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LACES © Chris Wood Pictures
Music, PremieresOctober 4, 2018<October 10, 2018

Premiere: LACES Returns with Intimate, Vulnerable “someday is not tonight”

by Mitch Mosk
Tor Miller © Erica Snyder
Features, Music, Premieres, ReviewsOctober 3, 2018<October 3, 2018

Premiere: Tor Miller’s Moving ‘My Life Surviving the Suburbs’ Documentary

by Mitch Mosk
JØUR © Hilary Olson Photography
Debut, Features, Music, PremieresOctober 3, 2018<October 3, 2018

Album Premiere: JØUR’s Deep, Dark, and Irresistible Debut ‘Chiaroscuro’

by Mitch Mosk
Honey - Robyn art
Columns, Music, Today's SongOctober 3, 2018<October 3, 2018

Today’s Song: The Sweet Tones of Robyn’s “Honey” Mark Her Triumphant Return to Music

by Matthew Tordoff
Move Us - Anne Malin still
Music, Music Videos, PremieresOctober 2, 2018<October 2, 2018

Premiere: The Weight, Ache, and Intrepid Spirit of Anne Malin’s “Move Us”

by Mitch Mosk
Essenger © Kryslyn Baker
Columns, Music, Today's SongOctober 2, 2018<October 2, 2018

Today’s Song: Essenger Explores the Repercussions of Living with Our “Eyes Closed”

by Adrian Vargas
YOY © Laura Campana
Debut, Features, Interviews, MusicOctober 2, 2018<October 2, 2018

Interview: YOY Debut with Immersive, Entrancing “Infinite” ft BIRTHH

by Mitch Mosk
Blood On The Floor - Jack KILLEN
Music, Music Videos, PremieresOctober 1, 2018<October 1, 2018

Premiere: Take a Step Back with Jack Killen’s Invigorating “Blood on the Floor”

by Mitch Mosk
Greg Holden © 2018
Features, Interviews, Music, Music Videos, PremieresOctober 1, 2018<October 10, 2018

Inspiration, Evolution, & “The Power Shift”: An Interview with Greg Holden

by Mitch Mosk
Lewis Capaldi © 2018
Columns, Music, Today's SongOctober 1, 2018<October 9, 2018

Today’s Song: Lewis Capaldi Explores Life-Changing Love with “Grace”

by Luke Pettican
The Japanese House © Jim Mangan
Music, Reviews, This Just InSeptember 28, 2018<October 30, 2018

This Just In: Finding Hope in Love in The Japanese House’s “Lilo”

by Nicole Almeida
Leave But Don't Go - Violet Days
Music, PremieresSeptember 28, 2018<September 28, 2018

First Look: Violet Days Explore Affection with “Leave But Don’t Go”

by Luke Pettican
Music, Previews, ReviewsSeptember 28, 2018<September 28, 2018

Preview: Half the Animal Plan to Make “Magic” on Tour

by Alex Killian
Music, Our Take, ReviewsSeptember 28, 2018<October 2, 2018

Compartmentalizing What Makes Us Human: A Track-By-Track Review of The Tallest Man on Earth’s “When the Bird Sees the Solid Ground”

by Adrian Vargas
Your Smith © Gemma Warren
Columns, Music, Today's SongSeptember 28, 2018<September 28, 2018

Today’s Song: Your Smith Makes Love a “Bad Habit”

by Nicole Almeida
Posts pagination
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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