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Music, Music Videos, PremieresApril 10, 2020<April 10, 2020

Artist-to-Watch: Forever Honey’s Dreamy “Twenty-Five” Is a Dazzling Quarter-Life Crisis

by Mitch Mosk
Future Past Life - STRFKR 8.8
Music, Our Take, ReviewsApril 10, 2020<December 15, 2020

Our Take: STRFKR’s ‘Future Past Life’ Offers Refreshing Take on Electro-Centricity

by Harper Beattie
Columns, Music, Reviews, Today's SongApril 10, 2020<April 10, 2020

Today’s Song: Camille Delean Balances Midsummer Blues & Anxiety on “Fault Line (Late July)”

by Adrian Vargas
7.9
Music, Our Take, ReviewsApril 10, 2020<August 16, 2021

Our Take: Niall Horan Brings Light to a Quiet World with Sophomore Album ‘Heartbreak Weather’

by Erica Danielle Garcia
After the End - Nicotine Dolls
Essays, MusicApril 10, 2020<April 10, 2020

Essay: Nicotine Dolls on New Song “After the End,” Social Distancing, and Connection During COVID-19

by Guest Writer
In A Rocket with Lissie - Beoga
Music, Reviews, This Just InApril 9, 2020<April 9, 2020

Review: Beoga & Lissie Erupt “In a Rocket” with Catchy, Feel-Good Passion

by Mitch Mosk
Features, Interviews, MusicApril 9, 2020<October 26, 2023

Growth in a Time of Stress: A Conversation with The Districts

by Matthew Dunn
Columns, Music, Today's SongApril 9, 2020<April 9, 2020

Today’s Song: McCall Exhilarates with Fire, Pop, and Personal Antagonism in “Disaster”

by Baylee Less
3.15.20 - Childish Gambino
Features, Music, Reviews, RoundtableApril 9, 2020<June 29, 2024

Roundtable Discussion: A Review of ‘3.15.20’, Childish Gambino’s Memorable (Supposedly) Final Act

by Atwood Magazine Staff
Weatherday
Columns, Debut, Music, Music You Should Know, ReviewsApril 9, 2020<April 6, 2020

Music You Should Know: The Unpredictable but Intriguing Sounds of Weatherday’s ‘Come In’

by Nick Matthopoulos
half light
Debut, Music, PremieresApril 9, 2020<April 9, 2020

Premiere: Half Light Go Track-by-Track Through the Shades of ‘Good Latimer’

by Coco Rich
Chloe Moriondo © Kris Herrmann
Features, Interviews, MusicApril 9, 2020<April 9, 2020

Anxiety, Innocence, and Vulnerability: An Interview with Chloe Moriondo

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicApril 9, 2020<April 8, 2020

Breaking the Record with Roan Yellowthorn, Part 10: Building the Community

by Guest Writer
frogi © Tyreke Monterio
Music, PremieresApril 8, 2020<April 8, 2020

Premiere: frogi’s Intimate “til I turn blue” Is a Breathtaking Bedroom Pop Love Song

by Mitch Mosk
Emmy Wildwood
Interviews, MusicApril 8, 2020<April 8, 2020

Back in the Desert & Bringing Heat in the Studio: A Conversation with Emmy Wildwood

by Josh Weiner
Posts pagination
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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