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whiterosemoxie © Greg Gouvia
Music, ReviewsApril 2, 2021<April 2, 2021

‘ALL i’ve HEARD’: whiterosemoxie Shares His Musical Influences, New Songs “stains” & “Ring the Alarm”

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicApril 2, 2021<April 2, 2021

Breaking the Record with Roan Yellowthorn, Part 56: “Acid Trip” Video

by Guest Writer
The Knocks x Mallrat
Columns, Music, Today's SongApril 2, 2021<April 2, 2021

Today’s Song: Mallrat & The Knocks Find Common Ground in “R U HIGH”

by Audrey Steeves
Hey, King! © Richard Fournier
Features, Music, Reviews, Track-by-TrackApril 2, 2021<April 2, 2021

“Hope-Filled, Anthemic, & Canadian”: Hey, King! Dive into Their Energizing & Resilient Self-Titled Debut

by Mitch Mosk
Olivia Rodrigo © Stefan Kohli
Music, Reviews, This Just InApril 1, 2021<April 8, 2021

Olivia Rodrigo’s “deja vu” Is Going to Turn Some Heads & Stir Some Pots

by Nasya Blackshear
Octopus's Garden
Does Anybody Remember Laughter?April 1, 2021<April 1, 2021

In the Shade: The True(ish) Story Behind The Beatles’ “Octopus’s Garden”!

by Mitch Mosk
MC Hammer
Does Anybody Remember Laughter?April 1, 2021<April 1, 2021

’90s Nostalgia Boys Rejoice! MC Hammer Is Back Again with “U Can’t Touch This 2”

by Josh Weiner
Phoebe Bridgers live © Anthony Delanoix
Does Anybody Remember Laughter?April 1, 2021<April 1, 2021

Entire Crowd at Phoebe Bridgers Show Made Up of Your Ex-Girlfriends

by Anthony Kozlowski
cottagecore
Does Anybody Remember Laughter?April 1, 2021<April 1, 2021

10 Signs That You’re Falling into the Cottagecore Trap

by Dimitra Gurduiala
The Byrds... Or Are They?
Does Anybody Remember Laughter?April 1, 2021<April 1, 2021

The Byrds Aren’t Real

by James Crowley
Goldeen © 2021
Does Anybody Remember Laughter?April 1, 2021<April 1, 2021

Today’s Song: Water Pokémon Goldeen Covers Dolly Parton Classic & Makes a Big Splash

by Jason Brillon
Alex Little & The Suspicious Minds
Music, Premieres, Reviews, Track-by-TrackApril 1, 2021<April 1, 2021

“Raw, Fierce, & Catchy”: Alex Little & The Suspicious Minds Dive into Debut Album ‘Waiting to Get Paid’

by Mitch Mosk
Does Anybody Remember Laughter?April 1, 2021<April 1, 2021

Led Zeppelin Rises: New Album Out in September & Reunion Tour This Fall

by Mitch Mosk
Hey Violet © Diana Mantis
Music, ReviewsMarch 31, 2021<March 31, 2021

Hey Violet Channel Isolation Angst into Buoyant Pop Anthem “Friends Like This”

by Mitch Mosk
Joana Serrat © Andrea Font
Music, Music Videos, PremieresMarch 31, 2021<March 31, 2021

Premiere: Tackling Substance & Significance with Joana Serrat’s Smoky “Pictures”

by Mitch Mosk
Posts pagination
1 … 338 339 340 341 342 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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