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JXST J © Roman Koval
Columns, Debut, Music, Today's SongApril 27, 2020<April 26, 2020

JXST J Takes Us to the Tropics with Debut Single & Cheeky Video “Like U Used 2”

by Kelsey Fitzgerald
Ok Moon
Debut, Features, Interviews, MusicApril 27, 2020<April 27, 2020

Musical Chairs & Organic Indie Folk Magic: An Interview with Australian Supergroup Ok Moon

by Mitch Mosk
Columns, Features, Music, Weekly RoundupApril 24, 2020<May 15, 2020

Atwood Magazine’s Weekly Roundup: April 24, 2020

by Atwood Magazine Staff
Only Human Natural - Human Natural
Debut, Music, Reviews, Track-by-TrackApril 24, 2020<March 2, 2025

Feature: Human Natural Debut with Sweet Jamz & Groovy Vibes in ‘Only Human Natural’

by Mitch Mosk
Lauran Hibberd © Emily Marcovecchio
Music, Reviews, This Just InApril 24, 2020<April 24, 2020

This Just In: Lauran Hibberd Radiates with Electrifying Energy in “Old Nudes”

by Luke Pettican
Breaking The Record 2020
Breaking the Record, Columns, MusicApril 24, 2020<April 24, 2020

Breaking the Record with Roan Yellowthorn, Part 12: What Now?

by Guest Writer
dawn ep - mxmtoon 2020
Features, Interviews, MusicApril 24, 2020<April 24, 2020

Breaking ‘dawn’ with mxmtoon: Learning to Be Alone, Taking Chances, & Writing Optimistic Music

by Bethan Harper
Quotidian - Marlin's Dreaming 7
Music, Our Take, ReviewsApril 24, 2020<December 15, 2020

Our Take: Marlin’s Dreaming’s ‘Quotidian’ Is a Hazy & Shimmery Full-Length Offering

by Nick Matthopoulos
still from The 1975's "If You're Too Shy (Let Me Know)" live video
Music, Reviews, This Just InApril 24, 2020<April 24, 2020

Review: The 1975’s “If You’re Too Shy (Let Me Know)” Is the Energy Shot We Need Right Now

by Mitch Mosk
Debut, Features, Interviews, MusicApril 24, 2020<May 15, 2020

A Universe to Swim In: An Interview with Nick Leng

by Adrian Vargas
Dadi Freyr © Baldur Kristjáns
Columns, Music, Today's SongApril 24, 2020<April 24, 2020

Today’s Song: In “Think About Things,” Daði Freyr Illustrates an Irreplaceable Bond

by Maggie McHale
Stables © 2020
Music, PremieresApril 23, 2020<April 23, 2020

Premiere: Stables’ Buoyant Return “Marathon” Is a Sweet Breath of Fresh Air

by Mitch Mosk
GAYLE © Jimmy Fisco
Music, PremieresApril 23, 2020<April 23, 2020

Premiere: GAYLE’s “happy for you” Wistfully Confronts the Conflicting Ache of Moving On

by Baylee Less
Caroline Lazar © 2020
Music, PremieresApril 23, 2020<April 23, 2020

Premiere: Singer/Songwriter Caroline Lazar’s “Take It” Is a Gorgeous Surrender

by Mitch Mosk
The Homeless Gospel Choir © Martyna Wisniewska
Features, Interviews, MusicApril 23, 2020<April 23, 2020

Protest Songs As a Relief: An Interview with The Homeless Gospel Choir

by James Crowley
Posts pagination
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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