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SLS © Katie Neuhof
Features, Interviews, MusicMarch 4, 2020<October 19, 2021

Put on a Brave Face: A Conversation with Spanish Love Songs

by James Crowley
Glenn Thomas © Chelsea Mandes
Music, PremieresMarch 4, 2020<March 4, 2020

Premiere: The Sleepy Early Morning Warmth of Glenn Thomas’ “Oriole”

by Frankie Rose
Miro Shot "Half of Us" music video screenshot
Music, Music Videos, PremieresMarch 4, 2020<March 4, 2020

Premiere: Miro Shot’s Critical “Half of Us” Is a Dark Immersion of Technology

by Mitch Mosk
The Aces © Red Bull Records
Features, Interviews, MusicMarch 4, 2020<May 15, 2020

Feature: The Aces’ Irresistible “Daydream” Is an Electric, Playful, and Authentic Return

by Baylee Less
Music, PremieresMarch 4, 2020<March 4, 2020

Premiere: Ian William Craig Provides a Haunting Look into Hardship with “Comma”

by Adrian Vargas
The Rotanas 2020
Columns, Music, Today's SongMarch 4, 2020<March 3, 2020

The Rotanas Continue to Triumph with Raucous House Party Anthem “Scores on the Doors”

by Hermione Kellow
Vox Pop - SHEAFS
Debut, Music, ReviewsMarch 4, 2020<March 4, 2020

Review: SHEAFS’ Debut EP ‘Vox Pop’ Speaks to, and For the Younger Generations

by Oliver Crook
Music, Reviews, This Just InMarch 3, 2020<April 1, 2020

This Just In: The Airborne Toxic Event “Come on Out” with a Visceral Energy on First Song in 5 Years

by Mitch Mosk
Features, Interviews, MusicMarch 3, 2020<May 15, 2020

On the Path Towards Global Success: A Conversation with JC Stewart

by Luke Pettican
Trio Sessions - Joseph
Music, ReviewsMarch 3, 2020<March 4, 2020

Review: Reflection & Progression in Joseph’s Vulnerable ‘Trio Sessions’ EP

by Guest Writer
MOONZz © Jennica Abrams
Music, Music Videos, PremieresMarch 3, 2020<March 2, 2020

Premiere: LA’s MOONZz Breaks Free in Hard-Hitting “Runnin'” Music Video

by Bethan Harper
KOYO
Music, PremieresMarch 3, 2020<March 3, 2020

Premiere: Leeds’ KOYO Inject Tension & Turbulence into Feverish Title Track “You Said It”

by Mitch Mosk
Father of All Motherfuckers - Green Day album art 7.2
Music, Our Take, ReviewsMarch 3, 2020<December 15, 2020

Our Take: With ‘Father of All Motherfuckers’, the Middle-Aged Men of Green Day Prove They Are Still Young at Heart

by Josh Weiner
Columns, Music, Today's SongMarch 3, 2020<March 3, 2020

Today’s Song: Favours Dazes and Delights on Latest Single “She Is Soul”

by Adrian Vargas
Chelsea Cutler live in New York City © Lexi Lane
Concerts, MusicMarch 3, 2020<March 2, 2020

Live Review: Chelsea Cutler Creates Magic Through Music at NYC’s Terminal 5

by Lexi Lane
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Brand New

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

:: discover something new ::

Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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