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filous © Harry Deadman
Interviews, MusicJanuary 31, 2019<February 1, 2019

Finding Connection in Collaborations: A Conversation with filous

by Nicole Almeida
Teal Album - Weezer
Features, Music, Reviews, RoundtableJanuary 31, 2019<June 29, 2024

Roundtable Discussion: A Review of Weezer’s Teal Album

by Atwood Magazine Staff
Ian George © Danielle Aubert
Debut, Music, PremieresJanuary 31, 2019<January 31, 2019

Premiere: Introducing “The Wild & the Untamed” Folk Troubadour Ian George

by Mitch Mosk
This Is Not The End - Spielbergs
Debut, Features, Music, Our Take, ReviewsJanuary 31, 2019<January 31, 2019

Our Take: Spielbergs’ ‘This Is Not The End’ Is the Album You’ve Been Waiting for Since You Grew Out Your Mohawk and Got a Job

by Oliver Crook
Better Oblivion Community Center © Nik Freitas
Debut, Features, Music, ReviewsJanuary 31, 2019<January 31, 2019

Review: With Better Oblivion Community Center, Conor Oberst & Phoebe Bridgers Unite in Indie Folk Heaven

by Abby Jones
Dancing on Tables © Rory Barnes
Music, Music Videos, PremieresJanuary 31, 2019<January 31, 2019

Premiere: Heartbreak & Longing in Dancing on Tables’ Breakup Ballad “Black”

by Mitch Mosk
Betty, Pt. 1 - Betty Who 2019
Columns, Music, Today's SongJanuary 31, 2019<February 6, 2019

Today’s Song: Betty Who Lends a Hand on “Friend Like Me”

by Anthony Kozlowski
Screenshot from Peace Playing 1998 On A Roof © 2019
Editorials, MusicJanuary 30, 2019<January 30, 2019

A Dumpster of Thoughts on Writing, Music, and Peace Playing “1998” on a Roof

by Lindsay Call
Editor's Picks 01-28-2019
Columns, Editor's Picks, Features, MusicJanuary 30, 2019<March 19, 2019

Editor’s Picks: January 28, 2019

by Mitch Mosk
The Japanese House © courtesy of the artist
Music, ReviewsJanuary 30, 2019<September 13, 2022

Two Steps Forward & One Step Back with The Japanese House’s “Maybe You’re the Reason”

by Jesse Herb
Georgia Meek © Alex Cullen
Music, PremieresJanuary 30, 2019<January 30, 2019

Premiere: Pressure & Sacrifice in Georgia Meek’s Passionate Anthem “Pray”

by Mitch Mosk
FIDLAR © David Black
Features, Interviews, MusicJanuary 30, 2019<June 3, 2019

Interview: FIDLAR’s Zac Carper Ventures into Uncharted Territory on ‘Almost Free’

by Nick Baron
exes x jome press photo
Music, Premieres, ReviewsJanuary 30, 2019<February 19, 2019

Premiere: Coping with Grief in EXES & JOME’s Poignant “Stay Still”

by Mitch Mosk
Beirut © Olga Baczynska
Music, Today's SongJanuary 30, 2019<January 30, 2019

Today’s Song: Beirut Delivers a Tense, Expansive Musical Journey with “Landslide”

by Adrian Vargas
Brillboard 1/30/2019
Brillboard, Music, PlaylistsJanuary 30, 2019<February 5, 2019

The Brillboard: Blue, 01/30/2019

by Jason Brillon
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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