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2012–2017 Against All Logic
Columns, Music, Music You Should KnowFebruary 21, 2019<February 21, 2019

Music You Should Know: Against All Logic, a Jaar by Another Name is Ever More Sweet

by Ben Niesen
Julia Michaels © Clare Gillen
Columns, Music, Today's SongFebruary 21, 2019<February 20, 2019

Today’s Song: Julia Michaels & Selena Gomez Open Up a Conversation About Mental Health with “Anxiety”

by Alicia Bugallo
A.U.R.A © Albert Mikolaj Williams
Debut, Music, PremieresFebruary 20, 2019<February 20, 2019

Premiere: Reverie, Rebirth & Reflection in A.U.R.A’s Enchanting “Immensely I”

by Mitch Mosk
Bruiser & Bicycle © Ariel Einbinder
Features, Music, PremieresFebruary 20, 2019<February 20, 2019

Album Premiere: Bruiser & Bicycle’s Delightfully Alternative ‘Woods Come Find Me’

by Mitch Mosk
American Football © Atiba Jefferson
Columns, Music, Today's SongFebruary 20, 2019<February 20, 2019

Today’s Song: Taking Off the Rose-Colored Glasses of Youth with American Football’s “Uncomfortably Numb”

by Adrian Vargas
Bendigo Fletcher © Josh Kranich
Features, Music, PremieresFebruary 19, 2019<February 19, 2019

EP Premiere: Bendigo Fletcher’s ‘Terminally Wild’ is an Immersive Tale of Hope and Hopelessness

by Frankie Rose
Dayna Ghiraldi-Travers of Big Picture Media
Features, Interviews, MusicFebruary 19, 2019<February 20, 2019

Full Circle Moments: An Interview with Big Picture Media’s Dayna Ghiraldi-Travers

by James Crowley
The Lovely Sparrows © Jamaica Cole
Music, Music Videos, PremieresFebruary 19, 2019<February 19, 2019

Premiere: The Lovely Sparrows’ Magically Abstract “Shake the Shadow”

by Mitch Mosk
Aron Blom 2019
Debut, Music, Music Videos, PremieresFebruary 19, 2019<February 19, 2019

Premiere: Aron Blom’s Breathtaking Live Performance of Intimate Debut “Low Low Low”

by Mitch Mosk
Shelley Segal © 2019
Music, PremieresFebruary 19, 2019<February 19, 2019

Premiere: Basking in the Presence of Love with Shelley Segal’s “Here”

by Mitch Mosk
The Weird Years © Shervin Lainez
Debut, Music, PremieresFebruary 19, 2019<February 19, 2019

Premiere: Indie Supergroup The Weird Years’ Haunting Debut “Stranger”

by Mitch Mosk
Bencoolen © Ari Strauss
Music, PremieresFebruary 19, 2019<February 19, 2019

Premiere: Savour the Burn with Bencoolen’s “When You Look Back”

by Ben Niesen
Allie Crow Buckley © Annabel Mehran
Features, Interviews, MusicFebruary 18, 2019<February 20, 2019

From Sea to Stage: A Conversation with Allie Crow Buckley

by Frankie Rose
Picture This © Katia Temkin
Features, Interviews, MusicFebruary 18, 2019<February 15, 2019

Tales of Modern Romance: An Interview with Picture This

by Luke Pettican
First & Foremost - Plested
Debut, Music, Reviews, Track-by-TrackFebruary 16, 2019<February 16, 2019

Plested’s First & Foremost: A Track-By-Track Review

by Luke Pettican
Posts pagination
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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