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Luz © Harvey Pearson
Debut, Music, Reviews, This Just InApril 2, 2020<March 31, 2020

This Just In: Luz Astounds with the Devastatingly Beautiful “i’m lonely”

by Luke Pettican
Racoon Racoon © Yoris Photographer
Music, PremieresApril 2, 2020<April 1, 2020

Premiere: Racoon Racoon Continue Their Eloquent Streak of Metaphorical Songwriting on “Deep Brown Eyes”

by Ryan Feyre
Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

Ultimate Old-School Supergroup The Rolling Bon Bones Unites and Announces Tour

by Lexi Lane
Atwood Magazine's Editor's Picks, April 1 2020
Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

Editor’s Picks: April 1, 2020

by Mitch Mosk
Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

Guinness World Records Officials Confirm Britney Spears Now Holds the Fastest Time for 100-Meter Sprint

by Bethan Harper
Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

Feature: Rihanna Unapologetically Returns with New Album ‘Bad Girl Gone Good’

by Baylee Less
Changes - Justin Bieber
Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

A Really Late Review of Justin Bieber’s ‘Changes’

by James Crowley
John Cage in The Hague, Netherlands, 1988
Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

Music You Should Know: John Cage’s 4’33” Stuns

by Ben Niesen
Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

This Just In: The Rolling Stones Call It Quits

by Josh Weiner
Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

Today’s Song: The Birds Outside My Window Deliver Mind-Bending Sounds with “Chirp”

by Adrian Vargas
Cormac O Caoimh © 2020
Music, PremieresMarch 31, 2020<April 5, 2020

Premiere: Cormac O Caoimh’s Poignant & Upbeat Ode “When My Kids Grow Too Old to Hold Hands”

by Mitch Mosk
The Sweater Set © Plume Photography (Amanda Reynolds)
Music, PremieresMarch 31, 2020<March 31, 2020

Premiere: DC Duo The Sweater Set Weave Sweet Folk & Romance into “Hostage”

by Mitch Mosk
Debut, Music, Our Take, ReviewsMarch 31, 2020<December 15, 2020

Acoustics, Electropop & Inner Turmoil Add up to Leila Sunier’s Successful Debut EP ‘If Only to Bleed Out the White Noise’

by Josh Weiner
Debut, Interviews, MusicMarch 31, 2020<March 31, 2020

Transporting to a Wistful World: Polartropica Dives into Debut Album ‘Dreams Come True’

by Chloe Robinson
Brian Bradley 'Nocturnes' © 2020
Features, Interviews, MusicMarch 31, 2020<March 30, 2020

Interview: Environment Is Sound for Brian Bradley and His New EP ‘Nocturnes’

by Coco Rich
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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