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Lido © Michael Drummond
Music, ReviewsMarch 25, 2020<March 25, 2020

Lido’s “Postclubridehomemusic” Leads Listeners into Their Emotions with a Supersonic Comedown Track

by Lexi Lane
Alice Phoebe Lou © 2020
Columns, Music, Today's SongMarch 25, 2020<March 26, 2020

Today’s Song: The Elevated DIY Magic of Alice Phoebe Lou’s “Witches”

by Frankie Rose
Nicotine Dolls © Tucker Mitchell
Features, Music, PremieresMarch 25, 2020<May 15, 2020

Artist-to-Watch: Nicotine Dolls’ “Should Have Danced” Is a Hopeful & Inspiring Fever Dream

by Mitch Mosk
Siv Jakobsen © Jørgen Nordby
Music, PremieresMarch 25, 2020<March 24, 2020

Premiere: Siv Jakobsen’s “Fight or Flight” Breathes a Chill of Mellow Thoughtfulness

by Nick Matthopoulos
Love You Later
Features, Interviews, MusicMarch 24, 2020<March 24, 2020

Interview with Love You Later: A Dive into the Complexities of Emotion

by Josh Weiner
Sharaya Summers © 2020
Music, PremieresMarch 24, 2020<March 24, 2020

Premiere: Artist-to-Watch Sharaya Summers Returns with Raw, Intimate Song “This House”

by Mitch Mosk
Debut, Music, Premieres, Track-by-TrackMarch 24, 2020<March 24, 2020

EP Premiere: ZEMBU’s Debut EP ‘recall’ Offers a Spectral Journey of Self-Discovery

by Baylee Less
Ethan Gruska © Josh Rothstein
Features, InterviewsMarch 24, 2020<March 24, 2020

Interview: Ethan Gruska on Experimentation, Subtle Magic, and ‘En Garde’

by Mariel Fechik
Big Yawn © 2020
Debut, Music, ReviewsMarch 24, 2020<March 24, 2020

Review: Melbourne’s Big Yawn Arrive Mightily on the Underground Scene with Delirious Debut ‘No!’

by Guest Writer
Columns, Music, Reviews, Today's SongMarch 24, 2020<March 26, 2020

Today’s Song: Pip Millett’s “June” Warms Us With Nostalgia for a Simpler Time

by Baylee Less
Sea Wolf © Mia Kirby
Features, InterviewsMarch 23, 2020<March 23, 2020

Feature: Sea Wolf Tackles Love, Loss and Starting Over on ‘Through a Dark Wood’

by Oliver Crook
Turn Around - Ester
Music, Premieres, ReviewsMarch 23, 2020<March 23, 2020

Album Premiere: Ester’s Visceral Sophomore Record ‘Turn Around’ Is a Turbulent Coming-of-Age Experience

by Mitch Mosk
Peco McLoughlin
Columns, Music, Today's SongMarch 23, 2020<March 26, 2020

Today’s Song: Peco’s Timely & Relevant “Some Folk” Is a Call for Empathy

by Kelly McCafferty Dorogy
Atwood Magazine's Weekly Roundup March 21 2020
Columns, Features, Music, Weekly RoundupMarch 21, 2020<March 21, 2020

Atwood Magazine’s Weekly Roundup: March 21, 2020

by Atwood Magazine Staff
Caution - The Killers
Music, Reviews, This Just InMarch 20, 2020<May 15, 2020

This Just In: The Killers Throw “Caution” to the Wind in a Restless, Impassioned Upheaval

by Mitch Mosk
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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