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Jasmine Jethwa © Jenna Coombs
Debut, Features, Interviews, MusicMarch 18, 2020<April 16, 2020

In the Eye of the Hurricane: An Interview with Jasmine Jethwa

by Nicole Almeida
Local Nomad © 2020
Music, Music Videos, PremieresMarch 17, 2020<March 19, 2020

Premiere: Artist-to-Watch Local Nomad Ignites with Intimate Indie Pop Anthem “Gates”

by Mitch Mosk
Ella M. © 2020
Interviews, MusicMarch 17, 2020<March 17, 2020

Interview: Ella M. Attempts to Wash Away the Negativity with “Take Yourself Home”

by Chloe Robinson
The Allegory - Royce da 5'9" 7.5
Music, Our Take, ReviewsMarch 17, 2020<December 15, 2020

Our Take: Royce da 5’9″ Remains a Hip-Hop Megatalent on Eighth Album ‘The Allegory’

by Josh Weiner
Interviews, MusicMarch 17, 2020<March 17, 2020

How to Break the Curse of the Black Orlov: A Conversation with JW Paris

by Josh Weiner
Atwood Magazine Editor's Picks 31
Columns, Editor's Picks, Features, MusicMarch 17, 2020<May 15, 2020

Editor’s Picks: March 17, 2020

by Mitch Mosk
Big Society © 2020
Music, Reviews, Today's SongMarch 17, 2020<March 17, 2020

Today’s Song: Manchester’s Big Society Encourage Youthful Exploration on New Single “Feel”

by Bethan Harper
Sam Lee - Old Wow 8.1
Music, Our Take, ReviewsMarch 17, 2020<December 15, 2020

Sam Lee’s “Old Wow” Is Rooted in the Past, Yet Its Ecological Message Is Relevant and Tender

by Tim Horwood
Fiction Non Fiction © 2020
Music, PremieresMarch 16, 2020<March 16, 2020

Premiere: Fiction Non Fiction’s Sunny “Be There Shine” Is a Loving Embrace

by Mitch Mosk
Louis Prince © Justin March
Debut, Features, Interviews, MusicMarch 16, 2020<March 16, 2020

Interview: The World of Louis Prince Comes to Life on Debut Album ‘Thirteen’

by Lowndes Commander
Yumi Zouma 2020 © Jack Sheppard
Features, Interviews, MusicMarch 16, 2020<March 16, 2020

Interview: Yumi Zouma Tackle the Complexity of Life in 3rd Album ‘Truth or Consequences’

by Caitlin Ison
Jack Sledge © Giancarlo D'Agostaro
Music, PremieresMarch 16, 2020<March 16, 2020

Premiere: “Drifter” Offers a Melodic Road Trip with Jack Sledge

by Kelly McCafferty Dorogy
Hannah Georgas © Vanessa Heins
Columns, Music, Today's SongMarch 16, 2020<March 16, 2020

Today’s Song: Hannah Georgas Dares to Be Vulnerable in Latest Single “That Emotion”

by Erica Danielle Garcia
Atwood Magazine Weekly Roundup March 13, 2020
Columns, Features, Music, Weekly RoundupMarch 13, 2020<May 15, 2020

Atwood Magazine’s Weekly Roundup: March 13, 2020

by Atwood Magazine Staff
Rental House William Wild 1
Music, Music Videos, PremieresMarch 13, 2020<March 13, 2020

Premiere: William Wild Haunts on the Intimate & Immediate “Rental House” off New Album ‘Push Ups’

by Mitch Mosk
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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