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Music, PremieresSeptember 16, 2019<April 20, 2022

Premiere: “He Knows” Proves That Heartache Has Only Empowered Deanna Petcoff

by Nick Baron
Girl Band
Columns, Music, Today's SongSeptember 16, 2019<September 16, 2019

Today’s Song: Girl Band Return with Their Trademark Controlled Chaos on “Going Norway”

by Oliver Crook
Features, Music, Weekly RoundupSeptember 13, 2019<September 13, 2019

Atwood Magazine’s Weekly Roundup: September 13, 2019

by Atwood Magazine Staff
one of those happy people - Wrabel
Debut, Features, Interviews, MusicSeptember 13, 2019<October 16, 2019

Feature: Wrabel Unveils the Magic in Debut EP ‘one of those happy people’

by Mitch Mosk
Ow - Pom Pom Squad © Michelle Lobianco
Debut, Features, Interviews, MusicSeptember 13, 2019<November 13, 2019

Interview: Pom Pom Squad Unveil the Depression & Raw Depth of EP ‘Ow’

by Mitch Mosk
III - The Lumineers album art 9.3
Music, Our Take, ReviewsSeptember 13, 2019<December 15, 2020

Our Take: The Lumineers’ III Is a Sonic and Cinematic Masterpiece

by Kelly McCafferty Dorogy
Colouring © 2019
Music, Reviews, This Just In, Today's SongSeptember 13, 2019<September 13, 2019

Today’s Song: “Oh My God!”, Colouring are Head Over Heels

by Nicole Almeida
Emilia Tarrant
Debut, Music, Music Videos, PremieresSeptember 13, 2019<September 13, 2019

Premiere: Emilia Tarrant Covers NF’s “If You Want Love” with Poignant Perfection

by Mitch Mosk
Eloise Viola - Wait in Line
Music, PremieresSeptember 13, 2019<September 13, 2019

Premiere: Eloise Viola Won’t “Wait in Line” in Empowering New Pop Anthem

by Mitch Mosk
Dori Freeman
Music, PremieresSeptember 12, 2019<September 12, 2019

Premiere: Dori Freeman Delivers a Bittersweet Classic in “Go On”

by Mitch Mosk
VÉRITÉ
Interviews, MusicSeptember 12, 2019<September 12, 2019

Awash in an “Ocean”: An Interview with VÉRITÉ

by Ben Beamish
Tiny Stills © Megan Thompson
Music, Music Videos, PremieresSeptember 12, 2019<September 12, 2019

Premiere: Tiny Stills Battle Anxiety and Social Media on “Everything Is Going Great”

by James Crowley
Rahh © JC Verona
Music, Music Videos, PremieresSeptember 12, 2019<September 12, 2019

Premiere: Manchester’s Rahh Leaves a Light on in Stunning Single “Home”

by Mitch Mosk
MUNA © Isaac Schneider
Columns, Music, Today's SongSeptember 12, 2019<September 12, 2019

Today’s Song: MUNA Talk to a Younger Self on “It’s Gonna Be Okay, Baby”

by Nicole Almeida
Stephen Babcock © 2019
Music, PremieresSeptember 11, 2019<September 11, 2019

Premiere: Stephen Babcock’s Sweltering, Dark & Bluesy Deal with the “Devil”

by Mitch Mosk
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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