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Plested © 2019
Features, Interviews, MusicAugust 7, 2019<August 8, 2019

Interview with Plested: From Songwriter for the Stars to Solo Success

by Luke Pettican
Debut, Music, PremieresAugust 6, 2019<August 6, 2019

Premiere: Half Wolf’s “Pretty Lonely” Marks an Impassioned & Ethereal Debut into the Music Scene

by Adrian Vargas
The Lost Tapes II - Nas 7.1
Music, Our Take, ReviewsAugust 6, 2019<December 15, 2020

Our Take: Nas Salvages Solid Compilation from Formerly-Discarded Tracks in ‘The Lost Tapes 2’

by Josh Weiner
Your Smith © Samantha Marquart
Features, Interviews, MusicAugust 6, 2019<September 19, 2019

Interview: Reveling with Your Smith’s “In Between Plans” Euphoria

by Mitch Mosk
Wild Rivers © Justin Broadbent
Music, PremieresAugust 6, 2019<August 6, 2019

Premiere: Wild Rivers Reckon with Heartache in Dynamic “I Do”

by Mitch Mosk
Tunes & Tumblers
Music, Podcast, Tunes & TumblersAugust 6, 2019<April 30, 2023

Podcast: Tunes & Tumblers Dives into the K-Pop Hype with BTS’ ‘Map of the Soul: Persona’

by Anthony Kozlowski
FERGUS © Cara Kealy
Features, Music, PremieresAugust 6, 2019<August 6, 2019

EP Premiere: The Intimacy & Immediacy of FERGUS’ Pained ‘Three of Swords’

by Mitch Mosk
Flora Hibberd
Columns, Music, Today's SongAugust 6, 2019<August 6, 2019

Today’s Song: The Haunting Poetry of Flora Hibberd’s “In Violence”

by Frankie Rose
Squid © Holly Whitaker 2019
Columns, Music, Today's SongAugust 5, 2019<August 5, 2019

Highlighting the Drudgery & Affirmation of Human Worth with Squid’s “The Cleaner”

by Danny Vagnoni
Atwood Magazine's Weekly Round-Up 2019 8-2-2019
Columns, Features, Music, Weekly RoundupAugust 2, 2019<August 2, 2019

Atwood Magazine’s Weekly Roundup: August 2, 2019

by Atwood Magazine Staff
DEVENDRA Banhart
Music, Reviews, This Just InAugust 2, 2019<August 2, 2019

This Just In: Devendra Banhart Delivers on the Universal Language of Loss with the Achingly Beautiful “Memorial”

by Adrian Vargas
Ritt Momney © James Kowalski
Debut, Music, ReviewsAugust 2, 2019<August 2, 2019

Album Review: Ritt Momney’s Triumphant Debut ‘Her and All of My Friends’

by Harper Beattie
Field Mouse © Katie Krulock
Music, PremieresAugust 2, 2019<August 2, 2019

Premiere: Field Mouse Get Apocalyptic in Intimate New Song “Black Hole, Son”

by Mitch Mosk
Time For T © Anna Becerra
Music, PremieresAugust 2, 2019<August 2, 2019

Premiere: The Dreamy Folk-Rock Flow of Time for T’s “Screenshot”

by Mitch Mosk
Columns, Music, Today's SongAugust 2, 2019<August 2, 2019

Today’s Song: Goth Babe Preserves DIY Elements of the Alternative Music Scene with “Imaginationcy”

by Harper Beattie
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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