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Nick Leng
Columns, Music, Reviews, Today's SongNovember 21, 2019<November 21, 2019

Today’s Song: Nick Leng Captivates on Achingly Beautiful “Lonely Shade of Blue”

by Adrian Vargas
The 1975 © Nicole Almeida
Concerts, Music, ReviewsNovember 20, 2019<November 20, 2019

Live Review: It’s Time to Rebel with The 1975

by Nicole Almeida
Indiana music
Features, Interviews, MusicNovember 20, 2019<November 20, 2019

Interview: Breaking the Habit with Dazzling UK Pop Starlet Indiana

by Mitch Mosk
More Brilliant Is the Hand that Throws the Coin - Margaux
Music, ReviewsNovember 20, 2019<November 20, 2019

Artist to Watch: Dive into Margaux’s Dazzling Dream Pop Debut ‘More Brilliant Is the Hand that Throws the Coin’

by Mitch Mosk
Columns, Music, Today's SongNovember 20, 2019<November 20, 2019

Today’s Song: THe LYONZ “Fall” into Jazz-Tinged Self-Reflections

by Anthony Kozlowski
Big Fox © Anna Brånhede
Music, PremieresNovember 19, 2019<November 19, 2019

Premiere: The Raw Folk Beauty of Big Fox’s Love Song “All I’m Trying”

by Mitch Mosk
Weird Milk
Essays, Music, ReviewsNovember 19, 2019<November 19, 2019

Artist to Watch: Weird Milk Distinguish Themselves as One of UK’s Finest with “Time Machine”

by Adrian Vargas
Hypersonic Missiles - Sam Fender 8.3
Debut, Music, Our Take, ReviewsNovember 19, 2019<December 15, 2020

Our Take: Sam Fender’s ‘Hypersonic Missiles’ Is a Protest Piece Tailor-Made for the 21st Century

by Alicia Bugallo
Marie Lang © Mahir Jahmal
Columns, Music, Today's SongNovember 19, 2019<November 19, 2019

Today’s Song: Marie Lang Transcends with Soulful Dive “Body”

by Ben Beamish
HAIM © Grant Spanier
Music, Reviews, This Just InNovember 18, 2019<November 18, 2019

This Just In: HAIM’s “Hallelujah” Is a Breathtaking Ode to Love, Connection & Support

by Mitch Mosk
Loote © 2019
Music, Music Videos, PremieresNovember 18, 2019<November 16, 2019

Video Premiere: Nostalgia & Rocking Out Make Loote’s “All The F*cking Time”

by Kelly McCafferty Dorogy
The Ballroom Thieves © Shervin Lainez
Music, PremieresNovember 18, 2019<November 18, 2019

Premiere: The Ballroom Thieves Liberate Us with “Unlovely” (ft. Darlingside)

by Kelly McCafferty Dorogy
Will Killen © 2019
Columns, Music, Today's SongNovember 18, 2019<November 16, 2019

Today’s Song: Leeds Singer/Songwriter Will Killen Simplifies with New Single “Overthinking”

by Kelly McCafferty Dorogy
Glass Animals © Elliott Arndt
Music, Reviews, This Just InNovember 18, 2019<December 4, 2019

Review: Glass Animals Still Got It on Fiery “Tokyo Drifting” ft. Denzel Curry

by Audrey Steeves
Fyah Son Bantu
Essays, MusicNovember 15, 2019<January 2, 2020

Setting the World on Fyah: The Reggae Magnificence of Fyah Son Bantu

by Guest Writer
Posts pagination
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Brand New

  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit

:: discover something new ::

Recent Posts

  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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