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The Phoenix Foundation © Ebony Lamb Photographer
Features, Music, Reviews, Track-by-TrackOctober 26, 2020<October 26, 2020

Track by Track: The Phoenix Foundation’s ‘Friend Ship’ Explores Connection on Many Levels

by Mitch Mosk
Sanguine - Sister Luna
Debut, Music, Reviews, Track-by-TrackOctober 26, 2020<October 26, 2020

Track-by-Track: Youngstown’s Sister Luna Lay a Seductive Groundwork with Debut EP ‘Sanguine’

by Mitch Mosk
Jackson C. Frank album art a
Features, Music, ReviewsOctober 26, 2020<October 26, 2020

Feature: Deciphering the Ghost of Jackson C. Frank

by Diego Morales
MusicOctober 26, 2020<October 26, 2020

Interview: Takuya Kuroda is Conquering the World’s Biggest Cities by Way of the Trumpet

by Josh Weiner
Alostmen © 2020
Columns, Music, Today's SongOctober 26, 2020<October 26, 2020

Today’s Song: Alostmen Reimagine Traditional Ghanian Music on Party Anthem “Kologo”

by Oliver Crook
Atwood Magazine's Weekly Roundup October 23 2020
MusicOctober 23, 2020<November 15, 2020

Atwood Magazine’s Weekly Roundup: October 23, 2020

by Atwood Magazine Staff
Loma © Bryan C. Parker
Features, Interviews, MusicOctober 23, 2020<October 23, 2020

Interview: Loma’s ‘Don’t Shy Away’ and “The Pleasure of Sound”

by Ben Niesen
Passive Aggressive - Charlotte Cardin
Columns, Music, Today's SongOctober 23, 2020<October 23, 2020

Today’s Song: Charlotte Cardin Keeps Things Sensual & Self-Assured with “Passive Aggressive”

by Frankie Rose
Jealous Of The Birds © Jasmin Bell
Features, Music, Reviews, Track-by-TrackOctober 23, 2020<November 15, 2020

“You Are Here”: Jealous of the Birds Soars with Fresh Depth, Energy, & Passion in ‘Peninsula’

by Mitch Mosk
Interviews, MusicOctober 23, 2020<October 23, 2020

“Loud, Brutal, Extreme, Unapologetic, Sexy, and with a Short Span of Attention”: An Interview with Olivia Anna Livki

by Josh Weiner
Angie McMahon © Chelsea Sienna
Interviews, MusicOctober 22, 2020<October 22, 2020

Interview: Angie McMahon Dives into Her “Melancholy, Introverted, & Imperfect” New EP, ‘Piano Salt’

by Mitch Mosk
The Shape - Spirit of the Bear
Music, Music Videos, PremieresOctober 22, 2020<October 22, 2020

Artist to Watch: Spirit of the Bear Take Off with Dark Charm & Cinematic Finesse in “The Shape”

by Mitch Mosk
(L-R): Maize and Wendy Wang
Music, PremieresOctober 22, 2020<October 22, 2020

The Ethereal Ache of Maize & Wendy Wang’s “Cracks in the Ceiling” (Road Angel Project: Volume 3)

by Mitch Mosk
Music, Music Videos, PremieresOctober 22, 2020<October 23, 2020

Premiere: Exploring The Sunk Cost Fallacy on Fellow Hollow’s “Dog Fence Weeds”

by Adrian Vargas
Rosehip Teahouse © Adam Whitmore
Columns, Music, Playlists, Today's SongOctober 22, 2020<October 22, 2020

Artist to Watch: Cardiff’s Rosehip Teahouse Weave an Anxious Dream Pop Reverie in “A Million Times”

by Mitch Mosk
Posts pagination
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Brand New

  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”

:: discover something new ::

Recent Posts

  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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