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Only Human Natural - Human Natural
Debut, Music, Reviews, Track-by-TrackApril 24, 2020<March 2, 2025

Feature: Human Natural Debut with Sweet Jamz & Groovy Vibes in ‘Only Human Natural’

by Mitch Mosk
Lauran Hibberd © Emily Marcovecchio
Music, Reviews, This Just InApril 24, 2020<April 24, 2020

This Just In: Lauran Hibberd Radiates with Electrifying Energy in “Old Nudes”

by Luke Pettican
Breaking The Record 2020
Breaking the Record, Columns, MusicApril 24, 2020<April 24, 2020

Breaking the Record with Roan Yellowthorn, Part 12: What Now?

by Guest Writer
dawn ep - mxmtoon 2020
Features, Interviews, MusicApril 24, 2020<April 24, 2020

Breaking ‘dawn’ with mxmtoon: Learning to Be Alone, Taking Chances, & Writing Optimistic Music

by Bethan Harper
Quotidian - Marlin's Dreaming 7
Music, Our Take, ReviewsApril 24, 2020<December 15, 2020

Our Take: Marlin’s Dreaming’s ‘Quotidian’ Is a Hazy & Shimmery Full-Length Offering

by Nick Matthopoulos
still from The 1975's "If You're Too Shy (Let Me Know)" live video
Music, Reviews, This Just InApril 24, 2020<April 24, 2020

Review: The 1975’s “If You’re Too Shy (Let Me Know)” Is the Energy Shot We Need Right Now

by Mitch Mosk
Debut, Features, Interviews, MusicApril 24, 2020<May 15, 2020

A Universe to Swim In: An Interview with Nick Leng

by Adrian Vargas
Dadi Freyr © Baldur Kristjáns
Columns, Music, Today's SongApril 24, 2020<April 24, 2020

Today’s Song: In “Think About Things,” Daði Freyr Illustrates an Irreplaceable Bond

by Maggie McHale
Stables © 2020
Music, PremieresApril 23, 2020<April 23, 2020

Premiere: Stables’ Buoyant Return “Marathon” Is a Sweet Breath of Fresh Air

by Mitch Mosk
GAYLE © Jimmy Fisco
Music, PremieresApril 23, 2020<April 23, 2020

Premiere: GAYLE’s “happy for you” Wistfully Confronts the Conflicting Ache of Moving On

by Baylee Less
Caroline Lazar © 2020
Music, PremieresApril 23, 2020<April 23, 2020

Premiere: Singer/Songwriter Caroline Lazar’s “Take It” Is a Gorgeous Surrender

by Mitch Mosk
The Homeless Gospel Choir © Martyna Wisniewska
Features, Interviews, MusicApril 23, 2020<April 23, 2020

Protest Songs As a Relief: An Interview with The Homeless Gospel Choir

by James Crowley
Nathan Vincent
Music, PremieresApril 23, 2020<April 22, 2020

EP Premiere: Indie Folk Singer/Songwriter Nathan Vincent Captures the Journey Between ‘Cedar & Pine’

by Mitch Mosk
John-Robert © Spencer Ford
Debut, Interviews, MusicApril 23, 2020<April 23, 2020

Interview: Meet John-Robert, a Singer/Songwriter Full of Heart, Soul, and Acoustic Sincerity

by Josh Weiner
SAWAYAMA - Rina Sawayama 9
Debut, Music, Our Take, ReviewsApril 23, 2020<December 15, 2020

Our Take: Rina Sawayama’s Debut LP ‘SAWAYAMA’ Is the Epitome of Brilliant & Badass Hyperpop

by Lexi Lane
Posts pagination
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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