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Chris Ayer © Chris Wood
Music, PremieresSeptember 18, 2018<September 18, 2018

Premiere: Finding Connection in Chris Ayer’s Vulnerable, Raw “Stranger”

by Mitch Mosk
Hellions © 2018
Features, Interviews, MusicSeptember 17, 2018<September 19, 2018

Eclectic Theatricality: A Conversation with Hellions

by James Crowley
Kazyak © Jed Anderson
Music, PremieresSeptember 17, 2018<September 17, 2018

Premiere: Kazyak’s Surreal “Talking to a Stranger”

by Mariel Fechik
Soham De © Matt Flynn (Decibel42)
Music, Music Videos, PremieresSeptember 14, 2018<September 14, 2018

Raw and Full of Passion, Soham De’s “Confession” Gorgeously Showcases the Power of Emotion

by Adrian Vargas
Glass Heart String Choir © 2018
Music, PremieresSeptember 13, 2018<September 13, 2018

Premiere: The Cinematic Grace of Glass Heart String Choir’s Debut “Wildfires”

by Mitch Mosk
Michael Burrows © Dean Schmideg
Music, Music Videos, PremieresSeptember 13, 2018<September 13, 2018

Premiere: The Tender Ache of Michael Burrows’ Bittersweet “Please Don’t Cry”

by Mitch Mosk
Trevor Powers © Chris Schoonover
Debut, Features, Interviews, MusicSeptember 13, 2018<August 5, 2021

Interview with Trevor Powers: Influence, Evolution, and ‘Mulberry Violence’

by Atwood Magazine Staff
FINLAY © 2018
Music, Music Videos, PremieresSeptember 13, 2018<September 13, 2018

Premiere: Bask in the Unapologetic Energy of FINLAY’s “TIDES”

by Mitch Mosk
BETS © Kanya Iwana
Music, PremieresSeptember 13, 2018<September 13, 2018

Premiere: Vulnerability Is Beautiful in BETS’ Intimate “Gold”

by Mitch Mosk
Letter To Springsteen - Gene Micofsky
Music, PremieresSeptember 13, 2018<September 13, 2018

Premiere: Gene Micofsky Reminds Us of the Power of Music with His Autobiographical “Letter to Springsteen”

by Frankie Rose
F&M © Francis A Willey
Music, Music Videos, PremieresSeptember 12, 2018<September 12, 2018

Premiere: The Poignant Beauty of F&M’s Enchanting “Lessons From Losers”

by Mitch Mosk
Dominique © Joshua Shultz
Debut, Interviews, Music, PremieresSeptember 12, 2018<September 12, 2018

Premiere: Dominique Inspires with Refreshing, Raw Debut “Convince You”

by Mitch Mosk
Casey Dubie © 2018
Music, PremieresSeptember 12, 2018<September 12, 2018

Premiere: Casey Dubie’s Moving “Confetti” Cherishes Fleeting Love

by Mitch Mosk
Casey Lowry © 2018
Music, PremieresSeptember 12, 2018<September 12, 2018

Premiere: Revel in “Blank Face,” Casey Lowry’s Catchy Communication Breakdown

by Mitch Mosk
Jong SL © Cameron Rollins
Music, PremieresSeptember 12, 2018<September 12, 2018

Premiere: The Bittersweet, Haunting Pull of Jong SL’s “Driving Away”

by Mitch Mosk
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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