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Atwood Magazine's Weekly Roundup 2-15-2019
Columns, Features, Music, Weekly RoundupFebruary 15, 2019<February 19, 2019

Atwood Magazine’s Weekly Roundup: February 15, 2019

by Atwood Magazine Staff
Sigrid © 2019
Columns, Music, Today's SongFebruary 15, 2019<February 15, 2019

Today’s Song: Sigrid Reinvents the Heartbreak Song with “Don’t Feel Like Crying”

by Alicia Bugallo
Parcels by Antoine Henault
Features, Interviews, MusicFebruary 15, 2019<March 1, 2019

Eclectic, Groovy, Retro, and Current: A Conversation with Parcels

by Mitch Mosk
Preston Lovinggood © Jay Gunning
Music, Music Videos, PremieresFebruary 15, 2019<February 15, 2019

Premiere: Preston Lovinggood’s Hauntingly Optimistic “Everything Will Be Okay” Video

by Mitch Mosk
Growing Pain II - Tesha
Music, Premieres, ReviewsFebruary 14, 2019<February 18, 2019

EP Premiere: Embracing Ethereal Intimacy & Grief in TESHA’s ‘Growing Pain II’

by Mitch Mosk
Mallrat © Michelle Pitris
Features, Interviews, MusicFebruary 14, 2019<February 14, 2019

On UFOs and Trusting Your Instinct: A Conversation with Mallrat

by Nicole Almeida
Some Good Lives - Shook Twins
Music, Premieres, ReviewsFebruary 14, 2019<February 15, 2019

Album Premiere: Shook Twins Embrace Love & Life in Moving ‘Some Good Lives’

by Mitch Mosk
Valentine's Day 2019
Features, Music, PlaylistsFebruary 14, 2019<February 19, 2019

Valentine’s Day 2019: Love & Anti-Love Songs

by Atwood Magazine Staff
Brayden Sibbald © George Foster
Music, PremieresFebruary 14, 2019<February 14, 2019

Premiere: Hope and Purpose in Brayden Sibbald’s “Compass”

by Ben Beamish
Kennedy Hair - Martha Ffion video
Columns, Music, Today's SongFebruary 14, 2019<February 14, 2019

Today’s Song: Martha Ffion’s “Kennedy Hair” Contrasts Political Turmoil with Fun Optimism

by Frankie Rose
Radiator King © Indofunk Satish
Music, PremieresFebruary 14, 2019<February 14, 2019

Premiere: Radiator King Invoke Springsteen’s Sadness on “Raylene”

by James Crowley
ANNALIA © Sara Kiesling
Music, PremieresFebruary 13, 2019<February 13, 2019

Premiere: Floating on Clouds with ANNALIA’s “Hold My Breath”

by Mitch Mosk
Gallipoli - Beirut
Music, Our Take, ReviewsFebruary 13, 2019<February 13, 2019

Our Take: Joy and Sorrow in Beirut’s ‘Gallipoli’

by Danny Vagnoni
Brillboard 2019-02-13
Brillboard, Music, PlaylistsFebruary 13, 2019<February 13, 2019

The Brillboard: Valentine’s Day, 02/13/2019

by Jason Brillon
whenyoung © 2019
Features, Interviews, MusicFebruary 13, 2019<February 13, 2019

Crying and Dancing Uncontrollably: An Interview with whenyoung

by Christine Costello
Posts pagination
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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