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Martian Subculture
Music, PremieresApril 17, 2019<April 16, 2019

Premiere: Martian Subculture Longs for Nostalgia in “I’ll Be Gold”

by Caitlin Ison
Ellen Starski © Amelia Booth
Music, Music Videos, PremieresApril 16, 2019<October 14, 2024

Premiere: Ellen Starski’s Beautiful Alzheimer’s Awareness Video “Ode to Nanny & Cookie”

by Mitch Mosk
Damon Mitchell © 2019
Debut, Music, ReviewsApril 16, 2019<April 16, 2019

EP Review: Love Is in the Air, and Damon Mitchell’s ‘Elise’ Catches Every Whiff

by Carolyn Fasone
Bishat © Julius Hayes
Music, Music Videos, PremieresApril 16, 2019<April 16, 2019

Premiere: Embracing Surrender & Control in Bishat’s Cinematic “ctrl+m”

by Mitch Mosk
American Football © Atiba Jefferson
Features, Interviews, MusicApril 16, 2019<April 30, 2019

Muscle Memory: An Interview with American Football

by James Crowley
Mia Schuster "Land" © 2019
Debut, Music, PremieresApril 15, 2019<April 15, 2019

Premiere: Mia Schuster Takes Flight in Debut “Land”

by Mitch Mosk
Nick Cianci © CJ Moy
Music, PremieresApril 15, 2019<April 15, 2019

Premiere: Moving On with Nick Cianci’s Driving “The Night We Crashed Your Dad’s Car”

by Mitch Mosk
Fieh © Jonathan Vivaas Kise
Columns, Debut, Music, Today's SongApril 15, 2019<April 12, 2019

Today’s Song: Fieh Bewitch with the Ingeniously Inventive “25”

by Luke Pettican
Atwood Magazine's Weekly Roundup 2019-04-12
Columns, Features, Music, Weekly RoundupApril 12, 2019<April 30, 2019

Atwood Magazine’s Weekly Roundup: April 12, 2019

by Atwood Magazine Staff
Modest Mouse © James Joiner
Music, ReviewsApril 12, 2019<April 12, 2019

Modest Mouse’s “Poison the Well” Is Laser-Focused Venom at the Powerful and Cruel

by Danny Vagnoni
when we all fall asleep where do we go
Debut, Features, Music, Reviews, RoundtableApril 12, 2019<March 2, 2025

Roundtable Discussion: A Review of Billie Eilish’s ‘When We All Fall Asleep, Where Do We Go?’

by Atwood Magazine Staff
Clock Work - Bedouin Soundclash
Music, Music Videos, PremieresApril 12, 2019<April 12, 2019

Premiere: Basking in Bedouin Soundclash’s Infectious, Sunny “Clock Work”

by Mitch Mosk
The "Don't Hate Me" video finds Corey Harper set against a blank canvas, leaning on his music as the primary driver of self-expression.
Music, Music Videos, PremieresApril 12, 2019<April 30, 2019

Premiere: Corey Harper’s Catchy “Don’t Hate Me” Radiates Heartache & Passion

by Mitch Mosk
Elliah Heifetz © Marcus Maddox
Music, PremieresApril 11, 2019<April 11, 2019

Premiere: Welcoming Change with Elliah Heifetz’s Majestic “I’m Over Now”

by Mitch Mosk
Dog Whistle - Show Me the Body
Music, Our Take, ReviewsApril 11, 2019<April 11, 2019

Our Take: Show Me the Body’s ‘Dog Whistle’ Is an Exhilarated Call for Community

by Matthew Dunn
Posts pagination
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Brand New

  • “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love
  • Devil’s in the Details: Inside Esme Rose’s Bewitching ‘x3’ EP
  • “I Wanna Be a 7-Foot Zombie”: The Strokes Chase the Overstimulation of Modern Life on “Going Shopping,” the Kinetic Lead Single Off Their 7th Album ‘Reality Awaits’
  • “Life Is a Joke, and You Are the Punch”: Fantastic Cat Capture the Messy Beauty of Being Alive on ‘Cat Out of Hell,’ Deeply Human Folk Rock Triumph
  • Life Is Too Short to Be Comfortable: Whiskey Flower Turn Defiance into Fuel on ‘double yellow lines’
  • All the Right Feels: Victoryland’s ‘My Heart Is a Room With No Cameras in It’ Embraces the Imperfections of Humanity With an Ignited Soundscape of Love, Humor, & Curiosity
  • “You End Up Going Places You’d Never Get to on Your Own”: Hannah Hausman & Guthrie Galileo Collide to Create a Whole New World on ‘Move From Love’

:: discover something new ::

Recent Posts

  • “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love April 15, 2026
  • Devil’s in the Details: Inside Esme Rose’s Bewitching ‘x3’ EP April 15, 2026
  • “I Wanna Be a 7-Foot Zombie”: The Strokes Chase the Overstimulation of Modern Life on “Going Shopping,” the Kinetic Lead Single Off Their 7th Album ‘Reality Awaits’ April 15, 2026
  • “Life Is a Joke, and You Are the Punch”: Fantastic Cat Capture the Messy Beauty of Being Alive on ‘Cat Out of Hell,’ Deeply Human Folk Rock Triumph April 14, 2026
  • Life Is Too Short to Be Comfortable: Whiskey Flower Turn Defiance into Fuel on ‘double yellow lines’ April 14, 2026
  • All the Right Feels: Victoryland’s ‘My Heart Is a Room With No Cameras in It’ Embraces the Imperfections of Humanity With an Ignited Soundscape of Love, Humor, & Curiosity April 14, 2026
  • “You End Up Going Places You’d Never Get to on Your Own”: Hannah Hausman & Guthrie Galileo Collide to Create a Whole New World on ‘Move From Love’ April 14, 2026
  • “A Waltz of Changing Seasons”: Chicago’s Park Hills Circle Welcomes Renewal on “Spring Is Here,” an Enchantingly Dreamy Folk Reverie April 14, 2026
  • “I Walk With Love”: SAULT Explore The Beauty of Inner Peace in “Good Things Will Come After the Pressure” April 14, 2026
  • Avery Cochrane Is Singing Dispatches From a Dying Empire April 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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