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The Big Freeze - Laura Stevenson
Features, Interviews, MusicMarch 26, 2019<March 29, 2019

Three Majors and a Minor: A Conversation with Laura Stevenson

by Mariel Fechik
Pelle Kuipers © 2019
Columns, Music, Reviews, Today's SongMarch 26, 2019<March 26, 2019

Pelle Kuipers Charms Us with Deeply Resonant “My Darling”

by Ilana Kalish
WYNDHAM
Music, PremieresMarch 25, 2019<March 26, 2019

Premiere: Wyndham’s “Time to Kill” Is a Sonically Rich Exploration of Emotional Procrastination

by Oliver Crook
editor's picks 3-25-2019
Columns, Editor's Picks, Music, PlaylistsMarch 25, 2019<April 1, 2019

Editor’s Picks: March 25, 2019

by Mitch Mosk
Spectator © Nate Burrell
Music, PremieresMarch 25, 2019<March 25, 2019

Premiere: Spectator’s “The Only One” Is a Much-Needed Meditation

by Matthew Dunn
Luvia "Hunted" © Evan Galeano
Music, Music Videos, PremieresMarch 25, 2019<March 25, 2019

Premiere: Luvia Bewitches with the Hauntingly Beautiful “Hunted”

by Luke Pettican
Atwood Magazine's Weekly Roundup 3-22-2019
Columns, Features, Music, Weekly RoundupMarch 22, 2019<April 1, 2019

Atwood Magazine’s Weekly Roundup: March 22, 2019

by Atwood Magazine Staff
The Pressure Kids © 2019
Features, Music, ReviewsMarch 22, 2019<March 23, 2019

Feature: The Pressure Kids Let Loose in Raw, Radiant Debut EP

by Mitch Mosk
Immigrance - Snarky Puppy
Music, Our Take, ReviewsMarch 22, 2019<March 22, 2019

Our Take: Snarky Puppy’s ‘Immigrance’ Is a Slow-Burn Opus

by Danny Vagnoni
Kevin Garrett © 2019
Debut, Music, ReviewsMarch 22, 2019<March 22, 2019

Review: Kevin Garrett Enchants with Memorable & Affecting Debut ‘Hoax’

by Luke Pettican
Bre Kennedy © Jason Lee Denton
Music, Music Videos, PremieresMarch 22, 2019<March 21, 2019

Premiere: Bre Kennedy Unleashes “Slippin” with High Energy & Resolve

by Mitch Mosk
American Football LP3
Music, ReviewsMarch 22, 2019<March 22, 2019

Review: American Football Lay Their Emo Mythology to Rest with LP3

by James Crowley
Ivory Layne © Cedrick Jones
Music, PremieresMarch 22, 2019<March 22, 2019

Premiere: Ivory Layne’s Stunning “Heaven” Is an Intimate Prayer for Strength

by Mitch Mosk
Stella Donnely © Pooneh Ghana
Debut, Music, Our Take, ReviewsMarch 21, 2019<March 21, 2019

Our Take: Stella Donnelly Channels Ferocity & Charm with Debut ‘Beware of the Dogs’

by Adrian Vargas
Maggie Rogers 2019 © Olivia Bee
Columns, Music, Tunes & TumblersMarch 21, 2019<April 30, 2023

Tunes & Tumblers: Alchemy 101 with Maggie Rogers

by Anthony Kozlowski
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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