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Ariana and the Rose © Louis Browne
Features, Interviews, Music, ReviewsAugust 7, 2019<August 8, 2019

Constellations, Hope, and Dance Music Catharsis: An Interview with Ariana and the Rose

by Mitch Mosk
Honey Gentry © 2019
Music, PremieresAugust 7, 2019<August 6, 2019

Premiere: Lost in a Daydream with Honey Gentry’s Latest Single “Dreamlover”

by Matthew Dunn
Josh Rennie-Hynes © Citizen Kane Wayne
Music, PremieresAugust 7, 2019<August 6, 2019

Premiere: Josh Rennie-Hynes Reminds Us to Stay Present with “Caught in a Dream”

by Kelly McCafferty Dorogy
Hope Tala
Columns, Music, Today's SongAugust 7, 2019<August 6, 2019

Hope Tala’s “Jealous” Is a Powerhouse Filled with Tropical Soundscapes & Honest Lyricism

by Adrian Vargas
Plested © 2019
Features, Interviews, MusicAugust 7, 2019<August 8, 2019

Interview with Plested: From Songwriter for the Stars to Solo Success

by Luke Pettican
Debut, Music, PremieresAugust 6, 2019<August 6, 2019

Premiere: Half Wolf’s “Pretty Lonely” Marks an Impassioned & Ethereal Debut into the Music Scene

by Adrian Vargas
The Lost Tapes II - Nas 7.1
Music, Our Take, ReviewsAugust 6, 2019<December 15, 2020

Our Take: Nas Salvages Solid Compilation from Formerly-Discarded Tracks in ‘The Lost Tapes 2’

by Josh Weiner
Your Smith © Samantha Marquart
Features, Interviews, MusicAugust 6, 2019<September 19, 2019

Interview: Reveling with Your Smith’s “In Between Plans” Euphoria

by Mitch Mosk
Wild Rivers © Justin Broadbent
Music, PremieresAugust 6, 2019<August 6, 2019

Premiere: Wild Rivers Reckon with Heartache in Dynamic “I Do”

by Mitch Mosk
Tunes & Tumblers
Music, Podcast, Tunes & TumblersAugust 6, 2019<April 30, 2023

Podcast: Tunes & Tumblers Dives into the K-Pop Hype with BTS’ ‘Map of the Soul: Persona’

by Anthony Kozlowski
FERGUS © Cara Kealy
Features, Music, PremieresAugust 6, 2019<August 6, 2019

EP Premiere: The Intimacy & Immediacy of FERGUS’ Pained ‘Three of Swords’

by Mitch Mosk
Flora Hibberd
Columns, Music, Today's SongAugust 6, 2019<August 6, 2019

Today’s Song: The Haunting Poetry of Flora Hibberd’s “In Violence”

by Frankie Rose
Squid © Holly Whitaker 2019
Columns, Music, Today's SongAugust 5, 2019<August 5, 2019

Highlighting the Drudgery & Affirmation of Human Worth with Squid’s “The Cleaner”

by Danny Vagnoni
Atwood Magazine's Weekly Round-Up 2019 8-2-2019
Columns, Features, Music, Weekly RoundupAugust 2, 2019<August 2, 2019

Atwood Magazine’s Weekly Roundup: August 2, 2019

by Atwood Magazine Staff
DEVENDRA Banhart
Music, Reviews, This Just InAugust 2, 2019<August 2, 2019

This Just In: Devendra Banhart Delivers on the Universal Language of Loss with the Achingly Beautiful “Memorial”

by Adrian Vargas
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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