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Parcels by Antoine Henault
Features, Interviews, MusicFebruary 15, 2019<March 1, 2019

Eclectic, Groovy, Retro, and Current: A Conversation with Parcels

by Mitch Mosk
Preston Lovinggood © Jay Gunning
Music, Music Videos, PremieresFebruary 15, 2019<February 15, 2019

Premiere: Preston Lovinggood’s Hauntingly Optimistic “Everything Will Be Okay” Video

by Mitch Mosk
Growing Pain II - Tesha
Music, Premieres, ReviewsFebruary 14, 2019<February 18, 2019

EP Premiere: Embracing Ethereal Intimacy & Grief in TESHA’s ‘Growing Pain II’

by Mitch Mosk
Mallrat © Michelle Pitris
Features, Interviews, MusicFebruary 14, 2019<February 14, 2019

On UFOs and Trusting Your Instinct: A Conversation with Mallrat

by Nicole Almeida
Some Good Lives - Shook Twins
Music, Premieres, ReviewsFebruary 14, 2019<February 15, 2019

Album Premiere: Shook Twins Embrace Love & Life in Moving ‘Some Good Lives’

by Mitch Mosk
Valentine's Day 2019
Features, Music, PlaylistsFebruary 14, 2019<February 19, 2019

Valentine’s Day 2019: Love & Anti-Love Songs

by Atwood Magazine Staff
Brayden Sibbald © George Foster
Music, PremieresFebruary 14, 2019<February 14, 2019

Premiere: Hope and Purpose in Brayden Sibbald’s “Compass”

by Ben Beamish
Kennedy Hair - Martha Ffion video
Columns, Music, Today's SongFebruary 14, 2019<February 14, 2019

Today’s Song: Martha Ffion’s “Kennedy Hair” Contrasts Political Turmoil with Fun Optimism

by Frankie Rose
Radiator King © Indofunk Satish
Music, PremieresFebruary 14, 2019<February 14, 2019

Premiere: Radiator King Invoke Springsteen’s Sadness on “Raylene”

by James Crowley
ANNALIA © Sara Kiesling
Music, PremieresFebruary 13, 2019<February 13, 2019

Premiere: Floating on Clouds with ANNALIA’s “Hold My Breath”

by Mitch Mosk
Gallipoli - Beirut
Music, Our Take, ReviewsFebruary 13, 2019<February 13, 2019

Our Take: Joy and Sorrow in Beirut’s ‘Gallipoli’

by Danny Vagnoni
Brillboard 2019-02-13
Brillboard, Music, PlaylistsFebruary 13, 2019<February 13, 2019

The Brillboard: Valentine’s Day, 02/13/2019

by Jason Brillon
whenyoung © 2019
Features, Interviews, MusicFebruary 13, 2019<February 13, 2019

Crying and Dancing Uncontrollably: An Interview with whenyoung

by Christine Costello
Too Late; Doesn't Matter by Dearheart
Debut, Music, ReviewsFebruary 13, 2019<February 13, 2019

Review: Dearheart’s ‘Too Late; Doesn’t Matter’ Displays the Ambition of Emo’s Next Wave

by James Crowley
Something Wrong with Me - Lauren Desberg
Music, PremieresFebruary 13, 2019<February 13, 2019

Premiere: Lauren Desberg Explores the Uneasy Mind in Alluring “Something Wrong with Me”

by Caitlin Ison
Posts pagination
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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