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Gypsy Temple by Travis Trautt
Music, Music Videos, PremieresJanuary 29, 2019<January 29, 2019

Premiere: Majesty and Passion in Gypsy Temple’s Uplifting “Pick a Number”

by Mitch Mosk
Catharine Daddario stars in Wyland's "Nowhere Now" video
Music, Music Videos, PremieresJanuary 29, 2019<January 29, 2019

Premiere: Discovery & Transformation in Wyland’s Cinematic “Nowhere Now” Video

by Mitch Mosk
Margot © Ben Andrewes
Music, Music Videos, PremieresJanuary 29, 2019<January 29, 2019

Premiere: Margot’s Driving “Coffee Stained Scars” Evokes Isolation, Disconnect, & Alone Time

by Mitch Mosk
Foals © Alex Knowles
Columns, Music, Today's SongJanuary 29, 2019<January 29, 2019

Today’s Song: Swagger & Spiritual Claustrophobia in Foals’ “Exits”

by Danny Vagnoni
why hasn't everything already disappeared - deerhunter
Music, Our Take, ReviewsJanuary 28, 2019<January 28, 2019

Our Take: Deerhunter Dissolve the Formula in ‘Why Hasn’t Everything Already Disappeared?’ but the Elements Are Still There

by Ben Niesen
Everything by Yellow Shoots
Music, Music Videos, PremieresJanuary 28, 2019<January 28, 2019

Video Premiere: Yellow Shoots’ “Everything” Is a Bold, Trippy Homecoming

by Mitch Mosk
Gnash © Jimmy Fontaine
Debut, Features, Interviews, MusicJanuary 28, 2019<February 1, 2019

Music for Feeling Better: An Interview with gnash

by Mitch Mosk
Sam Fender © Jack Whitefield
Columns, Music, Today's SongJanuary 28, 2019<January 25, 2019

Today’s Song: Sam Fender Hits a Lyrically Poignant Sweet Spot in “Poundshop Kardashians”

by Hermione Kellow
Sunflower Bean © Andy De Luca
Music, Reviews, This Just InJanuary 25, 2019<January 28, 2019

Review: ‘King of the Dudes’ Will Make Sunflower Bean Live Forever

by Nicole Almeida
Trigger Warning - Killer Mike
Reviews, VideoJanuary 25, 2019<January 26, 2019

Review: ‘Trigger Warning’ with Killer Mike Has a Big Heart Underneath its Pugilistic Attitude

by Danny Vagnoni
Atwood Magazine's Weekly Roundup 1-25-2019
Columns, Features, Music, Weekly RoundupJanuary 25, 2019<January 30, 2019

Atwood Magazine’s Weekly Roundup: January 25, 2019

by Atwood Magazine Staff
Harmony Hall - Vampire Weekend still 1
Features, Music, Reviews, This Just InJanuary 25, 2019<December 18, 2019

Vampire Weekend’s Radiant “Harmony Hall” Shines with Energizing Conviction

by Mitch Mosk
Assume Form - James Blake
Features, Music, Reviews, RoundtableJanuary 25, 2019<June 29, 2024

Roundtable Discussion: A Review of James Blake’s ‘Assume Form’

by Atwood Magazine Staff
Craig Stickland © 2019
Music, PremieresJanuary 25, 2019<January 25, 2019

Premiere: Get High on Craig Stickland’s Fiery Celebration “Burn It Down”

by Mitch Mosk
Birch music 2019
Columns, Music, Today's SongJanuary 25, 2019<February 1, 2019

Today’s Song: Birch’s Hopeful, Empowered Protest “Spelling Lessons”

by Carolyn Fasone
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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