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Dirty Dollhouse © Rob Swift
Music, PremieresNovember 13, 2019<November 13, 2019

Premiere: Nashville Vibe Meets Modern Pop in Dirty Dollhouse’s “Honey, They’re onto Us”

by Nina Schaarschmidt
The Rare Occasions © Ari Soto
Features, Music, PremieresNovember 13, 2019<November 13, 2019

Premiere: The Rare Occasions Claw for “Control” in Explosive Song on Xinjiang & Injustice

by Mitch Mosk
Hoger © 2019
Debut, Music, This Just InNovember 13, 2019<May 28, 2020

Rotterdam’s Hoger Enthralls with the Utterly Absorbing “Can’t Stand Not Loving You”

by Luke Pettican
Miles Mosley
Columns, Music, Today's SongNovember 13, 2019<November 13, 2019

Today’s Song: Miles Mosley’s “BROTHER” Will Catapult You Through the Funk’esphere

by Ilana Kalish
Surf Rock Is Dead © Shamshawan Scott
Features, Interviews, MusicNovember 12, 2019<November 12, 2019

Interview with Surf Rock Is Dead: How to Put “Surfgaze” on the Indie Map

by Josh Weiner
Hanging Valleys © Max Stanley
Music, PremieresNovember 12, 2019<November 12, 2019

Premiere: Hanging Valleys Inspire Awe in Cinematic, Ambient Song “The Shining Mountain”

by Mitch Mosk
Nick Cianci © Ben Zucker
Features, Interviews, MusicNovember 12, 2019<November 12, 2019

Loud Indie Rock Confessionals: An Interview with New York’s Nick Cianci

by Mitch Mosk
Rob Simonsen © Brad Torchia
Interviews, Music, PremieresNovember 12, 2019<November 12, 2019

Premiere: Rob Simonsen Captures Echoes of Family in “Refraction”

by Coco Rich
Sam Johnson © Jim Homes
Music, PremieresNovember 12, 2019<August 16, 2021

Premiere: Sam Johnson Remains Unafraid of Perseverance in “Lost in the Mail”

by Erica Danielle Garcia
Overcoats
Columns, Music, Today's SongNovember 12, 2019<December 5, 2019

Overcoats’ “Leave If You Wanna” Captures Restlessness & the Burning Desire for Change

by Nina Schaarschmidt
Davis John Patton © Audrey Ward
Music, PremieresNovember 11, 2019<November 11, 2019

Singer/Songwriter Davis John Patton’s Stirring Homecoming “We Can Find a Place”

by Mitch Mosk
Lauran Hibberd
Features, Music, Reviews, Track-by-TrackNovember 11, 2019<November 11, 2019

Unapologetically Herself: Lauran Hibberd Rises & Rages with ‘Everything Is Dogs’

by Atwood Magazine Staff
Ezra Furman © Jessica Lehrman
Features, Interviews, MusicNovember 11, 2019<December 5, 2019

Putting Words into Action: An Interview with Ezra Furman

by Frankie Rose
Lhasa © Kate Oatway
Columns, Music, Today's SongNovember 11, 2019<November 11, 2019

Today’s Song: Lhasa’s “Birdsong” Is a Folksy Dream

by Kelly McCafferty Dorogy
Jesus Is King - Kanye West 7.3
Music, Our Take, ReviewsNovember 8, 2019<December 15, 2020

Our Take: Kanye West Combines Hip-Hop and Gospel Surprisingly Well on ‘Jesus Is King’

by Josh Weiner
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1 … 476 477 478 479 480 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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