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Interviews, MusicNovember 30, 2020<December 1, 2020

Interview: Tessa Kaye Is a Powerful Voice for Those Scared to Speak up About Mental Illness

by Chloe Robinson
Gaspar Narby © 2020
Columns, Music, Today's SongNovember 30, 2020<November 30, 2020

Today’s Song: Gaspar Narby Explores the Fragmentary Nature of Memory in Articulate Track “Fragments” ft. Taura

by Hermione Kellow
Atwood Magazine Roundup November 27
Features, Music, Weekly RoundupNovember 27, 2020<December 15, 2020

Atwood Magazine’s Weekly Roundup: November 27, 2020

by Atwood Magazine Staff
Beans on Toast © Aaron Parsons
Features, Interviews, MusicNovember 27, 2020<November 27, 2020

Interview with Beans on Toast: Children’s Songs, Artificial Intelligence, & the End of the World

by Diego Morales
Emanuel "Black Woman" © Matt Barnes
Columns, Music, Today's SongNovember 27, 2020<November 27, 2020

Today’s Song: Emanuel’s Beautiful “Black Woman” Is a Moving Love Letter of Strength & Celebration

by Mitch Mosk
Billie Eilish © 2020
Columns, Music, Today's SongNovember 26, 2020<November 25, 2020

Today’s Song: Billie Eilish’s Flippant New Single “Therefore I Am”

by Mariel Fechik
Cam © Dennis Leupold
Essays, Features, MusicNovember 25, 2020<November 24, 2020

On Her Side: How Cam’s “Diane” Changes Dolly Parton’s “Jolene,” and Fosters Feminist Solidarity

by Erica Danielle Garcia
real life - banzai florist
Columns, Music, Today's SongNovember 25, 2020<November 24, 2020

Today’s Song: banzai florist’s “Real Life” Takes Us Out of This World

by Kelly Liu
Kathleen © 2020
Features, Music, Reviews, Track-by-TrackNovember 24, 2020<December 1, 2020

Track-by-Track: Kathleen’s Intimate, Serene, & Cinematic ‘Kathleen II’ EP

by Mitch Mosk
Spillage Village © Alex Grizz Loucas
Features, Interviews, MusicNovember 24, 2020<November 24, 2020

Spillage Village & Quarantined Collaboration: A Conversation with Benji.

by Ryan Feyre
Laure Briard © Andre Peniche
Features, Interviews, MusicNovember 24, 2020<November 24, 2020

Interview: The Brazilian Warmth and Playful Escapism of Laure Briard’s “Eu Voo”

by Frankie Rose
Alexander Wren © Landon Edwards
Columns, Music, Today's SongNovember 24, 2020<November 24, 2020

Today’s Song: Alexander Wren’s Spellbinding “The Earth Is Flat” Is a Requiem for Love

by Mitch Mosk
Tensnake
Music, Music Videos, PremieresNovember 24, 2020<November 24, 2020

Premiere: Tensnake’s “Strange Without You (ft. Daramola)” Music Video Is a Poignant Pt. II in an L.A. Love Story

by Ben Beamish
I Left a Party for You - Pilar Victoria
Columns, Music, Today's SongNovember 23, 2020<November 23, 2020

Today’s Song: Houston’s Pilar Victoria Captures Starry-Eyed Connection in Dazzling “I Left a Party for You”

by Mitch Mosk
Musti © Fabian Framdal Fjelvik & Mariam Rosenborg
Debut, Features, Music, Reviews, Track-by-TrackNovember 23, 2020<November 23, 2020

Track-by-Track: Musti’s Debut ‘Qoyskayga’ Is an Energized Exploration of Identity

by Frankie Rose
Posts pagination
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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