviews, MusicApril 15, 2021<April 13, 2021

Interview: Dive Headfirst into Irish Dream Pop Band NewDad’s Debut EP ‘Waves’

by Jesse Herb
SEB © Shy Louise
Columns, Debut, Music, Today's SongApril 15, 2021<April 11, 2021

Today’s Song: SEB Stuns with Poignantly Wistful “Coney Island”

by Luke Pettican
Breaking The Record 2020
Breaking the Record, ColumnsApril 15, 2021<April 14, 2021

Breaking the Record with Roan Yellowthorn, Part 58: Horcrux

by Guest Writer
Kalbells © Amanda Picotte
Features, Interviews, MusicApril 15, 2021<April 13, 2021

Practicing the Love Shape: Kalbells’ Kalmia Traver on New Album ‘Max Heart’

by Mariel Fechik
Something Better - Emily Wolfe
Music, PremieresApril 15, 2021<April 19, 2021

Premiere: Emily Wolfe Shines Bright in Buoyant, Spirited Anthem “Something Better”

by Mitch Mosk
Atwood Editor's Picks 50
Columns, Editor's Picks, Features, MusicApril 14, 2021<October 5, 2021

Editor’s Picks 50: DE’WAYNE, Saint Sister, Aquagie, Years & Years, Matt Muse, & Sour Widows

by Mitch Mosk
Kuinka © Rachel Bennett
Music, PremieresApril 14, 2021<April 14, 2021

Premiere: Kuinka Glimmer N’ Glow with Euphoric Dance Anthem “All Mine”

by Mitch Mosk
cehryl © Jonny Ho
Features, Music, Reviews, Track-by-TrackApril 14, 2021<October 5, 2021

“Nostalgic, Ghost-Like, & Reflective”: cehryl Dives into the Breathtaking Depths of Her ‘time machine’ EP

by Mitch Mosk
Posts pagination
1 … 334 335 336 337 338 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Weekly Roundup
    • Music You Should Know
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