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Oh God There Is So Much Love In Me - Kelso
Music, Reviews, This Just InFebruary 6, 2019<February 5, 2019

This Just In: Oh God, There Is So Much Love in Kelso’s New Single

by James Crowley
Sharon Van Etten © Ryan Pfluger
Music, Our Take, ReviewsFebruary 5, 2019<February 17, 2019

Our Take: Sharon Van Etten’s ‘Remind Me Tomorrow’ Is a Fearless Step into a Bold New Sound

by Adrian Vargas
Variety Hour - Deidre & The Dark art
Debut, Music, Premieres, ReviewsFebruary 5, 2019<February 5, 2019

Album Premiere: Deidre & The Dark’s Debut ‘Variety Hour’ Is Free, Fun, and Classic

by Mitch Mosk
VC Pines © Betty Oxlade Martin
Columns, Music, Today's SongFebruary 5, 2019<February 5, 2019

Today’s Song: The Sultry Vocals & Sounds of VC Pines’ “Vixen”

by Caitlin Ison
Earthquake Lights © Shervin Lainez
Music, PremieresFebruary 4, 2019<February 4, 2019

Premiere: Earthquake Lights’ Sweet, Smooth, and Emotionally Raw “May Day”

by Mitch Mosk
Atwood Magazine's Artists to Watch 2019
Features, MusicFebruary 4, 2019<January 10, 2020

Atwood Magazine’s 2019 Artists to Watch

by Atwood Magazine Staff
Loose Wing © Doug Arney
Music, PremieresFebruary 4, 2019<February 4, 2019

Premiere: Loose Wing’s “Beverly” Captures Emotional Distress with Poignant Grace

by Mitch Mosk
Blaenavon © Luke Farley
Columns, Music, Today's SongFebruary 4, 2019<February 5, 2019

Today’s Song: Blaenavon’s “Catatonic Skinbag” Is a Self-Deprecative Triumph

by Nicole Almeida
Broods © Dana Trippe
Features, Interviews, Music, ReviewsFebruary 4, 2019<February 19, 2019

Confident Vulnerability: An Interview with Broods

by Mitch Mosk
Atwood Magazine's Weekly Roundup 2-01-2019
Columns, Features, Music, Weekly RoundupFebruary 1, 2019<February 19, 2019

Atwood Magazine’s Weekly Roundup: February 02, 2019

by Atwood Magazine Staff
Gabriella Rose - Lost In Translation EP 2019
Debut, Features, Music, ReviewsFebruary 1, 2019<February 1, 2019

Review: The Stirring Vulnerability of Gabriella Rose’s Intimate Debut EP ‘Lost in Translation’

by Mitch Mosk
Sophia Danai © Beau Partlow
Music, PremieresFebruary 1, 2019<February 1, 2019

Premiere: Breaking the Cycle of Abuse with Sophia Danai’s “Daughter”

by Mitch Mosk
Like Swimming © Johan Knobe
Music, PremieresFebruary 1, 2019<February 1, 2019

Premiere: “The Ground,” Like Swimming’s Emotional Explanation of White Privilege

by Mitch Mosk
KOPPS - Virtual Reality 1
Music, Music Videos, PremieresFebruary 1, 2019<February 1, 2019

Premiere: KOPPS and the Unattainable Presence from Our “Virtual Reality”

by Caitlin Ison
Music, Reviews, Today's SongFebruary 1, 2019<February 1, 2019

Today’s Song: Sam Smith and Normani Find Temporary Solace “Dancing With A Stranger”

by Maggie McHale
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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