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Features, Interviews, Music, Women's History MonthMarch 31, 2021<March 31, 2021

Feature: An Exploration into Adult Swim’s Magnum ‘Opus’

by Adrian Vargas
Atwood Magazine Celebrates Women's History Month VIII
Columns, Features, Music, Women's History MonthMarch 31, 2021<March 31, 2021

Atwood Magazine Celebrates Women’s History Month 2021, Pt. VIII

by Atwood Magazine Staff
Lucy Park © Alex Harper
Interviews, Music, Reviews, Track-by-TrackMarch 31, 2021<March 31, 2021

“Reflective, Intimate, & Warm”: Lucy Park Dives into Her Intimate Debut EP ‘Before I Speak’

by Mitch Mosk
Kurt Deemer Band
Music, ReviewsMarch 31, 2021<March 30, 2021

Review: Kurt Deemer Band Paint a ‘World Upside Down’ with Both Current & Pre-Pandemic Themes

by Josh Weiner
Columns, Music, Today's SongMarch 31, 2021<March 31, 2021

Today’s Song: Raina Sokolov-Gonzalez is Confident, Bold, & Fearless in New Single “Better for You”

by Joe Beer
Sunjacket © Micah Sedmak
Music, PremieresMarch 30, 2021<March 30, 2021

Premiere: With “In My Head,” Chicago’s Sunjacket Return with a Seductive Taste of Indie Rock Noir

by Mitch Mosk
Ziggy Alberts © Janneke Storm 9
Features, Interviews, Music, Reviews, Track-by-TrackMarch 30, 2021<March 30, 2021

“Calm, Inclusive, & Warm”: Ziggy Alberts Shines on Fifth Album ‘searching for freedom’

by Mitch Mosk
Soda Blonde © Ste Murray
Artist to Watch, Music, Reviews, This Just InMarch 30, 2021<March 30, 2021

This Just In: Soda Blonde Make a Big Statement with Smoldering Single “Small Talk”

by Mitch Mosk
Harmony Woods © Brooke Marsh
Interviews, MusicMarch 30, 2021<March 30, 2021

Interview: Harmony Woods Reckon with Trauma on ‘Graceful Rage’

by James Crowley
Baby, I'm Hollywood! - Judith Hill
Features, Interviews, MusicMarch 30, 2021<April 14, 2021

Baby, I’m Hollywood: An Interview with Judith Hill

by Mariel Fechik
beabadoobee © Callum Harrison
Music, Reviews, This Just InMarch 30, 2021<March 30, 2021

This Just In: Celebrating the “Last Day on Earth” with beabadoobee

by Dalia
Columns, Music, Today's SongMarch 30, 2021<March 30, 2021

Today’s Song: Ichiko Aoba’s “Easter Lily” Is Fit for the Start of Spring

by Nick Matthopoulos
Dossier Communications' Shenell Renwick (right) & Nikita Singh (left)
Fashion, Features, Interviews, Women's History MonthMarch 29, 2021<March 2, 2025

Interview: Meet the Founders of Black-Owned Boutique Dossier New York

by Mitch Mosk
Alostmen live © Abass Ismail. 8.8
Debut, Music, Our Take, ReviewsMarch 29, 2021<March 2, 2025

Our Take: Alostmen Use Old Instruments to Create a New Sound on ‘Kologo’

by Oliver Crook
LEADR © Stella Chyun
Music, PremieresMarch 29, 2021<May 27, 2021

Dedicated to AAPI Victims of Hate Crimes, LEADR’s “Hi, I’m Human” Is a Song of Love & Connection

by Mitch Mosk
Posts pagination
1 … 339 340 341 342 343 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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