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Angelo de Augustine - Tomb Cover Art
Music, ReviewsJanuary 22, 2019<January 22, 2019

Review: Angelo de Augustine Turns Heartbreak & its Collateral Damage into Beauty in ‘Tomb’

by Nicole Almeida
Say Anything 2019
Columns, Music, Today's SongJanuary 22, 2019<January 22, 2019

Today’s Song: The Thrills and Pills of Say Anything’s “Pink Snot”

by James Crowley
The Proud Sons © Francesca Ludikar
Music, Music Videos, PremieresJanuary 21, 2019<January 21, 2019

Premiere: Embracing Heartache in The Proud Sons’ Radiant “Company”

by Mitch Mosk
Rhys Lewis © 2019
Columns, Music, Today's SongJanuary 21, 2019<January 21, 2019

Today’s Song: Rhys Lewis’ “Better Than Today” Finds Reassurance in the Whirlwind of Life

by Luke Pettican
Atwood Magazine's Weekly Roundup 1-18-2019
Columns, Features, Music, Weekly RoundupJanuary 18, 2019<January 18, 2019

Atwood Magazine’s Weekly Roundup: January 18, 2019

by Atwood Magazine Staff
Natalie Shay "Yesterday" © Max Giorgeschi
Music, Music Videos, PremieresJanuary 18, 2019<January 18, 2019

Video Premiere: Natalie Shay Ascends with Stunning Pop Anthem “Yesterday”

by Mitch Mosk
The Blue Winter © 2019
Music, PremieresJanuary 18, 2019<January 18, 2019

Premiere: The Blue Winter’s Beautifully Vulnerable Folk Song “Up on the Stage”

by Mitch Mosk
Maenads - Sarah P.
Music, ReviewsJanuary 18, 2019<April 16, 2020

Alternative Dream-Pop & Greek Mythology Collide in Sarah P.’s Evocative ‘Maenads’ EP

by Ben Beamish
If Looks Could Kill - Lauren Aquilina
Features, Interviews, MusicJanuary 18, 2019<January 18, 2019

Interview: Lauren Aquilina’s Killer Instinct Ignites with “If Looks Could Kill”

by Coco Rich
Heard It In A Past Life - Maggie Rogers Artwork
Debut, Features, Music, ReviewsJanuary 18, 2019<January 29, 2019

Maggie Rogers’ ‘Heard It in a Past Life’: A Track-by-Track Review

by Frankie Rose
Sam Wilde On the Run
Columns, Music, Today's SongJanuary 18, 2019<January 17, 2019

Today’s Song: Sam Wilde Finds Solace in Bewilderment with “On the Run”

by Luke Pettican
MINT - Alice Merton
Debut, Features, Interviews, MusicJanuary 17, 2019<January 30, 2019

‘MINT’, Melody, and Meaning: An Interview with Alice Merton

by Mitch Mosk
Funeral Advantage © Caroline Bailey
Music, PremieresJanuary 17, 2019<January 17, 2019

Premiere: Funeral Advantage’s Stirring “Black House,” an Indie Pop Confession

by Mitch Mosk
Unofficial Lover - Kyan Palmer x nicopop. ft. Yung Lamby
Debut, Music, PremieresJanuary 17, 2019<January 17, 2019

Heartache Never Felt So Good: Kyan Palmer & nicopop.’s “Unofficial Lover” ft. Yung Lamby

by Mitch Mosk
Patrick Damphier © Satellite June
Music, Music Videos, PremieresJanuary 17, 2019<January 16, 2019

Premiere: Patrick Damphier’s Confessional Protest “Odd Man Out” ft. Molly Parden

by Mitch Mosk
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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