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Wallows © Caitlin Ison
Concerts, Music, ReviewsJuly 2, 2019<July 2, 2019

Live Review: Wallows Took Their Hometown Los Angeles by Storm at The Fonda

by Caitlin Ison
WKND FRNDS - The F16s
Music, Our Take, ReviewsJuly 2, 2019<December 15, 2020

Review: WKND FRNDS is The F16s’ Heady Soundtrack for the Summer

by Urooj Ali Rizvi
Andi Fins © Katja Aujesky
Music, Music Videos, PremieresJuly 2, 2019<July 2, 2019

Video Premiere: Andi Fins Balances Elation & Melancholy in “Stan’s Copycat”

by Mitch Mosk
Festival, Music, ReviewsJuly 2, 2019<July 2, 2019

Review: Governors Ball Music Festival 2019

by Shayna Chabrow
Mosa Wild © Hollie Fernando
Debut, Features, Interviews, MusicJuly 2, 2019<July 2, 2019

Talking in Circles & Moving Forward: An Interview with Mosa Wild

by Luke Pettican
Columns, Music, Today's SongJuly 2, 2019<July 2, 2019

Today’s Song: MUNA Talks Self-Love With “Number One Fan”

by Alex Killian
Interviews, Music, Music Videos, ReviewsJuly 1, 2019<August 16, 2022

On the Nature of Change: How Plastic Picnic’s “After You” Offers a Personal Journey Unlike Any Other

by Adrian Vargas
Music, Music Videos, This Just InJuly 1, 2019<July 1, 2019

This Just In: Miami Horror’s Funky & Quirky “Restless” Marks a Welcomed Return

by Adrian Vargas
Freya Ridings © Jamie Rowan
Columns, Music, Today's SongJuly 1, 2019<July 1, 2019

Today’s Song: Freya Ridings Captivates with the Poignantly Empowering “Castles”

by Luke Pettican
roundup28062019
Features, Music, Weekly RoundupJune 28, 2019<June 28, 2019

Atwood Magazine’s Weekly Roundup: June 28, 2019

by Atwood Magazine Staff
Dead Yet - Gabriel Black Phem
Features, Music, Reviews, This Just InJune 28, 2019<August 20, 2019

The Restless Allure of Gabriel Black & phem’s Beautiful “dead yet”

by Mitch Mosk
Essays, FeaturesJune 28, 2019<January 2, 2020

Honoring Pride: Gay Pop Artist Sinclair Shares Her Story

by Guest Writer
BENEE © Kelsey Fitzgerald
Concerts, Music, ReviewsJune 28, 2019<June 28, 2019

Live Review: BENEE Confirms She Belongs on Stage at New York’s Mercury Lounge

by Kelsey Fitzgerald
Best Albums of 2019 pt. 1
Features, Music, News, ReviewsJune 28, 2019<July 3, 2019

Atwood Magazine’s Best Albums of 2019… Part 1

by Atwood Magazine Staff
Columns, Music, Today's SongJune 28, 2019<June 28, 2019

Today’s Song: (Sandy) Alex G’s “Gretel” Offers an Artful Progression of Sound for Upcoming Album ‘House of Sugar’

by Harper Beattie
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Brand New

  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health”
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
  • “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love April 15, 2026
  • Devil’s in the Details: Inside Esme Rose’s Bewitching ‘x3’ EP April 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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