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Lizzie Weber © Tony Hammons
Music, PremieresJuly 31, 2018<August 1, 2018

Premiere: The Intimate & Poignant Folk Poetry of Lizzie Weber’s “Catcher”

by Mitch Mosk
DYSPLAY © 2018
Music, Music Videos, PremieresJuly 31, 2018<July 31, 2018

Premiere: Dysplay’s “Long Way to Go” Evokes Raw Passion with Stunning Sound

by Mitch Mosk
Brennan Villines © 2018
Music, PremieresJuly 31, 2018<July 31, 2018

Premiere: The Perseverant Pop/Soul Bounce of Brennan Villines’ “Better Than We’ve Ever Been”

by Mitch Mosk
Definitely Band - Curling
Features, Music, PremieresJuly 31, 2018<July 31, 2018

Album Premiere: Curling Stretch Indie Rock Across Decades on ‘Definitely Band’

by James Crowley
Sad Sad Summer - Kelsy Karter still
Music, Reviews, This Just InJuly 31, 2018<July 31, 2018

This Just In: The Intoxicating Heat of Kelsy Karter’s Anthem “Sad Sad Summer”

by Mitch Mosk
Frank Turner © Ben Morse
Features, Interviews, MusicJuly 31, 2018<August 16, 2018

Interview with Frank Turner: Old-Fashioned Punk Rock Provocation

by Atwood Magazine Staff
Orla Gartland © 2018
Columns, Music, Today's SongJuly 30, 2018<July 30, 2018

Today’s Song: Orla Gartland’s Refreshingly Relatable Alt-Pop Anthem “I Go Crazy”

by Luke Pettican
Atwood Magazine's Weekly Roundup 07-27-2018
Columns, Features, Music, Weekly RoundupJuly 28, 2018<July 30, 2018

Atwood Magazine’s Weekly Roundup: July 27, 2018

by Atwood Magazine Staff
Calpurnia 2018 © Nicole Almeida
Concerts, Music, ReviewsJuly 27, 2018<July 27, 2018

Calpurnia Revive Rock’n’Roll at Irving Plaza

by Nicole Almeida
Violetta Zironi © Bettina Zironi
Music, Reviews, This Just InJuly 27, 2018<July 27, 2018

This Just In: Bittersweet Closure in Violetta Zironi’s “One More Goodbye”

by Mitch Mosk
Das Kope © George Pimentela
Music, Music Videos, PremieresJuly 27, 2018<July 30, 2018

Premiere: Relax & Take Flight with Das Kope’s “L.A.X.”

by Mitch Mosk
GORILLAZ © J.C. Hewlett
Music, Our Take, ReviewsJuly 27, 2018<July 27, 2018

Our Take: Ever Enjoyable & Inventive, Gorillaz Returns with “The Now Now”

by Josh Weiner
Oli Hannaford © 2018
Music, Reviews, This Just InJuly 27, 2018<July 27, 2018

This Just In: Oli Hannaford and Marna Emotionally Try “Considering Both Sides”

by Maggie McHale
Octavio © 2018
Debut, Music, PremieresJuly 27, 2018<July 27, 2018

Premiere: Octavio, Inspired by Breakup, Now Has a “Life2Live”

by James Crowley
Dear Megan Boniface © 2018
Columns, Music, Today's SongJuly 27, 2018<July 31, 2018

Today’s Song: Boniface Innovate & Excite in Breathtaking “Dear Megan”

by Luke Pettican
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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