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Shamir - Shamir art
Interviews, MusicDecember 3, 2020<December 3, 2020

Interview: Shamir Showcases Pop Rock Inspirations on Self-Titled Seventh Album

by Atwood Magazine Staff
Eyes Wide Open - TWICE 7
Music, Our Take, ReviewsDecember 3, 2020<December 18, 2020

Review: TWICE Court New Listeners & Old with Their Wildly Varied ‘Eyes Wide Open’

by Danny Vagnoni
Breaking The Record 2020
Breaking the Record, Columns, MusicDecember 3, 2020<December 2, 2020

Breaking the Record with Roan Yellowthorn, Part 42: What Is Time?

by Guest Writer
Features, Music, Reviews, Track-by-TrackDecember 2, 2020<May 5, 2023

“Open, Passionate, & Smooth”: Tafari Anthony Stuns & Soars on ‘The Way You See Me’ EP

by Mitch Mosk
Do You Think Of Me - Fretland
Music, PremieresDecember 2, 2020<December 2, 2020

Premiere: Fretland’s Heartfelt “Do You Think of Me” Is a Song of Utter Intimacy & Longing

by Mitch Mosk
Gracie Nash © Punch Card Films
Music, Music Videos, PremieresDecember 2, 2020<December 2, 2020

Premiere: Gracie Nash’s Soulful “Sippy Cup” Takes on Modern Romance & the Ones Who Got Away

by Mitch Mosk
Pale Waves © Niall Lea
Features, Interviews, MusicDecember 2, 2020<December 22, 2020

Interview: Pale Waves’ “Change” Anticipates an Album We’ve All Been Waiting For

by Dimitra Gurduiala
Talkboy © Sam Crowston
Columns, Music, Today's SongDecember 2, 2020<January 19, 2021

Today’s Song: A Riotous Showcasing of Pure Exhilaration on Talkboy’s “Sky Is Falling”

by Adrian Vargas
Decoration Day © Brianna Roye
Features, Music, Reviews, Track-by-TrackDecember 1, 2020<December 1, 2020

“Cathartic, Flowing, Togetherness”: Toronto’s Decoration Day Weave a ‘Makeshift Future’ on Debut Album

by Mitch Mosk
OSKA & Stu Larsen © Fabian Edelbacher
Interviews, Music, PremieresDecember 1, 2020<December 1, 2020

Interview: OSKA & Stu Larsen’s Intimate Duet “Honeymoon Phase / Wide Awake & Dreaming”

by Mitch Mosk
Embroidered Foliage - no thank you 8.7
Music, Our Take, ReviewsDecember 1, 2020<December 15, 2020

Our Take: No Thank You Chart Emotional & Sonic Depths on ‘Embroidered Foliage’

by Nick Matthopoulos
Melody Gardot © Laurence Laborie
Features, Interviews, MusicDecember 1, 2020<September 5, 2022

Interview: Melody Gardot’s ‘Sunset in the Blue’, an Open Window Amongst Closed Doors

by Ilana Kalish
Sampha © Jamie James Medina
Columns, Music, Today's SongDecember 1, 2020<March 13, 2021

Today’s Song: A Storm’s Vehemence & The Endless Ocean of Sampha’s “Treasure”

by Dalia
Liminal Space - Devin Sinha
Music, Reviews, Track-by-TrackNovember 30, 2020<November 30, 2020

“Wistful, Hopeful, Transition”: Seattle’s Devin Sinha Dives into Cinematic 4th LP ‘Liminal Space’

by Mitch Mosk
Sunday - Charlie Kaplan
Debut, Music, Reviews, Track-by-TrackNovember 30, 2020<November 30, 2020

Track-by-Track: Charlie Kaplan Meets Grief with Light in Debut Album ‘Sunday’

by Mitch Mosk
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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