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Brandon Jenner
Music, Music Videos, PremieresNovember 29, 2018<December 10, 2018

Premiere: Brandon Jenner Strives to Be Better and “Face the World”

by Maggie McHale
Twilight Driving © Sam Shaw
Music, PremieresNovember 29, 2018<November 29, 2018

Premiere: Twilight Driving Inject Passion & Place into Infectious Anthem “Dangerous”

by Mitch Mosk
Miles Francis © Charles Billot
Music, Music Videos, PremieresNovember 29, 2018<November 29, 2018

Premiere: Miles Francis is All Grown Up with Whimsical, Inspired “Adult Life”

by Abby Jones
Avec You - Fever High
Music, PremieresNovember 29, 2018<November 29, 2018

Premiere: Dancing in the Streets of Paris with Fever High’s “Avec You”

by Carolyn Fasone
Restless Modern
Music, PremieresNovember 28, 2018<November 28, 2018

Feature: Bright Dreams & Dark Doubt Color Restless Modern’s Intimately Raw “You Won’t”

by Mitch Mosk
Small Culture "BYE"
Music, Music Videos, PremieresNovember 28, 2018<November 28, 2018

Premiere: Regret & Reflection in Small Culture’s Beautifully Bittersweet “BYE”

by Mitch Mosk
Earl Sweatshirt x The Alchemist
Columns, Music, Today's SongNovember 28, 2018<August 5, 2021

The Alchemist & Earl Sweatshirt Effortlessly Create a Glistening, Immersive Soundscape on “E Coli”

by Atwood Magazine Staff
Vincent John © Louie Kovatch
Features, Music, ReviewsNovember 28, 2018<November 28, 2018

EP Review: A Full Glass of Vincent John’s Fresh-Squeezed ‘Tangerine’

by Mitch Mosk
The Dodos © Andy De Santis
Features, Interviews, MusicNovember 27, 2018<November 27, 2018

Adapting and Evolving: The Dodos Dive into Their Defiant ‘Certainty Waves’

by Mitch Mosk
Jordan Tariff © Jory Lee Cordy
Debut, Music, PremieresNovember 27, 2018<January 28, 2026

Premiere: Own Your Life with Jordan Tariff’s Breathtaking Debut Single “Warning Shot”

by Mitch Mosk
Laura Gibson © Parker Fitzgerald 8.1
Music, Our Take, ReviewsNovember 27, 2018<December 15, 2020

Our Take: Laura Gibson’s ‘Goners’ Is a Dark and Meditative Piece of Sonic Poetry

by Adrian Vargas
The Sweetheart Deal © 2018
Features, Music, PremieresNovember 27, 2018<December 20, 2018

Premiere: Indulge in Holiday Cheer with The Sweetheart Deal’s “Jingle Bells”

by Mitch Mosk
Spud Cannon © 2018
Music, PremieresNovember 27, 2018<November 26, 2018

Premiere: Musically Maintaining a Feel-Good Outlook with Spud Cannon’s “Try For a While”

by Frankie Rose
Ottawa © Bradley Atom
Music, Music Videos, PremieresNovember 26, 2018<February 4, 2019

Premiere: Ottawa Dazzle with Tender Passion in Acoustic “No More Love Songs”

by Mitch Mosk
Atwood Magazine Thanksgiving
Music, PlaylistsNovember 22, 2018<November 26, 2018

Atwood Magazine’s Thanksgiving Playlist: Warmth, Love, and Gratitude

by Atwood Magazine Staff
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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