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Wallows © Alexis Jade Gross music
Debut, Features, Interviews, MusicMarch 21, 2019<March 22, 2019

Interview: Wallows Leave Behind Their Innocence without Losing Themselves

by Shayna Chabrow
Jake Wesley Rogers © Jakob Wandel
Music, PremieresMarch 21, 2019<March 21, 2019

Premiere: “Little Queen” is Jake Wesley Rogers’ Spiritual Reckoning

by Nicole Almeida
Ghost Light © Jason Siegel
Debut, Music, Premieres, ReviewsMarch 21, 2019<March 22, 2019

Album Premiere: Ghost Light Debut in a Sonic Frenzy on ‘Best Kept Secrets’

by Ben Beamish
Hozier © Matthew Thompson 2019
Features, Music, Our Take, ReviewsMarch 21, 2019<April 30, 2019

Hozier’s Fierce, Elegant & Irresistible Sophomore Album ‘Wasteland, Baby!’

by Mitch Mosk
Sofia Wolfson music © Ashley Frangie
Features, Interviews, Music, ReviewsMarch 20, 2019<March 20, 2019

Feature: Sofia Wolfson Narrates Classic Tales of Everyday Life with ‘Adulting’

by Frankie Rose
JS Williams
Music, PremieresMarch 20, 2019<March 20, 2019

Premiere: JS Williams Debuts with Hauntingly Ambient “Only Oceans”

by Mitch Mosk
Brillboard 2019-03-20
Brillboard, Music, PlaylistsMarch 20, 2019<March 20, 2019

The Brillboard: Birthday, 03/20/2019

by Jason Brillon
Yip Deceiver © Chelsea Korsne
Music, Music Videos, PremieresMarch 20, 2019<March 20, 2019

Premiere: Come Show a Little Love for Yip Deceiver’s Dance Party “Devotee”

by Mitch Mosk
Nick Adamo © Kelly Ngo
Debut, Music, PremieresMarch 20, 2019<March 20, 2019

Premiere: Travel on Up to ‘Let Down City’ with Nick Adamo’s Debut “Sugar Daddy”

by Nick Baron
Old Fox © Liam Noonan
Debut, Music, PremieresMarch 20, 2019<March 20, 2019

EP Premiere: Old Fox Rises with Powerful Debut ‘Honest Words for Honest People’

by Coco Rich
Bad Suns © Rowan Daly
Features, Interviews, MusicMarch 20, 2019<April 1, 2019

Interview: The Self-Actualization Behind Bad Suns’ New Album ‘Mystic Truth’

by Abby Jones
Kelsy Karter music 2019
Features, Music, Reviews, This Just InMarch 19, 2019<March 20, 2019

Kelsy Karter Ignites with Ecstasy in Catchy, Assertive “What U”

by Mitch Mosk
Madelline © Olivia Kopec
Music, PremieresMarch 19, 2019<March 19, 2019

Premiere: The Anxious Enchantment of Madelline’s Hypnotic “Ghost”

by Mitch Mosk
Justin Roeland - Seth Binnix
Music, PremieresMarch 19, 2019<March 19, 2019

Premiere: Justin Roeland’s Sweet, Raw & Restless “Desolation”

by Mitch Mosk
© Morguefile / http://www.scottliddell.net
Essays, MusicMarch 18, 2019<January 2, 2020

A Song is Not a Sandwich: Why ’70s Music Still Rules

by Guest Writer
Posts pagination
1 … 531 532 533 534 535 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
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