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Atwood Magazine's Weekly Roundup 09-21-2018
Columns, Features, Music, Weekly RoundupSeptember 21, 2018<October 10, 2018

Atwood Magazine’s Weekly Roundup: September 21, 2018

by Atwood Magazine Staff
Aya Safiya © Tano Brock
Music, ReviewsSeptember 21, 2018<September 21, 2018

EP Review: Aya Safiya’s Sweetly Enchanting and Assertive Debut

by Mitch Mosk
It's My Show! - Broken Baby
Music, Music Videos, PremieresSeptember 21, 2018<September 21, 2018

Premiere: The Fierce, Indulgent Energy of Broken Baby’s “It’s My Show!” Video

by Mitch Mosk
Transviolet © Chris Greenwell
Features, Interviews, MusicSeptember 21, 2018<October 10, 2018

Feature: Transviolet’s Journey of Liberation and Resilience

by Atwood Magazine Staff
Jagwar Twin © Fabien Montique
Debut, Features, Interviews, MusicSeptember 21, 2018<November 7, 2018

Sunshine in the Mind: An Interview with Jagwar Twin

by Mitch Mosk
Greg Wanders © Amelia Fearn
Music, PremieresSeptember 20, 2018<September 20, 2018

Premiere: The Hypnotic Freedom of Greg Wanders’ Moving “Unbound”

by Mitch Mosk
Truth - Jake Tavill
Music, Music Videos, PremieresSeptember 20, 2018<September 20, 2018

Premiere: Family, Façades, and Jake Tavill’s Fierce “Truth” Video

by Mitch Mosk
Love Kills - Coyle Girelli
Debut, Features, Music, PremieresSeptember 20, 2018<September 20, 2018

Album Premiere: Coyle Girelli’s Beautiful, Dark Masterpiece ‘Love Kills’

by Mitch Mosk
Harry Strange © Cory Edwards
Music, PremieresSeptember 20, 2018<September 20, 2018

Premiere: The Stirring Sentiment of Harry Strange’s Beautifully Vulnerable “Signs”

by Luke Pettican
The Last Bison © Matthew Simmons
Features, Music, PremieresSeptember 20, 2018<September 20, 2018

Album Premiere: The Last Bison Sprint Full Speed Down Memory Lane in ‘SÜDA’

by Audrey Steeves
Amir Obè © Jamal Peters
Features, Music, ReviewsSeptember 19, 2018<September 19, 2018

EP Review: Amir Obé’s Intimate Confessional, ‘Can’t Be A ____ Here: Chapter 1’

by Urooj Ali Rizvi
Loner VS Lover - Piqued Jacks
Music, Music Videos, PremieresSeptember 18, 2018<September 18, 2018

Premiere: Piqued Jacks Erupt with Glitchy, Self-Reflective “Loner VS Lover”

by Mitch Mosk
Call On Me - Litany art
Columns, Music, Today's SongSeptember 18, 2018<September 18, 2018

Today’s Song: Litany Take Us Back to the ’90s with “Call on Me”

by Kelsey Fitzgerald
Foxing © Hayden Molinarolo
Features, Interviews, MusicSeptember 18, 2018<September 19, 2018

Interview: Foxing’s ‘Nearer My God’ Is a Siren Sound for Those Wanting to Belong

by Sara Santora
Dan Too © 2018
Debut, Music, Music Videos, PremieresSeptember 18, 2018<September 18, 2018

Meaning and Value in Dan Too’s Hearty Debut “Isis and Osiris”

by Mitch Mosk
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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