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Yesterday Again - Sarah Dukes
Columns, Music, Today's SongFebruary 13, 2019<February 13, 2019

Today’s Song: Healing & Loss in Sarah Dukes’ “Yesterday Again” ft. Clay Agnew

by Ben Beamish
Kesley Bulkin © Canh Nguyen
Interviews, Music, This Just InFebruary 12, 2019<February 12, 2019

Interview: Kelsey Bulkin Makes the First Move with “Kareem”

by Mitch Mosk
Oh Dead On Oh Love - Lisa Papineau
Features, Music, Premieres, ReviewsFebruary 12, 2019<February 12, 2019

Album Premiere: The Enchanting Depth of Lisa Papineau’s ‘Oh Dead On Oh Love’

by Mitch Mosk
Bohannons © William Joseph Johnson
Music, PremieresFebruary 12, 2019<March 2, 2025

Premiere: Bohannons’ Raw “Refills” Sheds Light on the Opioid Crisis

by Mitch Mosk
Kaitie Forbes © Rachel Domonique
Debut, Music, PremieresFebruary 12, 2019<February 12, 2019

Premiere: Kaitie Forbes Soars on Intimate Alt-Pop Outpouring “At the Same Time”

by Mitch Mosk
Weathers © Bella Howard
Debut, Interviews, MusicFebruary 12, 2019<February 12, 2019

Songs for Driving Alone: A Conversation with Weathers

by James Crowley
Dermot Kennedy For Island Fires and Family
Columns, Music, Music Videos, Today's SongFebruary 12, 2019<February 12, 2019

Today’s Song: Dermot Kennedy Comes Home in “For Island Fires and Family”

by Kelly McCafferty Dorogy
Henry Jamison © Shervin Lainez
Features, Interviews, MusicFebruary 11, 2019<March 1, 2019

Interview with Henry Jamison: ‘Gloria Duplex’, Transcending Prejudice & Seeing Both Sides

by Mitch Mosk
Kisos - Happily Ever After Art
Music, PremieresFebruary 11, 2019<February 13, 2019

Premiere: Accepting Denial with Kisos’ Lovelorn “Happily Ever After”

by Mitch Mosk
Baby Boys © Zach Sutton
Columns, Debut, Music, Today's SongFebruary 11, 2019<February 8, 2019

Today’s Song: Baby Boys Throw All Rules Out the Window with Debut Single “Kinky Toe”

by Abby Jones
Quiet Signs by Jessica Pratt
Music, ReviewsFebruary 8, 2019<February 8, 2019

Review: Jessica Pratt Expands Her World with the Hypnotic ‘Quiet Signs’

by Frankie Rose
CMBYN Mystery of Love Header
Editorials, MusicFebruary 8, 2019<February 26, 2019

Opinion: The Award-Worthy Visual Poetry in Sufjan Stevens’ “Mystery of Love”

by Nicole Almeida
Atwood Magazine's Weekly Roundup 2-08-2019
Columns, Features, Music, Weekly RoundupFebruary 8, 2019<February 19, 2019

Atwood Magazine’s Weekly Roundup: February 8, 2019

by Atwood Magazine Staff
The Dip © Coco Foto
Music, Our Take, ReviewsFebruary 8, 2019<February 8, 2019

Review: ‘The Dip Delivers’ Breaths Fresh Life into a Classic Soul Sound

by Mitch Mosk
Gloria Duplex - Henry Jamison
Features, Music, Our Take, ReviewsFebruary 8, 2019<February 8, 2019

Our Take: Masculinity & Male Privilege Meet Tenderness in Henry Jamison’s Hopeful ‘Gloria Duplex’

by Audrey Steeves
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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