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The Lost Hours
Debut, Music, Music Videos, PremieresAugust 21, 2019<August 21, 2019

Premiere: The Lost Hours’ Bittersweet Cocktail of Emotions, “Lonely Love”

by Mitch Mosk
Geoffroy © Jérémy Dionne
Interviews, Music, Music Videos, PremieresAugust 21, 2019<August 21, 2019

Smoothly Contemplating Togetherness in Geoffroy’s “Woke Up Late”

by Frankie Rose
Jesca Hoop © 2019
Features, Interviews, MusicAugust 21, 2019<September 19, 2019

Guided By Instinct: An Interview with Jesca Hoop

by Mariel Fechik
Columns, Music, Today's SongAugust 21, 2019<August 21, 2019

Today’s Song: Shigeto Provides a New Approach to Jazz Fusion on “MCW”

by Adrian Vargas
Simone White © Simone White
Interviews, Music, ReviewsAugust 20, 2019<August 29, 2019

Interview: Simone White’s Loving Paean to the Heart, “The Beep Beep Song”

by Mitch Mosk
Michael Baker
Music, Music Videos, PremieresAugust 20, 2019<April 7, 2020

Premiere: Solitude & Togetherness in Michael Baker’s Intimate Dream “Claire”

by Mitch Mosk
Music, Podcast, Tunes & TumblersAugust 20, 2019<April 30, 2023

Podcast: Tunes & Tumblers Savor “This Life” with Vampire Weekend

by Anthony Kozlowski
As Above, So Below - Corey Kilgannon
Features, Interviews, Music, PremieresAugust 20, 2019<August 20, 2019

Album Premiere: Corey Kilgannon’s ‘As Above, So Below’ Is an Intimate American Protest

by Mitch Mosk
Leanne Tennant © Matt Loncar
Music, PremieresAugust 20, 2019<August 20, 2019

Premiere: Leanne Tennant Is Warm & Determined on “Bring It All Back”

by Danny Vagnoni
Columns, Interviews, Music, Today's SongAugust 20, 2019<August 20, 2019

Today’s Song: Chela Stands Strong in “Heart O’ Hearts”

by Matthew Dunn
Latitude Festival 2019 © Hermione Kellow
Festival, Music, ReviewsAugust 20, 2019<August 20, 2019

Latitude Festival 2019: Colourful Sheep, Emerging Talent, and Saving the Planet

by Hermione Kellow
Rhythm of My Mind - Tyler Sjöström
Music, PremieresAugust 19, 2019<August 19, 2019

Premiere: Tyler Sjöström’s “Rhythm of My Mind” Is a Groovy Philosophical Indulgence

by Mitch Mosk
The Big Day - Chance the Rapper album art 7.1
Debut, Music, Our Take, ReviewsAugust 19, 2019<December 15, 2020

Our Take: Five Months After ‘The Big Day’, Chance the Rapper Is Still a Joyful, Skillful Young Man

by Josh Weiner
Interviews, Music, ReviewsAugust 19, 2019<August 19, 2019

Life as an ’80s Movie” EXNATIONS’ ‘Pink Haze’ and the Power of Nostalgia

by Frankie Rose
Sam DeRosa © Matthew Berinato
Debut, Interviews, Music, PremieresAugust 19, 2019<August 19, 2019

Premiere: Sam DeRosa Spreads Her Wings with Intimate “Baby I Know”

by Mitch Mosk
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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