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Songs That Saved My Life - Dan Campbell & Ace Enders
Columns, Music, Today's SongNovember 15, 2018<March 2, 2025

Today’s Song: Dan Campbell and Ace Enders Make “Broom People” a Love Song

by James Crowley
Hailey Knox © Shervin Lainez
Features, Interviews, Music, PremieresNovember 15, 2018<February 12, 2019

Feature: The Beautiful Vulnerability of Hailey Knox’s “Hardwired”

by Mitch Mosk
On to Better Things - Adé Hakim
Music, ReviewsNovember 15, 2018<August 5, 2021

Review: Adé Hakim’s ‘On to Better Things’ Pushes Hip-Hop’s Sound into the Unknown

by Atwood Magazine Staff
Sharaya Summer © 2018
Debut, Music, Premieres, ReviewsNovember 14, 2018<February 20, 2019

EP Premiere: Sharaya Summers’ Rich, Raw, and Dreamy Debut ‘Bend Before We Break’

by Mitch Mosk
The Western Den © Jordan Rich
Music, PremieresNovember 14, 2018<November 14, 2018

Premiere: The Western Den’s Haunting “Hem” Contemplates Place and Purpose

by Mitch Mosk
Windows Down & Dying - TONKS
Debut, Interviews, Music, PremieresNovember 13, 2018<November 13, 2018

Album Premiere: TONKS Unveils His Stirringly Vulnerable Debut ‘Windows Down & Dying’

by Mitch Mosk
Black Honey © Harriet Brown
Debut, Music, Reviews, Track-by-TrackNovember 12, 2018<November 12, 2018

Living in a Movie: A Track-by-Track Review of Black Honey’s Debut Album

by Lindsay Call
Deanna Petcoff © 2018
Features, Interviews, Music, This Just InNovember 9, 2018<October 16, 2024

This Just In: Deanna Petcoff Dives Into Her Energizing, Dynamic “Stress”

by Mitch Mosk
Psychic Rites' Mike Siemens © Kentaro Murai
Essays, Features, Interviews, MusicNovember 9, 2018<November 9, 2018

What It Means to Hate Your Work: Connecting Psychic Rites, Kafka, and Cobain

by Atwood Magazine Staff
The Wombats © Phil Smithies
Features, Interviews, MusicNovember 9, 2018<July 12, 2022

Interview: How The Wombats Stayed True to Themselves, Four Studio Albums Later

by Abby Jones
Bahamas © 2018
Features, Interviews, MusicNovember 9, 2018<November 9, 2018

Interview: From Daydreams to Earthtones, Bahamas Bares All

by Sara Santora
The Family - Timber album art
Debut, Features, Music, PremieresNovember 8, 2018<November 8, 2018

Album Premiere: Timber Debut ‘The Family’ with an Enchanting Ambient Allure

by Mitch Mosk
Nowhere2go - Earl Sweatshirt
Columns, Music, Today's SongNovember 8, 2018<August 5, 2021

Today’s Song: Earl Sweatshirt Returns with Avant-Rap Single “Nowhere2go”

by Atwood Magazine Staff
YSIV - Logic 7.9
Music, Our Take, ReviewsNovember 8, 2018<October 16, 2024

Our Take: Logic Continues to Dazzle on Consistently Impressive ‘YSIV’

by Josh Weiner
Debut, Features, Interviews, Music, PremieresNovember 8, 2018<November 9, 2018

Premiere: spill tab Make Their Enchanting Debut with “When U Call”

by Maggie McHale
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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