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Features, Music, Reviews, Track-by-TrackOctober 29, 2018<November 8, 2018

Album Review: BROCKHAMPTON Shine with ‘iridescence’

by Atwood Magazine Staff
Carmody © Marlan Henry (@create_often)
Columns, Music, Today's SongOctober 26, 2018<October 26, 2018

Today’s Song: Carmody’s “Summer Rain” Drips with Love’s Soulful Sensuality

by Ilana Kalish
The West Coast Feed music
Debut, Music, ReviewsOctober 26, 2018<October 26, 2018

Sink Your Teeth into the Juicy, Soulful Sound of The West Coast Feed

by Carolyn Fasone
Features, Interviews, Music, PremieresOctober 26, 2018<October 25, 2018

Feature: Jackson Harris Traverses New and Old Paths “In The Dark”

by Maggie McHale
Jake Fields © 2018
Music, PremieresOctober 25, 2018<October 25, 2018

Premiere: The Exciting Rush of Jake Fields’ “The Other Side of Waiting”

by Mitch Mosk
Birch © Vladka Malyuta
Music, Music Videos, PremieresOctober 24, 2018<October 24, 2018

Premiere: Step into the Future of Feminism with Birch’s “femme.two”

by Mitch Mosk
Header Viewfinder NCT 127 Jennifer Lopez
Columns, Music, Music Videos, ViewfinderOctober 24, 2018<October 24, 2018

Viewfinder: “Regular” and “Dinero” Offer Two Takes on Success and Ambition

by Carmen Chan
Henry Street - ALAE
Debut, Music, Premieres, ReviewsOctober 24, 2018<October 26, 2018

Album Premiere: Alae Emerge with Intimate & Effortless Debut ‘Henry Street’

by Mitch Mosk
Good Night Gold Dust © Dan Dinsmore
Music, PremieresOctober 24, 2018<October 24, 2018

A Rush of Feeling: Good Night Gold Dust Return with “Thieves”

by Mitch Mosk
GEMS - Do Ra cover
Debut, Music, PremieresOctober 23, 2018<October 23, 2018

EP Premiere: Symmetry, Elegance, and Intent in Do Ra’s Debut ‘GEMS’

by Mitch Mosk
InAbell © 2018
Music, Music Videos, PremieresOctober 23, 2018<October 23, 2018

Video Premiere: InAbell’s Bittersweet, Touching “Nightgown” and the Vibrance of Memory

by Mitch Mosk
Alexandra Stréliski © Le Petit Russe
Music, Our Take, ReviewsOctober 23, 2018<October 23, 2018

Our Take: Alexandra Stréliski’s ‘INSCAPE’ Is a Melancholic, Bright Step Towards Finding Hope

by Adrian Vargas
Let's Go Out Tonight - The Active Set
Music, Music Videos, PremieresOctober 22, 2018<October 22, 2018

Video Premiere: Energy & Excitement Course Through The Active Set’s “Let’s Go Out Tonight”

by Mitch Mosk
Beach House - ASL Age.Sex.Location
Music, Music Videos, PremieresOctober 22, 2018<October 6, 2020

Premiere: Age.Sex.Location’s Intimate “Cinnamon Girl” Evokes the Sweet Taste of Connection

by Mitch Mosk
Fucking Great - S P A C E © 2018
Debut, Music, PremieresOctober 22, 2018<October 23, 2018

Premiere: Feeling “Fucking Great” with S P A C E’s Debut Dance Anthem

by Adrian Vargas
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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