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Interviews, Music, ReviewsApril 9, 2021<April 9, 2021

The Power of Vulnerability: A Conversation With Marie Naffah

by Adrian Vargas
Music, ReviewsApril 9, 2021<April 9, 2021

Review: Spirit of the Beehive Become One with the Ether on ‘ENTERTAINMENT, DEATH’

by Sophie Prettyman-Beauchamp
Cujo Moon © Rae Mercedes
Music, Reviews, Track-by-TrackApril 9, 2021<April 9, 2021

“Reflecting. Accepting. Healing.”: Cujo Moon Weaves Worlds of Wonder in ‘Bridges II’ EP

by Mitch Mosk
Stealth
Debut, Music, Reviews, Track-by-TrackApril 9, 2021<April 9, 2021

“Soul Blues Goodness”: Stealth Soars in His Smoldering Debut Album ‘Bury Me’

by Mitch Mosk
Columns, Music, Today's SongApril 9, 2021<April 9, 2021

Today’s Song: A Contrast of Cheer & Ignorance on Blood Cultures’ “Set It On Fire”

by Adrian Vargas
The Fratellis © 2021
Features, Interviews, MusicApril 9, 2021<April 8, 2021

In His Own Sweet Time: An Interview with The Fratellis’ Jon Fratelli

by Kelly Liu
Sarah Cicero
Debut, Music, Premieres, Track-by-TrackApril 8, 2021<April 8, 2021

“Raw, Emotive Yearning”: Sarah Cicero Spills Her Soul in Debut EP ‘Cold Immaculate Opposite’

by Mitch Mosk
Chemtrails over the Country Club - Lana Del Rey
Features, Music, Reviews, RoundtableApril 8, 2021<June 29, 2024

Roundtable Discussion: A Review of Lana Del Rey’s ‘Chemtrails over the Country Club’

by Atwood Magazine Staff
Billie Essco © 2021
Features, Interviews, MusicApril 8, 2021<April 8, 2021

Interview: Buffalo Rapper Billie Essco Is in a League of His Own

by Mitch Mosk
Jenny Owen Youngs © Tucker Leary
Features, Interviews, MusicApril 8, 2021<April 8, 2021

Interview: Jenny Owen Youngs Presents Her Touching EP, ‘Echo Mountain’

by Dimitra Gurduiala
Yungchen Lhamo © Ernie Paniccioli
Features, Interviews, MusicApril 8, 2021<April 27, 2021

Interview: Tibetan Artist Yungchen Lhamo Sings for a Better World

by Guest Writer
Gatlin © Hannah Hall
Artist to Watch, Music, Reviews, This Just InApril 8, 2021<April 8, 2021

This Just In: Gatlin’s “What If I Love You” Is a Bright & Buoyant Upheaval

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicApril 8, 2021<April 8, 2021

Breaking the Record with Roan Yellowthorn, Part 57: Recharging

by Guest Writer
Tusing © Cory Snelson
Music, ReviewsApril 8, 2021<April 7, 2021

Review: Dallas’ Tusing Floats Toward His Best Self on New Single “Wasted”

by Anthony Kozlowski
Baby Queen © David-J.-East
Artist to Watch, Columns, Music, Today's SongApril 8, 2021<April 7, 2021

Today’s Song: Anti-Pop Star Baby Queen Delivers a Candid Narrative About Breakups in “Raw Thoughts”

by Alicia Bugallo
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Weekly Roundup
    • Music You Should Know
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