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Columns, Music, Music You Should KnowNovember 21, 2018<November 22, 2018

Music You Should Know: Tommy Genesis Begs You To Shut Up and Listen

by Ethan Germann
Far Caspian © Jeff Barnett
Debut, Music, ReviewsNovember 21, 2018<November 21, 2018

EP Review: Nostalgic Beauty Floods Far Caspian’s Dreamy Debut ‘Between Days’

by Mitch Mosk
Matt Pond © 2018
Features, Interviews, Music, PremieresNovember 21, 2018<December 10, 2018

Matt Pond Gives Back in Breathtaking Led Zeppelin Cover “Thank You”

by Mitch Mosk
Maisie Peters © 2018
Debut, Music, ReviewsNovember 21, 2018<January 17, 2019

EP Review: ‘Dressed Too Nice for a Jacket’ Introduces the Charming Maisie Peters to the World

by Kelly McCafferty Dorogy
Charles Bradley © Isaac Sterling
Music, ReviewsNovember 21, 2018<November 21, 2018

Review: Charles Bradley’s Black Velvet Is Authentic ’60s Soul for the 21st Century

by James Crowley
Nicole Dollanganger © Mac Boucher
Columns, Music, Music You Should KnowNovember 20, 2018<November 20, 2018

Music You Should Know: The Horror Movie Ambience of Nicole Dollanganger

by Frankie Rose
Harry Pane © 2018
Columns, Interviews, Music, Today's SongNovember 20, 2018<November 20, 2018

Harry Pane’s Intense “Heart’s Rhythm” Embraces Love with a Passion

by Mitch Mosk
Come Over When You're Sober, Pt. 2 - Lil Peep
Music, ReviewsNovember 20, 2018<November 20, 2018

Review: Lil Peep’s ‘Come Over When You’re Sober, Pt. 2’ Is a Comforting Tribute

by James Crowley
Pale Waves © 2018
Debut, Music, ReviewsNovember 20, 2018<November 20, 2018

Review: On Pale Waves’ ‘My Mind Makes Noises,’ Nostalgia and Romance Burn Bright

by Meredith Nardino
Future Generations © Erez Avissar
Interviews, Music, ReviewsNovember 20, 2018<November 21, 2018

Interview: Future Generations Dive into Their Fun, Sizzlin’ “Landscape”

by Mitch Mosk
The Exits © Alejandro Corpus
Features, Interviews, MusicNovember 19, 2018<November 19, 2018

Feature: The Exits Usher Music Lovers into the High-Energy World of Rock n’ Roll

by Sara Santora
Laura Jane Grace © 2018
Columns, Music, Today's SongNovember 19, 2018<November 19, 2018

Today’s Song: In-Flight Breakups with Laura Jane Grace in “The Airplane Song”

by James Crowley
Christine and the Queens © Nicole Almeida
Concerts, Music, ReviewsNovember 19, 2018<November 19, 2018

Christine and the Queens Redefines the Live Music Experience at Philadelphia’s Union Transfer

by Nicole Almeida
ASL 2 Cabin - Age.Sex.Location
Music, ReviewsNovember 16, 2018<November 16, 2018

EP Review: Age.Sex.Location Immerse & Enthrall with ‘ASL 2 Cabin’

by Mitch Mosk
Julia Jacklin © Nick McKinlay
Columns, Music, Today's SongNovember 16, 2018<November 19, 2018

Today’s Song: A Journey Through Life’s Banalities On Julia Jacklin’s “Body”

by Adrian Vargas
Posts pagination
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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