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The Dodos © Andy De Santis
Features, Interviews, MusicNovember 27, 2018<November 27, 2018

Adapting and Evolving: The Dodos Dive into Their Defiant ‘Certainty Waves’

by Mitch Mosk
Jordan Tariff © Jory Lee Cordy
Debut, Music, PremieresNovember 27, 2018<November 27, 2018

Premiere: Own Your Life with Jordan Tariff’s Breathtaking Debut Single “Warning Shot”

by Mitch Mosk
Laura Gibson © Parker Fitzgerald 8.1
Music, Our Take, ReviewsNovember 27, 2018<December 15, 2020

Our Take: Laura Gibson’s ‘Goners’ Is a Dark and Meditative Piece of Sonic Poetry

by Adrian Vargas
The Sweetheart Deal © 2018
Features, Music, PremieresNovember 27, 2018<December 20, 2018

Premiere: Indulge in Holiday Cheer with The Sweetheart Deal’s “Jingle Bells”

by Mitch Mosk
Spud Cannon © 2018
Music, PremieresNovember 27, 2018<November 26, 2018

Premiere: Musically Maintaining a Feel-Good Outlook with Spud Cannon’s “Try For a While”

by Frankie Rose
Ottawa © Bradley Atom
Music, Music Videos, PremieresNovember 26, 2018<February 4, 2019

Premiere: Ottawa Dazzle with Tender Passion in Acoustic “No More Love Songs”

by Mitch Mosk
Atwood Magazine Thanksgiving
Music, PlaylistsNovember 22, 2018<November 26, 2018

Atwood Magazine’s Thanksgiving Playlist: Warmth, Love, and Gratitude

by Atwood Magazine Staff
Columns, Music, Music You Should KnowNovember 21, 2018<November 22, 2018

Music You Should Know: Tommy Genesis Begs You To Shut Up and Listen

by Ethan Germann
Far Caspian © Jeff Barnett
Debut, Music, ReviewsNovember 21, 2018<November 21, 2018

EP Review: Nostalgic Beauty Floods Far Caspian’s Dreamy Debut ‘Between Days’

by Mitch Mosk
Matt Pond © 2018
Features, Interviews, Music, PremieresNovember 21, 2018<December 10, 2018

Matt Pond Gives Back in Breathtaking Led Zeppelin Cover “Thank You”

by Mitch Mosk
Maisie Peters © 2018
Debut, Music, ReviewsNovember 21, 2018<January 17, 2019

EP Review: ‘Dressed Too Nice for a Jacket’ Introduces the Charming Maisie Peters to the World

by Kelly McCafferty Dorogy
Charles Bradley © Isaac Sterling
Music, ReviewsNovember 21, 2018<November 21, 2018

Review: Charles Bradley’s Black Velvet Is Authentic ’60s Soul for the 21st Century

by James Crowley
Nicole Dollanganger © Mac Boucher
Columns, Music, Music You Should KnowNovember 20, 2018<November 20, 2018

Music You Should Know: The Horror Movie Ambience of Nicole Dollanganger

by Frankie Rose
Harry Pane © 2018
Columns, Interviews, Music, Today's SongNovember 20, 2018<November 20, 2018

Harry Pane’s Intense “Heart’s Rhythm” Embraces Love with a Passion

by Mitch Mosk
Come Over When You're Sober, Pt. 2 - Lil Peep
Music, ReviewsNovember 20, 2018<November 20, 2018

Review: Lil Peep’s ‘Come Over When You’re Sober, Pt. 2’ Is a Comforting Tribute

by James Crowley
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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