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Lava La Rue © Jack Cullis
Columns, Music, Today's SongMarch 9, 2021<March 9, 2021

Today’s Song: Lava La Rue’s “Magpie” Pays Forward the Musical Lineage of the UK Underground Scene

by Kelly Liu
Haus Party Pt. 3 - Todrick Hall
Features, Interviews, MusicMarch 9, 2021<March 10, 2021

Disney Magic, Love Songs, & ‘Haus Party 3’: A Conversation with Todrick Hall

by Mitch Mosk
Pom Pom Squad © Camilea Azar
Columns, Music, Today's SongMarch 8, 2021<March 8, 2021

Today’s Song: Pom Pom Squad’s Explosive & Impassioned “Lux” Reels Through Trauma & Turmoil with Feverish Finesse

by Mitch Mosk
Chloe Rodgers © Silvija Gec
Music, PremieresMarch 8, 2021<March 8, 2021

Premiere: Chloe Rodgers’ Captivating “Coins for Charon” Is a Slow-Burning Upheaval

by Mitch Mosk
Atwood Magazine Celebrates Women's History Month
Features, Music, Women's History MonthMarch 8, 2021<March 14, 2021

Atwood Magazine Celebrates Women’s History Month 2021, Pt. I

by Atwood Magazine Staff
Allie Crow Buckley © Nastassia Brückin
Debut, Features, Interviews, MusicMarch 8, 2021<March 14, 2021

Magic, Nature, and Adventuring in Italy: A Conversation with Allie Crow Buckley

by Frankie Rose
Wy © Lamia Karic
Music, PremieresMarch 8, 2021<March 1, 2022

Premiere: Wy Reckon with Social Media & Selfies in Unfiltered “That Picture of Me”

by Mitch Mosk
Jeremiah Fraites © Roberto Graziano Moro
Features, Interviews, MusicMarch 5, 2021<March 7, 2021

Interview: The Lumineers’ Jeremiah Fraites Presents His Solo Album ‘Piano Piano,’ Made from the Chicanes of Life

by Ilana Kalish
International Women's Day 2021
Columns, Features, Music, Weekly RoundupMarch 5, 2021<March 10, 2021

Atwood Magazine’s Weekly Roundup: International Women’s Day 2021

by Atwood Magazine Staff
The Covasettes © 2021
Music, Reviews, Today's SongMarch 5, 2021<March 5, 2021

The Covasettes’ “Modern Rapunzel” Is an Ode to the Fading of a Modern Romance 

by Bethan Harper
Debut, Music, This Just InMarch 5, 2021<March 5, 2021

This Just in: Eden Rain’s “Wake Up, You’re Stuck” Is a Soulful Debut Like No Other

by Adrian Vargas
CHARLOTTE - Charlotte Lawrence
Features, Interviews, MusicMarch 5, 2021<April 8, 2021

Interview: Charlotte Lawrence Bares All in Her Intimate & Breathtaking ‘Charlotte’ EP

by Mitch Mosk
Interviews, MusicMarch 5, 2021<March 2, 2025

Interview: IAN SWEET’s Jilian Medford Finds Herself Again on ‘Show Me How You Disappear’

by Sophie Prettyman-Beauchamp
Atwood Editor's Picks 46
Editor's Picks, Features, MusicMarch 4, 2021<March 14, 2021

Editor’s Picks 46: Samm Henshaw, TEE, Hannah Jadagu, Jacob Banks, Kenneth Whalum, & McKinley Dixon

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicMarch 4, 2021<March 4, 2021

Breaking the Record with Roan Yellowthorn, Part 52: “Vampire”

by Guest Writer
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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