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whywhywhy - MisterWives
Music, Reviews, This Just InAugust 1, 2019<August 1, 2019

MisterWives’ Unapologetic “whywhywhy” Is a Dynamic Post-Breakup Reckoning

by Mitch Mosk
JP Saxe © Josh Separzadeh / Deema Alansari
Features, Interviews, MusicAugust 1, 2019<August 1, 2019

Heartache & Hope in the Same Room: An Interview with JP Saxe

by Luke Pettican
Atwood Magazine Editor's Picks 2019 July 29
Columns, Editor's Picks, Features, MusicAugust 1, 2019<November 14, 2023

Editor’s Picks: July 29, 2019

by Mitch Mosk
Lily Kershaw © Shervin Lainez
Interviews, Music, PremieresAugust 1, 2019<August 1, 2019

Premiere: Lily Kershaw Grapples with Past & Present in Her Latest Single “Now & Then”

by Madison Vettorino
Opeongo © 2019
Music, PremieresAugust 1, 2019<October 22, 2019

Premiere: Opeongo’s Expansive Single “Less of Me” Gives Us More

by Ilana Kalish
Rosier © Anne Sophie Coiteux
Music, PremieresAugust 1, 2019<August 1, 2019

Premiere: Rosier Reveal Their New Identity in “Vie Pénible”

by Ditta Demeter
Rhys Lewis © Daniel Alexander Harris
Columns, Music, Today's SongAugust 1, 2019<August 1, 2019

Today’s Song: The Reflective Rumination of Rhys Lewis’ “What If”

by Luke Pettican
Kew the Music 2019
Festival, Music, ReviewsAugust 1, 2019<July 31, 2019

Review: Kew the Music Festival 2019

by Hermione Kellow
Music, Our Take, ReviewsJuly 31, 2019<December 15, 2020

Review: Ian Ferguson’s ‘State of Gold’ Is Your New Summer Road Tunes Record

by Oliver Crook
So Sensitive © Ashlyn Hubenak, edited by Cam Perkins
Debut, Music, Premieres, ReviewsJuly 31, 2019<July 31, 2019

Album Premiere: Female Energy Fuels So Sensitive’s Alluring Debut ‘Bedroom Drama’

by Mitch Mosk
Carriers © Michael Wilson
Music, PremieresJuly 31, 2019<July 31, 2019

Premiere: Memory, Love, & Hope Permeate Carriers’ Heart-Rending “Heaven’s People”

by Mitch Mosk
The Sonder Bombs © Rachel Malvich
Columns, Music, Today's SongJuly 31, 2019<July 31, 2019

Today’s Song: The Sonder Bombs Break the BS on “I Don’t Have One Anymore”

by James Crowley
Thunderpussy © Christine Mitchell
Features, Interviews, MusicJuly 30, 2019<August 22, 2019

Feature: Thunderpussy Sink Their Claws into Rock and Roll

by Anthony Kozlowski
Trenton © Ry Cox
Music, PremieresJuly 30, 2019<July 30, 2019

Premiere: Trenton’s Stirring “Answers” Makes Peace with Uncertainty

by Mitch Mosk
Stella Emmett © Joseph Charles Viola
Debut, Music, PremieresJuly 30, 2019<July 30, 2019

Premiere: Stella Emmett Basks in Euphoric Breakup Song “Done W U”

by Mitch Mosk
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1 … 501 502 503 504 505 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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