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At Least I Tried - Marlana
Debut, Features, Music, Premieres, Track-by-TrackJuly 21, 2020<July 21, 2020

Premiere: Marlana Emerges with Passion, Perspective, & Poise on Debut EP ‘At Least I Tried’

by Mitch Mosk
Interviews, MusicJuly 21, 2020<July 22, 2020

Interview with Healing Potpourri: The Antidote to 2020’s Madness Has Arrived

by Josh Weiner
Features, Interviews, MusicJuly 21, 2020<August 23, 2020

Feature: Lianne La Havas on Independence and Incandescent Self-Titled Album

by Mariel Fechik
St. South © Liam Gillie
Music, Music Videos, PremieresJuly 21, 2020<July 21, 2020

Premiere: St. South’s Intimate, Aching “RED” and the Emotional Toll of Leaving

by Mitch Mosk
Vansire © Clare Curry
Music, PremieresJuly 21, 2020<July 21, 2020

Premiere: Vansire & Mick Jenkins’ “Central Time” Is a Love Letter for the Midwest

by Madison Vettorino
Columns, Music, Today's SongJuly 21, 2020<July 21, 2020

Today’s Song: Terrace Martin & Denzel Curry Speak Truth to Power on “Pig Feet”

by Dalia
ROSETTA - Dua Saleh
Music, ReviewsJuly 20, 2020<July 20, 2020

Review: Blackness, Queerness, and Belonging on Dua Saleh’s ‘ROSETTA’

by Urooj Ali Rizvi
Katie Wood © 2020
Interviews, MusicJuly 20, 2020<July 20, 2020

Interview: British Art Rock Artist Katie Wood Gives It to Us Straight in “Uh Huh Yeah”

by Joe Beer
Trevor Sloan © Nippun Goyal
Music, PremieresJuly 20, 2020<July 20, 2020

Premiere: Creating Mixtapes & Feeling Confused in Trevor Sloan’s Nostalgic “Green Summer”

by Nina Schaarschmidt
Prunus - New Luna
Music, Music Videos, PremieresJuly 20, 2020<July 20, 2020

Premiere: New Luna Dwell in Vulnerability & Masculinity on Grungy “Prunus”

by Mitch Mosk
Features, Interviews, MusicJuly 20, 2020<July 20, 2020

Live from ‘Denmark’: A Conversation with Daddy’s Beemer

by Lowndes Commander
Columns, Music, Today's SongJuly 20, 2020<July 20, 2020

Today’s Song: Astræa Brings Inspiration To Others in Latest Single “Tonight I Run”

by Erica Danielle Garcia
Columns, Features, Music, Weekly RoundupJuly 17, 2020<July 17, 2020

Atwood Magazine’s Weekly Roundup: July 17, 2020

by Atwood Magazine Staff
Features, Interviews, MusicJuly 17, 2020<August 23, 2020

Funky, Fresh, and Taking Up Space: The Aces’ New Album ‘Under My Influence’

by Baylee Less
lemin. © 2020
Columns, Music, Today's SongJuly 17, 2020<July 9, 2020

Today’s Song: lemin. Turns a Letdown Evening into a Moving Piano Piece with “tv”

by Josh Weiner
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Brand New

  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told
  • The Sound of Stillness: Samara Joy in Palo Alto
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’
  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026

:: discover something new ::

Recent Posts

  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown April 20, 2026
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told April 20, 2026
  • The Sound of Stillness: Samara Joy in Palo Alto April 20, 2026
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’ April 20, 2026
  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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