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Lowland Hum © Serena Jae
Music, Music Videos, PremieresJanuary 25, 2019<January 26, 2019

Premiere: Lowland Hum Address Existential Ennui in “Slow” Video

by James Crowley
Somebody’s Child
Music, Music Videos, PremieresJanuary 25, 2019<January 24, 2019

Premiere: Seclusion, Struggle, and Sanguineness in Somebody’s Child’s “Toes” Video

by Luke Pettican
D'Angelo
Columns, Music, Today's SongJanuary 24, 2019<May 14, 2024

Today’s Song: D’Angelo’s “Unshaken” is the Guarded Knock on a Hidden Door

by Ilana Kalish
Ta-ku 2019
Columns, Music, Music You Should KnowJanuary 24, 2019<January 24, 2019

Music You Should Know: Ta-ku’s ‘25 Nights for Nujabes’ Is an Emotive, Harmonious Ode to a Lost Talent

by Adrian Vargas
Jon Bryant © Carly Dame
Music, Music Videos, PremieresJanuary 24, 2019<January 24, 2019

Premiere: Assuming Responsibility with Jon Bryant’s Poignant “Did What I Did”

by Mitch Mosk
The National Lights
Music, PremieresJanuary 24, 2019<January 24, 2019

Premiere: “Lantern and Whalebone,” The National Lights’ Nautical Reflection

by Mitch Mosk
Hannie © 2019
Music, Premieres, ReviewsJanuary 24, 2019<January 24, 2019

Premiere: Sing Your Heart Out to HANNIE’s “Drama”

by Mitch Mosk
The Weight of Melted Snow - French For Rabbits
Features, Music, PremieresJanuary 24, 2019<October 17, 2019

Album Premiere: Heartbreak & Mending in French for Rabbits’ Achingly Beautiful ‘The Weight of Melted Snow’

by Mitch Mosk
Chain Wallet © Øyvind Halsøy
Music, PremieresJanuary 24, 2019<January 23, 2019

Premiere: Chain Wallet Hypnotize with “World I Used to Call Mine”

by Luke Pettican
mike war in my pen
Music, ReviewsJanuary 23, 2019<August 5, 2021

Review: On ‘War in My Pen’ MIKE Dares Listeners to Embrace the Dread Beneath the Surface

by Atwood Magazine Staff
Raquel Bell Who Gets To Name The Name still
Columns, Music, PremieresJanuary 23, 2019<January 23, 2019

Premiere: Hopes, Dreams, and Strawberries in Raquel Bell’s Waltz “Who Gets to Name the Name”

by Mitch Mosk
Brillboard 2019-01-22
Brillboard, Music, PlaylistsJanuary 23, 2019<January 23, 2019

The Brillboard: Cozy, 01/23/2019

by Jason Brillon
Gary Clark Jr. © Frank Maddocks
Columns, Music, Today's SongJanuary 23, 2019<January 23, 2019

Today’s Song: Gary Clark Jr. Raises His Fist and His Voice on “This Land”

by Oliver Crook
Editor's Picks 01-21-2019
Columns, Editor's Picks, Features, MusicJanuary 22, 2019<January 30, 2019

Editor’s Picks: January 21, 2019

by Mitch Mosk
Star Rover by Shervin Lainez
Music, Music Videos, PremieresJanuary 22, 2019<January 22, 2019

Watch: Exploring ‘Almost’ in Star Rover’s Glitchy, Beachy “Byron Bay”

by Mitch Mosk
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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