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Spirit of the Bear © Nick Fancher
Music, Music Videos, PremieresJuly 9, 2020<July 8, 2020

Premiere: Spirit of the Bear’s Euphoric “Summer Snow” Is a Groovy Disco Jam

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicJuly 9, 2020<July 9, 2020

Breaking the Record with Roan Yellowthorn, Part 22: Transparency

by Guest Writer
Gangstagrass © Melodie Yvonne
Music, PremieresJuly 9, 2020<July 7, 2020

Premiere: Gangstagrass Elicit Old-School Blues Narratives with Liberating Undertones on “Ain’t No Crime”

by Ryan Feyre
PELA © 2020
Columns, Debut, Music, Today's SongJuly 9, 2020<July 6, 2020

Today’s Song: London’s PELA Bring Familiar Comfort on Debut Single “You Got Me”

by Luke Pettican
Brian Dunne
Music, Music Videos, PremieresJuly 9, 2020<July 8, 2020

The Ache of Isolation: Brian Dunne’s Haunting “Nitehawk” ft. Lily & Madeleine

by Mitch Mosk
Fucked Me Up - Clarence James
Debut, Music, ReviewsJuly 9, 2020<July 9, 2020

Review: Clarence James’ Debut ‘Fucked Me Up’ Is DIY Heartbreak at Its Finest

by Mitch Mosk
Jolé
Music, PremieresJuly 9, 2020<July 8, 2020

Premiere: Jolé’s Tranquil “Alpine Green” Evokes the Beauty & Weight of Memory

by Mitch Mosk
Music, ReviewsJuly 8, 2020<July 8, 2020

Review: ‘Nightwhisper’ Is a Solo Comeback to Admire for Veteran Electronica Star Jody Wisternoff

by Josh Weiner
ALITA © Austin Hodaie
Music, Music Videos, PremieresJuly 8, 2020<July 8, 2020

Premiere: Seattle’s ALITA Exudes Intimacy, Femininity, and Sensuality in Liberating “Bodies”

by Ben Beamish
Hazlett © Emil Daniel
Debut, Features, Music, ReviewsJuly 8, 2020<July 8, 2020

Track-by-Track: Hazlett Injects Life’s Depths into Stirring, Intimate ‘Thundering Hopes’ EP

by Mitch Mosk
Women in Music Pt. III - HAIM 8.5
Music, Our Take, ReviewsJuly 8, 2020<December 15, 2020

Our Take: HAIM Find Solace in LA & Each Other on ‘Women in Music Pt. III’

by Guest Writer
The Savants of Soul
Music, PremieresJuly 8, 2020<July 7, 2020

Premiere: The Savants of Soul Dwell in a Hearty Blues on “More Than One to Choose From”

by Mitch Mosk
Tell Me That You Love Me - VEAUX
Music, PremieresJuly 8, 2020<July 8, 2020

Premiere: VEAUX Explore Love, Belonging, & Black Identity in “Tell Me That You Love Me”

by Mitch Mosk
Madame So © 2020
Columns, Music, Today's SongJuly 8, 2020<July 8, 2020

Today’s Song: Madame So Takes the Generational Torch on “Generation Y”

by Oliver Crook
New York Nights - Jamie Scott
Music, PremieresJuly 8, 2020<July 8, 2020

Premiere: Jamie Scott’s Stunning “New York Nights” Is a Carefree Soundtrack to Love & Life

by Mitch Mosk
Posts pagination
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Brand New

  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers

:: discover something new ::

Recent Posts

  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
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