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Adir LC © Adam Kolodny
Music, Music Videos, PremieresMarch 18, 2019<March 18, 2019

Video Premiere: Revving Up & Calming Down with Adir L.C.’s “Reacting”

by Mitch Mosk
Big Thief © Sasha Arutyunova
Columns, Music, Today's SongMarch 18, 2019<June 3, 2019

Today’s Song: Big Thief Whisper a Yearning in Your Ear with “UFOF”

by Nick Baron
Atwood Magazine's Weekly Roundup 3-15-2019
Columns, Features, Music, Weekly RoundupMarch 15, 2019<March 15, 2019

Atwood Magazine’s Weekly Roundup: March 15, 2019

by Atwood Magazine Staff
Patrick Martin © Christine Bartolucci
Debut, Interviews, MusicMarch 15, 2019<March 15, 2019

Interview: Dreams Come to Life with Patrick Martin’s Debut “Cinema Love”

by Audrey Steeves
James Bay © Emily Hope
Essays, Music, ReviewsMarch 15, 2019<April 1, 2019

Basking in James Bay’s Electric Light

by Mitch Mosk
Kwassa 2019
Features, Interviews, MusicMarch 15, 2019<March 15, 2019

Interview: kwassa Finds Delightful Joy in “sad songs”

by Luke Pettican
Hear Me Out - Reignwolf
Debut, Music, ReviewsMarch 15, 2019<March 15, 2019

Review: Reignwolf’s Legend Gets a New Chapter with Debut ‘Hear Me Out’

by Oliver Crook
editor's picks 3-11-2019
Columns, Editor's Picks, Music, PlaylistsMarch 14, 2019<March 20, 2019

Editor’s Picks: Women’s History Month 2019

by Mitch Mosk
Gold Light 2019
Music, PremieresMarch 14, 2019<March 14, 2019

Premiere: Gold Light + Snakemusk’s Forlorn “The Heart Is a Lonely Hunter”

by Mitch Mosk
The Get Ahead © 2019
Music, PremieresMarch 14, 2019<March 13, 2019

Premiere: The Summer Glow of The Get Ahead’s “July Moon”

by Mitch Mosk
Fever Dolls music 2019 tennis
Features, Interviews, MusicMarch 13, 2019<April 16, 2020

Interview: Diving in and Branching Out with Fever Dolls

by Audrey Steeves
head above water avril lavigne album cover
Music, Our Take, ReviewsMarch 13, 2019<March 13, 2019

Our Take: Avril Lavigne Brushes Demons Aside on ‘Head Above Water,’ Her Post-Health Scare Return to Form

by Josh Weiner
Betty Who © Ben Cope
Features, Interviews, MusicMarch 13, 2019<April 1, 2019

Feature: Betty Who Is Feeling Like the Old ‘Betty’

by Anthony Kozlowski
Tadhg Daly - Hit The Ground 2019
Music, PremieresMarch 13, 2019<March 13, 2019

Premiere: Tadhg Daly Soars in Vulnerable Anthem “Hit the Ground”

by Mitch Mosk
Sam Wickens © 2019
Columns, Music, Today's SongMarch 13, 2019<March 13, 2019

Today’s Song: Sam Wickens’ “Falling” Depicts a Breakup from a Distance

by James Crowley
Posts pagination
1 … 532 533 534 535 536 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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