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Just Seconds Apart © Zee Peralta
Music, PremieresSeptember 5, 2018<October 3, 2018

Premiere: Just Seconds Apart Erupt with Catchy & Intimate “Good to Know”

by Mitch Mosk
Tomten © A Francis Vilendrer
Music, PremieresSeptember 5, 2018<September 5, 2018

Premiere: Turning Over Tomten’s Rollicking “New Leaf”

by Mitch Mosk
Brett Altman © Phil Silverberg
Music, PremieresSeptember 5, 2018<September 5, 2018

Premiere: “Is He Thinking of You,” Brett Altman’s Non-Traditional Breakup Song

by Mitch Mosk
Arts Fishing Club © Alex Justice
Music, PremieresSeptember 5, 2018<December 13, 2022

Premiere: Deflating Egos with Arts Fishing Club’s Wily “Icarus”

by Mitch Mosk
Royal Teeth © Jakob Wandel
Features, Interviews, Music, ReviewsSeptember 5, 2018<October 10, 2018

Royal Teeth Are Never Gonna Quit: An Interview about Perseverance & Change

by Mitch Mosk
Loveclub © Alec Moore
Music, PremieresSeptember 5, 2018<September 5, 2018

Premiere: Hesitation and Hope in Loveclub’s “Don’t Put My Heart on Hold”

by Luke Pettican
The Vernes © 2018
Features, Interviews, Music, PremieresSeptember 5, 2018<September 5, 2018

Interview: Nostalgia, Growth, and Brotherhood in The Vernes’ “1994”

by Sara Santora
TREY © 2018
Music, PremieresSeptember 4, 2018<September 4, 2018

Premiere: Ambience & Acceptance in TREY’s Intimate “Outofline”

by Mitch Mosk
Salim Nourallah © Casey Pinckard
Music, PremieresSeptember 4, 2018<September 4, 2018

Premiere: Salim Nourallah’s Hopelessly Romantic “Rainbow Dolphins”

by Mitch Mosk
Pink Skies © Shabnam Ferdowsi
Music, Music Videos, PremieresSeptember 4, 2018<September 4, 2018

Premiere: Social Media, Addiction, and Zombies in Pink Skies’ “Just to Get By”

by Mitch Mosk
Painkiller - Beach Bunny music
Columns, Music, Today's SongSeptember 4, 2018<September 4, 2018

Unraveling the Headache of Anxiety as Told by Beach Bunny in “Painkiller”

by Caitlin Ison
Joey Dosik © Curtis Essel
Debut, Features, Interviews, MusicSeptember 4, 2018<March 2, 2025

Exploring a New Frontier: A Conversation with Joey Dosik

by Adrian Vargas
Atwood Magazine's Weekly Roundup 08-10-2018
Columns, Features, Music, Weekly RoundupAugust 31, 2018<September 13, 2018

Atwood Magazine’s Weekly Roundup: August 31, 2018

by Atwood Magazine Staff
Wafia © Zoe Lawrence
Columns, Music, Today's SongAugust 31, 2018<September 20, 2018

Today’s Song: Wafia Finds Closure on Empowering Anthem “I’m Good”

by Nicole Almeida
Coyote Choir - Sing!
Debut, Music, Music Videos, PremieresAugust 31, 2018<August 31, 2018

Premiere: Come on and “Sing!” with Coyote Choir’s Inspiring Debut Single

by Mitch Mosk
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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