• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Figure Eight - Matt Lamourt-min
Music, PremieresApril 8, 2019<April 8, 2019

Premiere: Figure Eight’s “True Love” Is DIY Drama at Its Finest

by James Crowley
Atwood Editor's Picks 2019-04-08
Columns, Editor's Picks, Features, Music, PlaylistsApril 8, 2019<April 30, 2019

Editor’s Picks: April 8, 2019

by Mitch Mosk
Hollywood Gold - The Prescriptions
Debut, Music, ReviewsApril 5, 2019<April 8, 2019

Review: The Prescriptions’ Debut ‘Hollywood Gold’ Is a Raw Dose of the Good Stuff

by Mitch Mosk
Atwood Magazine's Weekly Roundup 4-05-2019
Columns, Features, Music, Weekly RoundupApril 5, 2019<April 30, 2019

Atwood Magazine’s Weekly Roundup: April 5, 2019

by Atwood Magazine Staff
Matt Maeson © Alexis Gross
Debut, Features, Interviews, MusicApril 5, 2019<April 5, 2019

Interview: Don’t Bank on the Funeral, Bank on Matt Maeson

by Audrey Steeves
"Deer Head" by Megan Nash
Music, Music Videos, PremieresApril 5, 2019<April 5, 2019

Premiere: Megan Nash’s “Deer Head” Is a Raw, Aching Anthem for the Heavy-Hearted

by Mitch Mosk
Everything Not Saved Will Be Lost - Part 1 - Foals
Music, Reviews, Track-by-TrackApril 5, 2019<April 5, 2019

The Long-Awaited Return of Foals: A Band Who Only Get Better with Age

by Hermione Kellow
The Black Keys © Alysse Gafkjen
Features, Music, ReviewsApril 5, 2019<April 5, 2019

The Black Keys Are Back! What Does That Mean?

by Anthony Kozlowski
girl in red © Jonathan Vivaas Kise
Columns, Music, Today's SongApril 5, 2019<April 5, 2019

Perceive Youth & Adolescent Predilections Differently with girl in red’s “Say Anything”

by Jesse Herb
No Saviors EP - CLAVVS
Music, Reviews, Track-by-TrackApril 4, 2019<April 4, 2019

Track-by-Track: The Intimate Seduction of CLAVVS’ ‘No Saviors’ EP

by Mitch Mosk
The Away Days © 2019
Music, PremieresApril 4, 2019<April 4, 2019

Premiere: Dream Pop Duo The Away Days Return with Poignant & Soaring “Designed”

by Mitch Mosk
Sego Sucks
Music, Reviews, Track-by-TrackApril 4, 2019<April 4, 2019

Track-by-Track: Sego Crush Expectations with Sophomore LP ‘Sego Sucks’

by Coco Rich
All I Do Is Bleed - Patrick Ames
Music, ReviewsApril 4, 2019<April 4, 2019

EP Review: Take It Easy with Patrick Ames’ ‘All I Do Is Bleed’

by Carolyn Fasone
Catfish and the Bottlemen © 2015
Columns, Music, Reviews, Today's SongApril 4, 2019<April 4, 2019

Catfish and the Bottlemen’s “Tyrants” Will Always Be the Perfect Closing Song

by Monica Mellon
Mike Mains & The Branches © Elijah VanDine
Features, Interviews, MusicApril 4, 2019<April 4, 2019

Coated in Sugar: A Conversation with Mike Mains & The Branches

by James Crowley
Posts pagination
1 … 501 502 503 504 505 … 712

Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services